Child Paintings

Signed verso. As Darsney’s work has developed, his compositions and influences have evolved. An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt and Degas. These artists’ attention to detail and adherence to classical ratio, coupled with Darsney’s own innate sense of structural integrity, inform his vision. He is also particularly influenced by the art on view in Boston museums and collections as seen here with his portrayal of The Daughters of Edward Darley Boit...

Oil on canvas

Artist: Marshall Goodman, American (1916 - 2003) Title: Children Playing Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 30 x 25 in. (76.2 x 63.5 cm)

Medium: Oil on Board Signature: Signed Lower Right Sight Size 15.50" x 15.00", Framed 23.00" x 22.00" signed Jessie Willcox Smith (lower right); signed Jessie Willcox Smith and titl...

Ernie Banks, aka "Mr. Cub" and "Mr. Sunshine", was a professional baseball player who starred in Major League Baseball as a shortstop and first baseman for...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

ROBERT WALKER MACBETH, RA (1848-1910) Fenland Reed Cutters Signed with initials and dated 1900 Oil on canvas 59 by 79 cm., 23 ¼ by 31 in. (frame size 82 by 102 cm., 32 ¼ by 40 in.) Provenance: Agnews; Fine Art Society, London. Macbeth was born in Glasgow, the son of the Scottish portrait painter Norman Macbeth, RSA. He first studied at the Royal Scottish Academy, before moving to London in 1870 to join the staff of The Graphic. On his arrival in London he first exhibiting at the Dudley Gallery. He soon became acquainted with Hubert von Herkomer, Fred Walker...

Aaron Bohrod Gallimaufry, 1989 Signed on the right Oil on gesso panel 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism...

Dietz Edzard (German/French 1893-1963) Oil on cardboard, 1938, stamped at lower right with the initials D.E. Framed. Property of the Estate of Dr. Max Stern sold for the benefit of ...

A native of Baton Rouge, Louisiana, Brandon V. Lewis is the product of a single mothers love and dedication and the beneficiary of the hard work and strong convictions of his grandpa...

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

Signature: Signed Lower Right Cover Illustration: Saturday Evening Post, October 3, 1931

Portrait of a bay horse with army officer seated on a drinking trough, signed with monogram and and dated 81', inscribed verso 'by W E Milner, Gainsborough', oil on canvas. The size overall being 44 x 57 cm (17.5 x 22.5 inches) whilst the image is 35 x 48 cm ( 19 14 inches ) In very good condition housed in a gilt frame. William Edward Millner...

Javier Báez was nicknamed "El Mago" (Spanish for "The Magician") when he was a middle infielder for the Detroit Tigers. On the international level, he represents the Puerto Rican national team. Báez was named the National League Championship Series co-MVP alongside left-handed starter Jon Lester as the Chicago Cubs clinched their 2016 National League pennant en route to winning the 2016 World Series. He is a two-time All-Star, as well as a Gold Glove Award, and Silver Slugger Award winner. He is also the cover athlete for MLB The Show 20. Margie Lawrence Javier Báez watercolor and graphite on paper 12.50h x 22.50w in 31.75h x 57.15w cm MAL031 Margie Lawrence b. 1957, Chicago Education School of the Art Institute of Chicago – Illustration, Printmaking, Chicago, IL University of Wisconsin-Madison – Theatre, Madison, WI Drake University, BFA – Theatre, Des Moines, IA National Theatre Institute, Waterford CT Royal Shakespeare Company, Stratford, England Exhibitions 2018 Baseball Art, Second Story Studios, Chicago, IL Baseball as Art, Cleveland County Arts Council, Shelby, NC Masterful Moxie – The Power of Art, Dank Haus, Chicago, IL Connections – Exploring the Ties that Bind, Open Walls, Chicago 2017 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2015 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2014 All Stars of Baseball Art, The Mason Civic League Gallery, Hoboken, NJ Pine Tar Portraits & Other Notables, Firecat Projects, Chicago, IL 2013 Baseball Art Show, George Krevsky Gallery...

full title: "So Abram departed, as the LORD had spoken unto him; and Lot went with him: and Abram was seventy and five years old when he departed out of Haran" After: “Basket of Clams” by Winslow Homer (1873) and “Moses Striking the Rock” by Abraham Bloemaert (1596) Framed: 12h x 10.50w in This piece began with two stories about striking a rock to get water – that of Moses from Exodus and that of the S.S. Minnow of Gilligan’s Island...

Kar_Part is an LA native, mechanical engineer product designer turned street artist fueled by a growing frustration with socio-political, economic,...

Fight Between Two Boys, Saturday Evening Post cover study, 1911

"Folkloric Musicians" Figurative Oil Painting 59" x 87" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and ...

Arredo Urbano Oil Painting Rome Italy Portrait Monkey Surrealistic In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan...

Antique Dog Painting of a Terrier Jules Chardigny (1849-1892) Circa 1870 Oil on wood panel. 8 1/8 x 5 5/8 (13 1/4 x 10 3/4 frame) inches This is one of several examples of dogs bein...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Market In Morocco Trevor Waugh Oil on stretched canvas Unframed Orientalism

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

Original cover illustration for Top-Notch Magazine, published October 1, 1919. Featuring an action-packed early football image of a player kicking a ball, this exciting, fresh-to-the-market pulp cover painting is signed lower right by Clyde Forsythe, an American illustrator who created a number of iconic American WWI propaganda posters...

Still Life with Earthenware Jug, Oil on Canvas Laid on Board Painting, 1998 Additional information: Medium: Oil on canvas laid on board 25.5 x 38 cm 10 x 15 in Signed and dated; als...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Digital art on canvas, unique artwork Marco Santaniello is an Italian artist born in 1981 who lives & works in Cosenza, Calabria in Italy. He started his path doing Pop Portraits an...

‘Zulu Dancers’ Signed bottom right Hardman, titled on a sticker at the reverse and with address Walton End, Walton Lane, Bosham, Chichester, and Price 45 gns. Oil on board, 99 x 87...

Oil on cardboard, 1960 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ), Signed and dated lower left: Wellenstein 60. Framed. Height: 27.56 in ( 70 cm ), Width: 39.37 in ( 100 cm...

A charming portrait of a beautiful blue-eyed girl in a pink dress holding flowers in her hand. It's based on Renaissance portraits where the subject is pushed to the foreground and i...

19th Century Dutch

Daylight is an example of the bright colors that Beckner uses in his paintings. Daylight makes you wonder what the figure in the painting is thinking. Jim Beckner’s art vibrates with the pulse of the city. His edgy and energetic paintings...

A. E. Halliwell (1905-1987) Women in blue and yellow Gouache 30 x 47 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and d...

(early 19th century) English School Portrait of a Young Gentleman, with Riding Crop and Dog The reverse stamped T Brown, High Holborn, Linen, oil on canvas, The size overall being 104 cm x 84 cm whilst the painting is 89cm x 70cm A charming portrait in overall very good condition housed in a gilt frame The painting has been cleaned recently . There is some old restoration in the form of a small patch to the rear,barely visible to the front. some texturization to top right in certain light Certainly does not detract from this charming painting SHIPPING Free uk delivery Delivery usually within 14 working days.Fully insured delivery. please provide telephone/email details for courier. We ship worldwide for free. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

Rene jerome Legrand (British, Born 1953) Playing in the Rockpools at the Seaside - Oil on Canvas 10 by 8 inches, Signed and Framed (16 by 14 inche...

Signed and dated top right: “Norris (c) 1982”. With label verso: “Ben Norris, 1982 / Coronation / watercolor, 52 x 31 1/4 inches”. As a teacher, academic, and artist, Ben Norris had...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Oil on canvas painting by the Italian artist, Jean Calogero. Circa 1950. Signed lower left Overall in museum quality gold leaf frame 17.5 by 15.75 inches. Condition: Good. Provenan...

Oil on Canvas by post-impressionist French artist Francois Gall (1912-1987). Signed lower right and titled on the verso “Jeunne Fille de Coiffan.” Painting measures: 16” H x 13” W. ...

This painting is part of the Love series buy had a mind of it's own and became a linking of letters and shapes - Its in a Large White hand carved frame that gives it a wonderful retr...

'Flower maidens,' a large oil-on-canvas painting by Émile Eisman-Semenowsky French/Polish, Late 19th Century Frame: height 72.5cm, width 111cm, depth 9cm Canvas: height 54cm, width 9...

A painting of the affection between a girl and her dog. Also a reflection on a bygone era. :: Painting :: English :: This piece comes with an official certificate of authenticity sig...

Oil Painting by Herbert Bland Sparks "Happy Families" 1813 - 1901 Son of London maritime Painter and engraver, he exhibited at the Royal Academy and in Liverpool Oil on canvas. Signe...

"Seated Girl and Hummingbird" is a vibrant oil on board painting by Mexican artist Martin Saldaña (1874-1965). This captivating folk art piece portrays three figures standing near a ...

Acrylic paint on paper Signed by the artist

One of a kind, original oil painting on board by Zhaoming Wu. Signed lower right. Framed Dimensions: 21.75 X 24.75

This painting is the central painting in the triptych. This painting is dedicated to the problem of homeless children, deprived of parental warmth, home and normal childhood. This pa...

A naturalistic oil painting depicting two soldiers wearing regalia with a black horse. The scene is set in on a farm in a rural landscape. The paining measures 6.25 x 6.75 inches. ...

Oil on Canvas. Italian school of the 17th-18th centuries. Mary and the baby Jesus, standing on her knees, are depicted already in the glory of heaven, with little angels beside them....

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in glass works. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Joseph Clark ROI British, (1834-1926) A Bowl of Cherries Oil on canvas, signed & dated 1897 Image size: 17.25 inches x 22.25 inches Size including frame: 26.25 inches x 31.25 inches...

Title: French Mid 20 Century Watercolor of Beachgoers and Parasols at a Seaside Resort by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor on unframed paper Size: 18 i...

Elements of Composition is an original Oil on Canvas realized by the italian painter Mario Asnago in 1960s. Hand signed on the lower margin. Includes frame: 79 x 3 x 88 cm Good cond...

Modern figurative still life painting by the iconic Houston based artist David Adickes. The work features a central sculpture of a bearded man wearing a top hat with a bird sitting o...

Santa has a quickie with Mom. Elmer Simms Campbell was the first African American Illustrator to work for major newsstand magazines. Published December, 1963 Signed in pencil lower...