Decor Paintings

Chase Langford has created a distinctive visual language that is grounded in the natural and built environment while embarking into uncharted territory. His impactful depictions reca...

Ulrich Gleiter's (EUR based) "Morning Table" is an oil painting that depicts a still-life of random objects such as a lemon an teapot. Bio/Artist State...

Richard Huntington (b. 1936) is an american painter, printmaker, and writer, is Critic Emeritus at The Buffalo News and has written for High Performance magazine, ARTnews, and Art Ne...

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Birds create various iconic for...

This work, created with acrylics on paper, explores the duality of human emotions through a simple but powerful palette. The red section represents passion and vital energy, while th...

Still life in kitchen. Oil on canvas, 72x90 cm Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently lives and...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

We got to know Erik van Elven years ago through Facebook, we were Facebook-friends way before we even wanted to open up a gallery. We shared a passion: ...

Favorite Teapot by Lu Haskew Oil 8x16" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price inclu...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Original artwork, acrylic on paper. Unframed Layered colour expertly moulds vivid compositions which flirt with optical transcendence. :: Painting :: Abstract Expressionism :: This p...

MADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. Her work is in a more whimsical style of Francoise Gilot. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé, Moise Kisling, Marie Laurencin, Henri Lebasque, Fernand Leger and Henri Matisse. The gallery now exhibits painters and sculptors in the tradition of the École de Paris and artists such as Jean Carzou, Shelomo Selinger or Pollès. Her style is a recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić...

Een Oktoberfeest Oktoberfest Autumn Oil Painting on Panel Still Life In Stock Walter Elst Born in Antwerp, Belgium - 1955 After finishing his study Medicine at the University of Bru...

Poppies. 2016. Oil on canvas, 35x40 cm Bouquets of meadow flowers in vases Valery Bayda (1958) Valery Bayda was born in 1958 in Russia. From 1983 to 1989 he studied at the All-Uni...

MADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé...

Evening still life. 2007, oil on canvas, 60x80 cm Still Life with fruits, eggplant and bottle of wine Kristine Kvitka (1983) Kristine Kvitka is a Lat...

Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Russian philosophy. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Ri...

David Cheifetz's "Sun Tea in Darkness" is an oil painting featuring a yellow, ceramic tea pot with wine glasses. About the artist: David is an internationally acclaimed and colle...

Artist: La Pun, Campbell Title: Salon Rosthchild - Elixir Series: Dom Date: 2023 Medium: Aerosol on Panel Unframed Dimensions: 57.5" x 40.5" Signature: Signed Edition: Unique

Lowell Blair Nesbitt is an American painter, draughtsman, printmaker, and sculptor. Although he worked in a variety of media and covered a wide range of subjects throughout his career, he is best known for his large, Photorealist botanical paintings. Born in Baltimore, Maryland in 1933, Nesbitt earned a degree from the Tyler School of Art at Temple University. Later, he also studied at London’s Royal Academy of Arts. Working in stained glass and etching and also producing abstract paintings in his early career, a 1962 encounter with artist Robert Indiana led him to steer his aesthetic toward realism. Though he held his first solo show at the Baltimore Museum of Art in 1958, it was his 1964 debut at the Corcoran Gallery of Art in Washington D.C. that would truly bring him to the attention of the art world. In this exhibit, his botanical series of paintings, drawings, and prints captivated the art world and public alike. The game-changing Corcoran Gallery show would send his career down the trajectory of sustained success. In 1976, Nesbitt moved from his New York City West 14th Street studio to a massive space located at 389 West 12th Street. The 12,500 square foot living and workspace supplied ample room for creating his enormous paintings (the largest was more than 30 feet long), but it also bragged an indoor swimming pool, a four-story atrium, and a rooftop area for entertaining. “The Old Stable,” as Nesbitt came to call it, soon became a popular hangout for celebrities, dignitaries, and other art world heavy hitters. Andy Warhol, Roy Lichtenstein, Robert Indiana, Jasper Johns, Robert Motherwell, Larry Rivers, and James Rosenquist were all known to have frequented The Old Stable or to have at least paid a visit. Throughout his long career, Nesbitt was known as an artist who could successfully capture an array of diverse subject matter using a variety of techniques. Creating beyond his signature Photorealistic flowers and botanicals, Nesbitt produced paintings, drawings, and prints of everything from landscapes to reptiles to electronic components. He is even credited as the first artist to use computer parts as artistic subject matter. In 1980, the United States Postal Service honored his contributions to the art world with a series of four stamps based on his trademark floral paintings. Another unique honor arrived when Nesbitt became the official artist for NASA’s Apollo 9 and Apollo 13...

Abstract Impressionist of Red Poppies, Oil Painting by Pamela Cawley, British 20th century oil painting on canvas, unframed board: 18 x 15 inches Stunning original Impressionist oi...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features an opulent setting with an intricate mirror, a side table with a collection of white vases...

Window of Life 3

Covington, 2020

Keith Nash The Last of the Day Original Landscape Painting Watercolour Paint on Paper Mounted Size: H 40cm x W 40cm x D 0.1cm Sold Unframed Please note that insitu images are purely ...

Eleanor Woolley Winter Shadows 10 Original Landscape Painting Oil Paint on Canvas Board Size: H 15cm x W 15cm x D 4cm Sold Unframed Ready to Hang Please note that insitu images are p...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 30"x40"x1.5". It is unframed. A Certificate of Authenticity will follow ...

An Angel appeared in the window after the rain. As a messenger of light.

“Cities, like dreams, are made of desires and fears,.. â€

Sybiline's (CAN based) "Life in a Bottle" is an original, handmade oil painting that depicts pink Peonies blooming in a green vase as a pink butterfly swirls around the petals dreami...

We are delighted to debut Charles Buckley’s most recent series of ink drawings, based on photographs sourced from the mid-20th century. Buckley ...

"Fuori Confine" is an oil painting on wood, created by the Italian artist Salvatore Travascio in 2003 It is part of a series of paintings entitled "Instability", a reflection on how ...

Acrylic on canvas

Delicate greens and the soft pinks of the Lisianthus work so well together and allow the colours to resonate throughout the glass bowl and mirrored surface, this feature is a signatu...

Ken Orton's "Mandrake" is a 54x36 original oil painting on canvas. This painting depicts a still life setting featuring multiple antique bottles and jars. The bottles range in size, color and shape, the most prominent of is Presto jar. Light from the background adds depth and interest to the composition, and the warm orange tones shining through the foreground glass compliments the subtle soft blues and greens within the clear glass. The artist chooses to paint larger than life still lives, cropping in closely and creating a fish-eye lens effect for more impact. Every detail from the reflections on the table, to the illusion of the raised letters on the bottles, is painted masterfully. About the artist: Ken Orton has dedicated his life to painting. His childhood was spent drawing the urban, industrial surroundings of Birmingham, England. At the Birmingham and then Manchester Colleges of Art he studied Art Education and after six years teaching in England accepted an offer to head the arts program at the Joan Miro Centro de Arte of the Baleares International School in Mallorca, Spain. For the next twenty years he would introduce the concepts of pictorial composition, color theory and draftsmanship to his students. Many of these students would go on to achieve great success in the many branches of the arts, architecture and music and remain close friends with their teacher to this day. An integral part of Orton’s perspective training for his students was the study of the ellipse. He often used glass cylinders to demonstrate how the perceived ellipses generated by variations in the circle's relationship to the eye-line could be used as a powerful tool in creating the appearance of a third dimension on a two dimensional surface. Later, after he had moved to America in 1999, he discovered a treasure trove of antique mason jars...

Yellow Glads by Lu Haskew ​Oil on Canvas Floral Still Life 16x24" Image Size, 22x30" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Fresco. 2001, canvas, mixed media, 46x38 cm Ieva Iltnere (b. 1957) entered the Latvian art scene in the early 1980s. Together with other young painters of her generation she attracted much attention and radically changed prevailing conceptions about the Latvian figural painting. The fame of this generation of artists has not diminished since that time. In 1988 Ieva Iltnere took part in the young artists’ exhibition “Post-Traditionalism” at the Central Artists’ House in Moscow as well as in the exhibition “Riga – Lettische Avantgarde” at the Staatliche Kunsthalle in Berlin. It was the first important show of Latvian avant-garde art in Western Europe. In 1990 Ieva Iltnere and her like-minded contemporaries participated in the famous exhibition-action “Gentle Fluctuations” at the Exhibition Hall Latvija in Riga. This exhibition encouraged radical aspirations of the young painters’ group and promoted the adoption of new influences in Latvian art. In 1992 there was Ieva Iltnere and Jānis Mitrēvics’ joint exhibition “Works” and in 1994 – her solo exhibition “School” at the Art Museum Arsenāls. She took part in important Latvian art exhibitions at the Zvolle City Museum (2002), Frauen Museum in Bonn (1992), Grand Salle de l’Aubette in Strasbourg, Maison du Danemark in Paris (1997), Städtische Galerie im Buntentor in Bremen, etc. Ieva Iltnere is one of the most outstanding and creative artists of her generation. Her art is able to communicate great, significant ideas, important to both the individual and the society in general, through intimate subject matter. Iltnere has created a particular imagery that clearly marks her individual style. Her early works deal with themes of family, mother and child, depiction of intimate aspects of life. The artist raised everyday phenomena to the level of sacredness. Today the artist synthesizes traditional means of painting and conceptual approach, inspired by different cultures, Western avant-garde art of the 20th century and Biblical themes (solo exhibition “Stories”, 2002). Iltnere’s paintings feature subdued colouring and discrete intonation. The artist pays particular attention to light and composition. Each work is endowed with a personal touch. Iltnere’s works are found in collections of the Latvian National Museum of Art (previous title - State Museum of Art), the Artists’ Union of Latvia Museum (Riga), the State Tretyakov Gallery (Moscow), Ludwig Museum (Aachen, Germany), Jane Voorhees Zimmerli Art Museum (New Jersey, USA) as well as in private collections in Latvia and abroad. Selected solo exhibitions: 2008 "Beautiful fragile nature", Riga Gallery, Riga / Latvia 2007 "Eight Rooms", Riga Gallery, Riga / Latvia 2004 "The Happy Childhood", Riga Gallery, Riga / Latvia 2003 "Ieva's Painting", Gallery NoMi, St. Petersburg / Russia "My Room", Gallery Centrs, Riga / Latvia 2002 "Stories", Riga Gallery, Riga / Latvia* 2001 "Ieva Iltnere's United Images", Gallery Daugava, Riga / Latvia 1999 "Papers and Canvases", Gallery Daugava, Riga / Latvia 1998 "Paintings of Paris", Gallery Daugava, Riga / Latvia 1997 "Oil", Gallery Bastejs, Riga / Latvia 1994 "School", Art Museum Arsenāls, Riga / Latvia* 1993 Riga Gallery, Riga / Latvia Gallery G&G, Riga / Latvia* 1992 "Works", Art Museum Arsenāls, Riga / Latvia (together with Jānis Mitrēvics)* "Four New Paintings", Gallery Kolonna, Riga / Latvia 1989 Gallery Baltasar, Gothenburg / Sweden (together with Ivars Poikāns)* Selected group exhibitions: 2008 12th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* Rauma Biennale Balticum 08 "Flower Power", Rauman Taidemuseo, Rauma Art Museum/ Finland 2007 11th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2005 9th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2004 8th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* "The Rape of Europe", Eskilstuna Art Museum, Eskilstuna / Sweden* 2003 "Labyrinth", Gallery Vartai, Vilnius / Lithuania...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

Gordon Hunt Who goes first! Original Oil Painting Oil Paint on Belgium linen Size: H 30cm x W 30cm x D 4cm Sold Unframed Please note that insitu images are purely an indication of ho...

Artist: Peter Mayer Title: Jocelyn Wildenstein (Purple/Blue) Year: 1998 Medium: Acrylic and Silkscreen on Canvas, signed and dated verso Size: 11 i...

Dianne L. Massey Dunbar's (US based) "Coors Banquet Bottles" is an original, handmade oil painting that depicts a row of five glass beers stacked neatly on a table. About the art...

One autumn story. 2012, oil on canvas, 80x60 cm Fantasy landscape with three Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently lives and w...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco Antonio Petruccelli (1907 - 1994) Firemen Textile design, c. 1929 19 1/4 ...

Contemporary abstract interior still life painting by local Houston artist Tommy Taylor. Currently featured in the show "Septet" at Reeves Art + Design in Houston, TX. Signed, titled...

Contemporary abstract interior still life painting by local Houston artist Tommy Taylor. Currently featured in the show "Septet" at Reeves Art + Design in Houston, TX. Signed, titled...

Artist: La Pun, Campbell Title: Bollinger Rose (Purple Drip) Series: Bollinger Date: 2021 Medium: Aerosol on Panel Unframed Dimensions: 40.5" x 28.6" Signature: Signed Edition...

Colorful whimsical abstract contemporary painting by Houston, TX artist Moisés Villafuerte. The work features a staged still life of a pastel vase, ...

A walk in the moonlight in the woods in the freshly fallen snow not knowing you are being watched by a family of foxes :: Painting :: Folk Art :: This piece comes with an official c...

This watercolor painting depicts a bird perched on a metal teapot with a handle and spout. The teapot’s surface reflects details of its surroundings. The artwork combines a natural a...

Oil monotype on paper

“Through painting, I am interested in reflecting on how time has been—and can be—represented through images and the connections between individuals. The concept of time has been expl...

Artist: La Pun, Campbell Title: Penfolds Grange 2008 (UFO Drip) Date: 2024 Medium: Aerosol on Panel Unframed Dimensions: 57.5" x 40.5" Signature: Signed Edition: Unique

Butterfly Collage, Ink and Collage by Colin Self, 2013 Additional information: Medium: Ink and Collage 25 x 14.5 cm 9 7/8 x 5 3/4 in Signed Colin Self is a British artist, known for his Pop Art affiliations and themes of Cold War culture in his work. Born in Norfolk in 1941, Self studied first at Wymondham College, followed by Norwich School of Art where he was taught by Jeffrey Camp...

Sergii Druziaka and Sergii Litvinov. ART tandem "Spring"