Crane Paintings

A wonderful marine painting of Rotterdam Harbor, C. 1960-1970. Great condition without any issues. Housed in the original wood frame.

Large, photo-realist painting on canvas featuring a crimson red and yellow industrial boatyard lift against a bright sky blue background 47 x 31 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back This precisely detailed photo-realist painting was made by Joseph E. Richards in 2001. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and yellow crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily mistake this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Valerio D'Ospina's (US based) "Docks from Above" is an oil painting depicting a yellow crane above a dock yard. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he re...

Medium: Gouache on Board Signature: Signed Lower Left Sight Size 29.00" x 26.00;" Framed 38.50" x 35.00" Framed under glass. Original cover illustration for The Saturday Evening Po...

Acrylic on canvas In China, pandas are very well protected. While many old buildings have to face the reality of being demolished and replaced by new buildings. Historical old build...

William Samuel Horton (1865 - 1936) La Seine Fumee bleu, Paris, France, circa 1909 Oil on canvasboard 17 x 21 inches Signed lower left A landscape painter, William Horton lived and ...

An original oil painting by Colin Ventris Bell (1919-1983) depicting Tower Bridge at early morning with H.M.S Belfast to the left of the Thames. Signed by the artist to the lower rig...

A charming depiction of a dockyard on a misty afternoon. The artist captures boats moored along the docks with large cranes towering overhead. Presented in a wooden frame. On board.

Audrey Barrett grew up in Queens, New York. It was there that her fascination with urban landscape began. Audrey, a self-taught artist, studied art history and became known for her landscapes and botanical subjects. Audrey Barrett worked as a package graphic designer for 25 years while painting large botanical paintings...

ALEXANDER STOLIN, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

ALEXANDER STOLIN, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South.   Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

original plein air cityscape oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: ...

Original en plein air oil on panel paint in Cripple Creek City Colorado :: Painting :: Impressionist :: This piece comes with an official certificate of ...

Oil on canvas Keti Shapatava is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. She was introduced to the world of art at Anastasia Virseladze Art Gymnasium ...

​Represented by George Billis Gallery, NYC & LA -- For the past dozen years or so I’ve focused on bridge elements by selecting portions of bridge structures and painting segments in a realist style. Previous shows at the Billis Gallery have featured New York area bridges using this approach that I call “abstract realism”. This show, New York City Transit, differs in several ways. First, I’ve expanded my focus to include different aspects of transportation in New York City. There are still plenty of bridges, in fact five different views of the Manhattan Bridge. But I’ve added trains to the mix as well as the MTA. A number of the paintings include the interaction of trains and bridges. Pedestrians are given focus too in scenes from the High Line. Second, not only has the subject matter expanded, many of the works provide a more panoramic treatment. There are still some closely cropped subjects that are typical of my previous style. But in several works my view has widened to place the transit elements in their urban context. Third, the transitory aspects of nature are captured as well. The atmospheric effects of sky and water and light and shade create dynamic contrasts to the fixed structures. The bridges in particular leap across the water against dramatic skies. Taken as a whole, New York City Transit takes you from the details to the big picture. It also captures the dynamism of the man-made structures in their dramatic natural context. Roland Kulla September, 2016 Acrylic on canvas, cityscape, painting, New York City, Manhattan, High Line, Hudson Yards

Original Cityscape oil on panel painting paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity sign...

Original cityscape oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Ye...

Hutong is typical building of old Beijing, beautiful and quite, which is also a reflection of traditional clulture, for hundreds of years. There were more than 3,300 hutongs in old Beijing. Today, it is really hard to find an original hutong. They are vanished, replaced by new buildings. This artwork shows ruins of old hutong. The red sign "北大吉巷" that fell on the ground is its name. The upper part of the picture shows the modern city being built by human beings. On the left of old wall, there is Chinese character '拆', means tear down. On the bottom, there is beautiful gate...

Art Seiden was a children's book illustrator in New York City. Seiden was a members of The Society of Illustrators

I was born in 1972 in Chartres. I live and work near Orleans. After having taken courses at the Beaux Arts in Orléans in drawing of live models, sculpture and painting, I decided to devote myself entirely to painting. Education ARTISTIC APPROACH: When the day fades, the truth appears in the light of the twilight. The whole being, invaded by the padded silence of the advancing night, sees his humanity bend under the awakening of his senses. He becomes again more instinctive, more animal, more true in the beauty of his solitude ... and the return to nature that the twilight imposes, then sends him back an exact image of himself...