Expressionist Paintings

ABOUT THE ARTWORK "I Have the Horse. Am I a Knight?" weaves a narrative of self-inquiry and identity. The central figure, a woman astride a majestic horse, is painted with warm, ear...

At the center of "Await For Desire" stands a young woman, her expression laden with introspection. Her captivating gaze invites viewers to explore the depths of their own desires and longings. Mayowa's depiction of the woman symbolizes the human capacity for introspection and the journey of self-discovery. Her youth suggests a sense of innocence as if she is at the precipice of embarking on a profound exploration of her desires, dreams, and aspirations. The rose flower held gently in the young woman's hand adds a layer of intrigue to the artwork. Roses have long been associated with love, desire, and beauty. In this context, the rose becomes a metaphor for the desires that lie within each of us, waiting to be explored and embraced. The delicacy with which the young woman holds the rose signifies the fragility and vulnerability of these desires. The petals, beautifully rendered by Mayowa, exude a sense of purity and grace, mirroring the young woman's own essence. The title of the artwork, "Await For Desire," suggests a period of patient waiting and introspection. Mayowa invites viewers to contemplate the nature of desire and the role it plays in shaping our lives. The young woman's expression implies a moment of deep reflection as if she is on the cusp of a significant realization or decision. This evokes a sense of intrigue, urging viewers to reflect on their own desires, their significance, and the choices that emerge from such introspection. Akingbade Mayowa...

I believe this work of Art would remind viewers about their warm childhood, give them a rekindled desire to live, and find comfort in the people surrounding them. We all need a reaso...

In the quest to find utopia, I realized the role of truth and honesty in society cannot be underemphasized. It takes a thousand lies to cover a truth and this could lead to damaging ...

Perception is a painting that addresses individual perceptions about herself and how others see her. The subject in this painting gazes directly at the viewer to have eye-to-eye contact for an engaging conversation. She poses confidently and is ready for a dialogue. The motifs and icons generated from peacock feathers are used to weave the subject to further show the dignity of the personality. In the background of the painting are African icons to highlight the background of the subject. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Emmanuel Ibitoye hails from Aiyedun in the Oke-Ero Local Government Area of Kwara State Nigeria. He developed an interest in art right from primary school. He further fuelled his passion for art at Osi Central Secondary School, Osi. He proceeded to Osun State College of Education Ila-Orangun where he studied fine and Applied art from 2012 to 2015. He is an Art Educator and a multi-media painter who uses his art to address issues such as environmental decadence, culture, and racism. He believes that art is a tool that can be used to bring about environmental and human sanity, cultural integration, and the breaking of racial barriers. He uses his art to project the black race in a dignified manner, he is the exponent of Neo- black Renaissance Art...

"6.5 Koi 23" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Peop...

"4 Koi 22" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades o...

"9 Koi 23 - 2" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shad...

Aba Linus's "The More I See" presents a visually striking portrayal of a young boy in a contemplative state. The artist skillfully captures the nuances of hu...

Signed oil on canvas circa 1965 by French expressionist painter Andre Brasilier. The work depicts four military men in French naval uniform on black horses. A wonderful piece in the artist's distinctive style. Signature: Signed: Signed lower left Dimensions: Framed size: 28"x32" Unframed: 20"x24" Provenance: Private French collection André Brasilier was the son of the painter Jacques Brasilier. After studying in Saumur and St-Germain-en-Laye, he joined Brianchon's studio in 1949 at the École des Beaux-Arts in Paris. He was awarded the Prix Florence-Blumenthal in 1952 and the Grand Prix de Rome in 1953. He lived at the Villa de' Medicis from 1954 to 1957. He also received the Prix Charles-Morellet at the Salon de la Jeune Peinture in 1961 and the Prix de Villeneuve-sur-Lot in 1962. Brasilier's paintings are populated by beautiful, elegant women, respectable nudes and high-class gentlemen and are set in pleasant Val-de-Loire backgrounds, resplendent with landscapes and charming towns. Revealing the distant inspiration of Gauguin and the well-assimilated influence of certain other artists, Brasilier depicts a peaceful, comfortable world, free from care, in a very simple, stylish manner, with delicate harmonies bathed in accommodating sunlight. Brasilier took part in group exhibitions from 1956, including many in Paris: at the Salon de la Jeune Peinture; regularly at the Salon d'Automne; at the École de Paris exhibition at the Galerie Charpentier (1954-1957); at the Paris Biennale (1961 and 1963); and at the Salon Comparaisons (1961-1964). Mainly, however, he showed his work in solo exhibitions, including: at the Galerie Drouet in Paris (1959); at the Galerie Weil in Paris (1960 and 1964); at the David B. Finlay Gallery in New York (1962, 1971 and 1974); at the Atelier Mourlot in Paris (1964); at the Galerie Guiot in Paris (1967); at the Galerie de Paris (1969, 1972 and 1976); at the Yoshii Gallery in Tokyo (1969, 1974 and 1977); at the Galerie Matignon in Paris (1979); a first retrospective at the Château de Chenonceau in Paris (1980); at the Nichido Gallery in Tokyo (1983); a retrospective at the Musée Picasso in Antibes...

Signed lower center with artist monogram, 'B.S.' for Benjamin Silva (Brazilian, born 1927) and dated with roman numerals, 1968; additionally signed, verso, dated and titled. A dramatic and animated oil painting of a crowd scene showing the feared, mounted police of Mexico City in action against the students in the demonstrations of October 2nd that preceded the opening of the Mexican Olympic Games...