Folk Art Paintings

Charming mid-century naive painting of small figures and chickens in a rural landscape by an unknown artist (American, 20th Century). Signed with the monogram "I. M. H." on lower lef...

Oil painting on cardbord Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Sh...

Figurative Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost livi...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works a...

Abstract expressionist CoBrA style acrylic on card of a humanised figure attributed to French artist, A Nuchy. The work is signed bottom right and stamped with the Atelier stamp to t...

Acrylic on canvas, signed and framed Image 16" x 16". Framed 18" x 18"

Haitian artist Jacksin Mésidor painted this from his Caribbean coastal hometown of Cap-Haitien in the north of his native land. As Haitian folk art, the painting delivers an archityp...

If you have interest in Eastern North Carolina Tidewater history and architecture, this painting may be a fine addition to your home or collection. It is an oil on board of the Sanderlin House in Belcross, Camden County. There is quite a bit of history written on a card on the back board that describes the family members of the house in the late 19th century. Camden is the courthouse town for Camden County. It is a small town located on the east side of the Pasquotank River, a few miles from Elizabeth City. Belcross is an area just outside of town. Apparently two near-identical houses were built ca 1840’s by the Sanderlin brothers, William and Joseph. One was left to ruin and disappeared, the other seems to possibly remain. In any event, per the information included, this is a view of the house by artist Miss Ella Bidgood, ca 1895. An Ella Bidgood, born in Baltimore in 1855, has been identified and she was a resident of Norfolk, Virginia with her family in the 1900 census. She is likely the artist of this painting. It is painted in a somewhat naive style but competently shows details of the house in nice, vivid colors. The painting is not signed but the information on the back side seems completely reliable. The painting itself is oil on board and measures 12” x 18”. It has been recently cleaned and varnished. It is in very good condition with no issues to report. It is housed in a substantial gold painted frame of the period with interesting detailing. Overall framed measurements are 19” x 24”. The frame is in good solid condition with no issues to report, other than expected very minor age-related wear. Note that the photos show some glare from the varnish in places that really doesn’t show in general light. Southern paintings...

Kate Ruiz is an American Artist living in Nicaragua. Leaving Los Angeles for central America in 2015 with her family, she now lives on a small farm they have carved out of the land. ...

"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban The painting measures 65 x 48 inches. We love that in the middle of ...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

This retablo was purchased by the gallery in Mexico City. I knew the family that sold this retablo to me. The writing says" August 8,1944,I give thanks...

Acrylic paint on box canvas. Ready too hang Signed

"Lady Lee" and "My Neighbors" are two original oil paintings executed on either side of a wood panel by Wisconsin artist Robert Richter. This fun and playful ...

Contemporary mixed media and pastel on paper of a golden sun like orb by Belgian artist Francis Besson, signed bottom right. In plain contemporary oak f...

Outsider Folk Art American Mid-Century Naive WW2 Self Taught WPA Depression Era "Victory for Now" Ralph Fasanella (1914-_1997) "Victory and After,” gouache on paper. Signed, titled...

Cecilia "Peach" Taylor (Mrs Reginald B. Taylor) Folk Art watercolor painting of horses titled "White Horse Farm) painted in 1948 A classic example of self taught, American Folk Art d...

Bold San Francisco Abstracted Still Life Composition in Oil on Board Bold still life composition by Frank Koci (Czech-American, 1904-1983). A table is set with a jug of wine and a bowl of fruit and a landscape in the background. It is composed of several layers of paint, with bold outlines. In some areas, paint has been scraped away to create additional texture. In broad terms, you can describe Koci’s paintings as a series of “people-scapes,” wherein people are shown having relationships (some fleeting, some enduring) with fellow humans. A better term is probably “preludes” — wherein each painting sets the stage for something momentous that will occur in the very next frame. In the best Kocis, the tension is palpable. Signed in the lower right corner "Koci". Presented in a wood frame. Board size: 13"H x 30"W x .5"D Born in 1904 in Pilsen Czechoslovakia to a widowed mother. Koci grew up in poverty. Leaving Pilsen at 17 he was already too sophisticated about arts and literature, drama, and polished...

Joyce Roybal, American (1955 - ) - String Trio, Medium: Oil on Canvas, signed lower right, Size: 8 x 10 in. (20.32 x 25.4 cm), Frame Size: 12.5 x 14.75 inches

A fantastic vase of bold colorful flowers. signed and dated in Hebrew and English, Jerusalem 1989. Litvak's life as an artist started in 1976 when he left Kishinev (Bessarabia) for Israel...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is made with casein on plaster on wood. Catalogue of a postumous ret...

SAINCILUS ISMAEL Petite Rivière de l'Artibonite, Haiti, b. 1940, d. 2000 Saincilus Ismael was born in Petite Riviere de l’Artibonite, Haiti. He began to paint in 1958, after visiting the Centre d’Art in Port-au-Prince. In 1967, he was one of a group of artists commissioned to paint the community exhibition hall at Deschapelles. His work bears the influence of Byzantine art he saw in books. Like Gerard...

Wedding Dance Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1970 Acrylic on Paper, signed l.l. Size: 24.5 x 19 in. (62.23 x 48.26 cm) Frame Size: 29 x 23 inches

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

Original mixed media collage on cardboard mounted on paper. Unsigned. Artwork size 12.25 x 20.875 inches. Frame size approx 18 x 27 inches. Artwork is in excellent condition. Ce...

This artwork titled "People of the Village" c.1980, is an oil painting on canvas by Hungarian artist Anton Kowalski, b.1926. It is signed at the lower right corner by the artist. The canvas size is 21 x 24 inches, framed size is 26.5 x 30.5 inches. Framed in original dark wood and green frame, with fabric liner. It is in excellent condition. About the artist: The artist was born in Sopron in Hungary in 1926. He was a student of the Academy of Budapest and during the uprising in 1956 against Communism he escaped from Hungary to Vienna where he now lives and works. He has become internationally known for his (typically East European style) “Naive” paintings depicting Village life in the four seasons in glorious color. Children especially like his works as each one tells a story. He has exhibited in many Galleries throughout Europe, particularly in Munich, Vienna, Tokyo, and Harrods in London. His work has been on permanent exhibition at the Stewart Gallery...

Faceless Wonder Woman Female POWER Oil Painting There are more super hero painting Comes ROLLED in a tube Needs framing NY Artist Y.M. Lo oil painting. ...

Edgy Dawn by Jan Coutts. A glimpse of two Zebra in a moment as they journey through the Savannah during the wet season in Africa. The wet season for zebras is a time of migration, bi...

Acrylic paint on canvas Signed lower left

Whimsical Italian oil painting on canvas of a lion in a night sky with stars and a moon, executed in a distinctive primitive naive style. Signed on the bottom C. Barreto and noted on...

Man with Flower and Birds Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1980 Oil on board Size: 9 x 7 in. (22.86 x 17.78 cm) Frame Size: 9.75 x 7.25 inches

Artist/Designer; Manufacturer: Purvis Young (American, 1943-2010) Marking(s); notes: signed, marking(s) Materials: painted wood Dimensions (H, W, D): 24"h, 96"w (work is not framed) Additional Information: Provenance: This work is from the personal collection of Anthony Romano, one of the two guardians appointed to the artist in the later part of his life. Purvis Young (1943–2010) was a self-taught American artist from Miami’s Overtown neighborhood, known for his raw, expressive paintings on found materials that explore themes of social justice, spirituality, and everyday urban life. His work resonates with the visual urgency of Jean-Michel Basquiat, the narrative power of Thornton Dial, and the outsider spirit of Bill Traylor and Sister Gertrude Morgan...

This painting is inspires by the painting of chaim soutine pastry chefs.

Ernani Silva, Brazilian - The Feast, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 9.75 x 17 in. (24.77 x 43.18 cm)

Dylan Thomas's writing and Therese James's beautiful, colourful seashore paintings are so well suited to one another. Both have complex observations ...

Fiddler Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1980 Oil on board Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 21 x 17 inches

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

This striking acrylic mixed-media painting on board by Serg Graff presents a wild, expressionist portrait of Andrew Jackson (American lawyer, planter, general, and statesman who ser...

Wedding Dance I Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1975 Acrylic on Paper, signed l.r. Size: 17 in. x 26 in. (43.18 cm x 66.04 cm) Frame Size: 23 x 32 inches

Genre: Other Subject: People Medium: Oil Surface: Canvas Dimensions: 35" x 16.5 Dimensions w/Frame: 35.5" x 17.25 This depicts a Jazz or Klezmer musician. This one is a banjo or guitar player. The last photo shows it in a group of three that I have available. This listing is for the one painting. The artist Jovan Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. JOVAN OBICAN Cannes, France, b. 1918, d. 1986 Jovan Obican (1918-1986) artist, painter, sculpture and mosaic ceramic artisan was born in Cannes, France, to his Yugoslavian parents. From childhood on, Jovan practically devoted himself to art, scratching designs into the dirt when paper was unavailable. He trained with many recognized teachers and with many styles. He finished his training, imbued with the spirit of his native country, the people, their legends, and their philosophy. It has been said that his work has a "timeless quality" and a naive, folk art, outsider art brut quality, child-like primitive style. Obican is identified with his style the world over, a style that is simple yet sophisticated; child-like yet masterfully adult; a style that tells a story with psychological, philosophical or sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Best known for his depictions of folklore and traditional costumes rendered in a playful, childlike style and for his happy Jewish wedding scenes. He often used bright colors and black outlines in his renderings of figures and animals, giving his work an illustration-like quality. Thematically, the artist’s work is similar to Marc Chagall and Jean Dubuffet for its dreamlike images and so-called naïve style of painting. Over the course of his career, the artist maintained a studio in Boca Raton, Florida and Dubrovnik, Croatia—part of former Yugoslavia— where he developed an interest in Eastern Europe’s Jewish culture. Many of his mature works depict Jewish traditions and ceremonies, including traditional Jewish weddings, the dancing of the Hora, and traditional music. There is a display of his works in his former Dubrovnik studio. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson...

Genre: Other Subject: People Medium: Oil Surface: Canvas Dimensions: 35" x 16.5 Dimensions w/Frame: 35.5" x 17.25 This depicts a Jazz or Klezmer musician. This one is a saxophone or trumpet horn player. The last photo shows it in a group of three that I have available. This listing is for the one painting. The artist Jovan Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. JOVAN OBICAN Cannes, France, b. 1918, d. 1986 Jovan Obican (1918-1986) artist, painter, sculpture and mosaic ceramic artisan was born in Cannes, France, to his Yugoslavian parents. From childhood on, Jovan practically devoted himself to art, scratching designs into the dirt when paper was unavailable. He trained with many recognized teachers and with many styles. He finished his training, imbued with the spirit of his native country, the people, their legends, and their philosophy. It has been said that his work has a "timeless quality" and a naive, folk art, outsider art brut quality, child-like primitive style. Obican is identified with his style the world over, a style that is simple yet sophisticated; child-like yet masterfully adult; a style that tells a story with psychological, philosophical or sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Best known for his depictions of folklore and traditional costumes rendered in a playful, childlike style and for his happy Jewish wedding scenes. He often used bright colors and black outlines in his renderings of figures and animals, giving his work an illustration-like quality. Thematically, the artist’s work is similar to Marc Chagall and Jean Dubuffet for its dreamlike images and so-called naïve style of painting. Over the course of his career, the artist maintained a studio in Boca Raton, Florida and Dubrovnik, Croatia—part of former Yugoslavia— where he developed an interest in Eastern Europe’s Jewish culture. Many of his mature works depict Jewish traditions and ceremonies, including traditional Jewish weddings, the dancing of the Hora, and traditional music. There is a display of his works in his former Dubrovnik studio. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson...

Wonderful mid century vertical still life with folk-art feel and vibrant colors by T. Tinney (American, 20th Century) 1957. Signed "T. Tinney" and dated "1957" lower right. Unframed...

Black Panther Oil Painting There are more super hero painting Comes ROLLED in a tube Needs framing NY Artist Y.M. Lo oil painting. contemporary art in ...

Fanciful vintage Haitian acrylic painting on board depicting an idyllic rural village executed in a playful naive technique. Signed Phiton Latortue and presented in the original carv...

Golfam Jozdani Saint Minecraft XXV Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing Op...

Charming mid century acrylic painting on canvas of a leopard with fauna and flora, executed in an enchanting naive style. Signed Paradis 82 and presented in a wood frame.

Artist: Jaimendes, Brazilian (1939 - ) Title: Pouring Coffee Year: 1983 Medium: Oil on Canvas, signed and dated l.r. Size: 16 in. x 13 in. (40.64 cm x 33.02 cm)

"Back" (De vuelta). Acrylic on canvas. Dimension: 30 cm x 20 cm x 2 cm / Inches: 11.81 x 7.87 x 1.58 " The pictures of Raquel Fariñas are presented ...

Blue, yellow, brown, and red abstract figurative landscape painting by an outsider artist. The painting depicts a horse chase with two cowboys in the middle of a Western desert. Unsi...

JERUSALEM, Vielle du David, (City of David) Superlac (enamel) painting on paper, hand signed, titled and dated. Provenance: Michael Hittleman Gallery Los Angeles. Gabriel Cohen, (...