Modern Paintings

Ravello. All that visit know the capture of the place when looking towards the Med. Gradwell created of semi abstract view of the collaspe between coast and the town dwellings . An e...

Renée Demsey, an accomplished American painter, has left an indelible mark across art, fashion, and design for more than 75 years. Her dynamic artwork initially garnered attention at...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Angela Stones (1914 - 1995) Still Life with Coffee Pot and Fruit Oil on board 41 x 51 cm Signed lower right. A mid-century still life in oils, characterised by Stones' textured brushwork, inventive composition, and rich use of colour. Stones was educated at the Chelsea School of Art, and was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893 - 1983) studied under Jack Merriott – the artist famous for his British Rail posters, and her son, Christopher Assheton-Stones (1947 - 1999), was arguably the foremost pastel artist...

Jean-Jacques RENÉ Normandy : On a Bench in Etretat Original oil paint on canvas Hansigned 33 x 41 cm (c. 13 x 16.2 inch) Presented with a black lacquered wooden frame Excellent co...

i had the inspiration for this painting when I saw a youth playing the flute. I made the work according to the feeling I had and the idea that arose in my head. Details should not ma...

Jack Hooper "Side Stretch Nude" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower left In this intriguing modernist artwork, Jack Hooper's minim...

An original mixed media piece on paper by Gradwell. painting 42cm x 55cm glazed oak frame 63cm x 82cm View of a cove and sea in Amalfi, Italy. in evening light.

Robert Gilberg (1911-1970) "Still Life in White" c.1950s Gouache on newspaper from Sacramento Bee 1957 22.75"x15.25" unframed Unsigned Born in Oakland, CA on April 25, 1911. Gilberg...

Antique American modernist nocturnal starlit harbor painting. Watercolor on paper. Signed. Framed.

Rabin Mondal - Untitled ; Acrylic on Paper 12 x 10 inches (unframed size) 2017 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, survi...

Antique American modernist signed abstract still life oil painting. Oil on canvas. Framed.

Jogen Chowdhury Landscape, Felt Pen with Pastel on Paper 8.5 x 11.5 inches, 2023 ( Delivered ) Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhu...

Lalu Prasad Shaw - Bibi - 15 x 22 inches Tempera on Board, 2020 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pras...

The artworks in this Limited Edition Series are visually striking and capture the iconic design of the Air Jordan 1 shoes in a bold and energetic way. The use of acrylic and spray paint adds depth and texture to the pieces, creating a sense of movement and dynamism that reflects the athleticism and style associated with the Air Jordan brand. The color palette of the artworks is vibrant and eye-catching, with bright hues and contrasting tones that emphasize the sleek lines and recognizable shapes of the shoes. The incorporation of branding elements, such as the Nike swoosh and the Air Jordan logo, further reinforces the connection to the iconic footwear. Overall, this series of artworks successfully celebrates the cultural impact and timeless design of the Nike Air Jordan 1...

Suhas Roy - Untitled Charcoal on Paper, 12 x 15 inches, 2009 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

K. Laxma Goud - Untitled 12 x 7 inches (unframed size) Mixed Media on Paper ; 2009 ( Unframed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaki...

Suhas Roy - Untitled Charcoal on Paper, 12 x 16 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

The artworks in this Limited Edition Series are visually striking and capture the iconic design of the Air Jordan 1 shoes in a bold and energetic way. The use of acrylic and spray paint adds depth and texture to the pieces, creating a sense of movement and dynamism that reflects the athleticism and style associated with the Air Jordan brand. The color palette of the artworks is vibrant and eye-catching, with bright hues and contrasting tones that emphasize the sleek lines and recognizable shapes of the shoes. The incorporation of branding elements, such as the Nike swoosh and the Air Jordan logo, further reinforces the connection to the iconic footwear. Overall, this series of artworks successfully celebrates the cultural impact and timeless design of the Nike Air Jordan 1...

Suhas Roy - Untitled Charcoal on Paper, 11 x 16 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 5 inches ; dated 07-10-86 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly con...

Mid Century Italian still life tablescape by Italian artist Fulvio Pendini. The painting is signed bottom right and is presented in a period gilt wood and cloth frame under glass. Th...

'Mexican Fishermen in Lake Patzcuaro', lithograph by Yves Brayer (1963). Unframed. The artist, Yves Brayer, spent time painting in Mexico in 1963, one of the many worldwide destinati...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 10 inches ; 1980 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly contact us. ...

There are days like this when we feel free, carefree and happy. Nothing burdens us - everything is possible. "Feels Like A Happy Summer Day" is a colorful painting on canvas. It's...

Part of Gradwell's exstensive mission to paint Meditterean light and landscape. His journey painting can last one week to 3 months. Every location is about the essence of place. Expe...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Refreshment and Intermission, tempera on board, 11 x 19 inches, c. 1930/40s, signed lower middle, exhibited at Groom's one person show at Closson’s Gallery, Cincinnati, OH, March, 1943 (see The Cincinnati Enquirer, March 7, 1943, section 3, p. 4); provenance includes a private Ohio collection; presented in a period gold painted frame About the Painting Refreshment and Intermission is part of a series of paintings of Amish subjects Grooms started in 1938 based on his travels in Pennsylvania. These tempera works reflect the Regionalist impulse to paint local scenes far away from big cities. Focusing on both people and landscape, Grooms' compositions tell the stories of the uniquely American experience of the Amish. “Grooms paints the Amish people with as much understanding of type and appreciation of the plastic quality as any artist who has approached this challenging subject," noted the art critic for The Cincinnati Inquirer when reviewing Grooms' solo exhibition at Closson' Gallery, "In his current show, ‘Refreshment and Intermission,’ is a case in point. Here the absorbed concentration of people eating is described without an ounce of sentimentality. He has made the most of the interest between groups and of the conversations, both humorous and serious. The work has the quaint simplicity of a Lord’s Supper...

George Gustav Adomeit (American, 1879-1967) Ohio Countryside Oil on artist's board 16 x 20 inches 21.5 x 25.5 inches, framed A major painter of American scene subjects, George Adome...

Work on canvas

A fine mixed media plien air painting by Gradwell. The Amalfi coast, Italy . An evening study in low light. mixed media on paper: 34cmx 54cm Glazed gallery frame: 52cm x 73cm

The Sea is an original painting realized by an anonymous artist in the mid-20th Century. Oil panting on panel. Unreadable sign on lower margin. The state of ...

Born in Savannah, Georgia in 1912, abstract expressionist painter Morris Shulman studied at the National Academy of Design, Art Students League and Hans Hofmann School of Art in New ...

This painting was done early in Clyde Singer's career while at the Art Students League in New York. It was purchased directly from the artist in 1988.

A fine piece from a series of paintings by Gradwell. This piece represents the sense of place throughout the Seasons. Light , time of day and weather. It's a very layered piece in mi...

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Quests Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack. Casein on Masonite Condition: Excellent Image: 6 x 11" Frame: 9 3/8 x 14 1/2" Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer, the publisher of the most notable modernist art and poetry magazine...

Jogen Chowdhury Untitled, Charcoal on Paper 7 x 9.3 inches, 2022 ( Delivered ) Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed...

Arthur VAN HECKE (1924-2003) Fruits, maïs et raisins Oil on canvas Size: 81 x 100cm Signed lower right Painting in perfect condition, sold unframed. Origin: - Artist's studio - Mar...

Striking Haitian acrylic painting on canvas depicting a colorful healthy array of fruits and vegetables executed in a distinctive naive style. Signed Paulo in the lower right and pre...

Paritosh Sen - Untitled 22 x 20.9 inches (unframed size), 1992 Mixed Media Paper Pasted on Board ( Unframed & Delivered ) A stunning work in colors on "red ,Blue Gold in Acrylic on ...

Lalu Prasad Shaw - Biwi - 12 x 9 inches Ink on Canvas Board, 2022 ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu...

Rabin Mondal - Untitled ; Acrylic on Paper 16 x 12 inches (unframed size) 2015 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, survi...

b. 1962, Los Angeles Andy Moses is an artist who lives and works in Venice, California. He was born in Los Angeles in 1962 and attended California Institute of the Arts from 1979 to...

Prakash Karmakar – Untitled, 28 x 20 inches (unframed size) Acrylic on Paper, 2004 ( Unframed & Delivered ) Karmakar is best known for his landscapes and nudes, which are g...

here is an original work by Francis X Pavy. The work was done in 2014 and is part of his 3rd coast suite of paintings and multimedia work. the piece is mixed media on paper (unframe...

'On the Path', pastel and ink on art paper, by Suzanne Tourte (circa 1950s). Executed with a lively palette of colour, this is a surprisingly sophisticated modern work of art which belies its rather naive style. Flowered fields, green grassy patches, a curved path and blue skies all figure in this engaging landscape with two figures. Newly framed and glazed in anti-reflective glass, this work is in good overall condition. Signed: 'S X Tourte' in the lower right hand. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided. About the Artist: Suzanne Tourte (1904-1979) was a French painter, engraver, medalist, fresco artist, lithographer and illustrator. She was also an excellent vocalist. She studied at the school of Beaux-Arts in Reims while continuing her musical studies at the Conservatoire de la Ville. She chose painting as a profession and returned to Paris to continue her studies. She was friends with artists Yves Brayer and Robert Humblot...

A fine study piece by A. M. Gradwell. Painted plein air during winter months in 'The Lake District'. He revisits the place since his Residency at Grizedale Forrest , Artist in Reside...

HOUSES AT MIDNIGHT Size: 40 x 65 cm (including frame) Oil on canvas A delightful modernist-style composition, executed in oil onto canvas and dated 1998. This picturesque compositi...

Melitta Schiffer, painter. b. Trieste, Italy. In her youth, moved to Weimar, Germany with her parents. Studied at Art Academy, Weimar, Germany; Advanced studies with artist Mildan; 1...

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

Transporting oil painting on canvas of a tropical bayscape with a boat, houses and palm trees on a sunny day highlighting light and shadow. Signed J. Drooks in the lower right and pr...

Clarence Holbrook Carter (American, 1904-2000) Double Ovoids with Blue and Black, 1960s Acrylic on scintilla 15.25 x 12.25 inches A surrealist mid-century figural abstract painting....

BOATS AT THE JETTY Size: 34 x 70 cm (including frame) Oil on Canvas A restful and very confidently executed mid-century coastal landscape composition, executed in oil onto canvas. ...

this work by Francis X. Pavy is one of 4 Water studies done in 2009. it's #0122009 meaning it's the 12th painting that year. the main colors are Dark Blue and Green and Red Abo...

this 2018 Painting by Francis X. Pavy depicts a flock of migrating birds, characteristic of all of southwestern Louisiana, where there are many migrating flocks of ducks, cedar, waxw...

Febland creates wonderfully dynamic technical and dramatic narratives. The works are evocative of many places in America(especially that of his newer works which seem to sew-togethe...

Gloria Vanderbilt Mother and child, ca. 1968 Gouache on paper painting Hand signed by Gloria Vanderbilt lower right recto Unique Frame included Measurements: Framed 37 Vertical by 31 inches. Painting 27 Vertical by 21.5 inches This unique, poignant poignant portrait was done by the legendary Gloria Vanderbilt. It is signed on the front. As this work was done in the mid 1960s, it is believed to be a self portrait depicting the artist, and likely her son, Anderson Cooper. Held loosely in the original damaged vintage Heydenryk frame used by Hammer Galleries...

The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...

Winter Landscape is an original contemporary artwork realized by the Artist Dumbra in the late 20th Century. Relief material work (cementite and airbrush with glue). Hand signed by...