Face Paintings

The Roman Man French artist, 19th century pencil drawing on paper, unframed 13 x 11 inches private collection, France the painting is in overall good and sound condition - very frag...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "The 'Garden Guardian' serves as the keeper of our...

Fashion is a term that is given to enhancing the personal style of clothing. People these days no longer want to dress up casually but they want to add an element of fashion in their...

A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...

Portrait Of A Lady, 19th Century circle of Sir Thomas LAWRENCE (1769-1830) Fine large early 19th Century portrait of a young lady, oil on canvas. Super quality and condition study ...

Samantha Millington’s unique style of figurative art pops and zings from the canvas while also nodding in the direction of cubism and goddess figures from pre-history. Both thoughtfu...

Mystery European Artist Untitled, c. 20th Century Oil on canvas board 31 x 22 3/4 in. Framed: 36 1/4 x 28 x 1 1/2 in. Signed lower right

Shipping Procedure Ships in a well-protected crater from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist A...

This Piece was inspired by the story of the Bride of a King. She was so loved by the King because of her great beauty, but the people of the Land loved her so much, not just for her ...

Pierre-Albert BÉGAUD (Bordeaux 1901 – 1956) End of game Oil on canvas H. 27 cm; L. 46.5 cm Signed lower right Pierre-Albert Bégaud is a French portrait and landscape painter born in...

French School of the 17th Century – Circle of Pierre Mignard (1612-1695) Title: Female portrait with flowers Medium: Oil on canvas Dimensions: without frame 81 × 68 cm – with frame ...

René Romero Schuler’s expressionistic paintings depict delicate female figures that she paints using a dry-brushed, minimalist hand, leaving her subjects mostly featureless but nonet...

Hand in hand, hearts entwined, Companionship, a treasure defined. Through stormy seas or sunny skies, Together, we face life's highs and sighs. In laughter, tears, joys we share,...

“Sistas” is a portrait collection of strong, intelligent women who look capable of taking on and managing whatever life has to hand them. That they are visually beautiful is actually beside the point for Henry has managed to capture in paint their inner beauty flowing from their eyes and features. Henry has sensitively revealed each individual’s personality. These are women you want to know and from whom you want to feel their power. Henry says that, “Painting is like breathing for me. I do so daily and appreciate my gift and ability. Perfection drives me as I create each piece. It must be unique. It must stand out, and is not complete until that special quality is achieved in my eyes.” Being able to create is an essential part of my life. It is an extension of my innermost thoughts and imagination. My primary focus of art is realism--using oils and acrylics. Occasionally, I switch mediums and design and build three dimensional pieces. Working mixed mediums, I use various wood, metal and paint, thus allowing me to achieve the visual effects I am looking for. Many of my pieces have been derived from my attraction to Art Deco and Ethnic designs. I am not satisfied until each piece, regardless of the medium or size, has reached the highest possible level of aesthetic quality and craftsmanship I can give it. I have enjoyed creating art since childhood. While a student at Martin Luther King Jr. high school in Detroit, I created and presented a portrait to then Mayor Coleman A. Young. A scholarship from Center for Creative Studies now the College for Creative Studies afforded me the opportunity to work towards and receive a BA in Fine Arts. Faculty and graduates of CCS include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern), William Girard (American Modern), and Charles Culver. Mr. Heading understands the joy found in art and how it affects a young person's heart. He has shared his love for art as a mentor/teacher at the Virgil L. Carr Center in Detroit, Michigan. Students not only grew in their art experience, but also exhibited at the Ann Arbor Art Fair. Winning the 2013 MI Great Artist Competition was an honor for Mr. Heading. He is thankful to Park West Gallery owner Albert Scaglione and Oakland County Executive L. Brooks Patterson for the opportunity. Mr. Heading has been featured on ASPIRE TV, shows at the Charles H. Wright Museum of African American History, the National Conference of Artists and other numerous galleries. In addition, he is a book illustrator. His murals create a beautiful focal point and conversation piece on the walls of homes, churches and health care facilities. His art and furniture is enjoyed and treasured by collectors across the United States and Canada. Kohei Suzuki, the former Mayor of Toyota City, Japan has a box designed by Henry. Mr. Heading's work is part of the major TCF Convention Center's permanent collection located in the downtown business district in Detroit, Michigan. His first attempt at mosaic tile was creating a Tiger sculpture to benefit the Detroit Tigers...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

African Boy is a series of paintings by talented artist Faith Gbadero. This series of Artworks captures the response and attitudes of African young adult...

GIFC Title: Die Year: 2017 Medium: Gouache on Paper Size: 11 x 8.5 inches Signed and dated by the artist COA provided

Artist: Jack Graves III (American, 1988-) Title: "Grace Kelly Icon X" Series: Icon *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2024 Medium: Ori...

Nude Model is an original modern artwork realied by Artist of the mid-20th Century. Mixed colored oil painting. Signature of the artist on the lower margin. Fair conditions due to...

Diego Glazer’s “Reclining Nude in Green” (2022) is an original, handmade oil painting on canvas panel that presents a seated nude woman in a classical pos...

GEORGES ARTEMOFF "LA FEMME ASSIS A LA MANTILLE NOIRE” OIL ON PANEL, SIGNED RUSSIAN-FRENCH, DATE 1963 PROVENANCE: GALERIE MAKASSAR , PARIS 31.75 X 20 INCHES Illustrated in the c...

Red-haired beauty portrait oil painting on canvas by René Avigdor 19Th Century Rene Avigdor was born in Nice and spent his career in France. He specialized in portraits, especiall...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Mid-century self-portrait by California artist Myrtle Cureton (American, 1909-2000). Signed "Myrtle Cureton" lower left. Artist's Santa Cruz Art League ...

Artist: Henry Perronet Briggs, Attributed to, English (1793 - 1844) Title: Juliet and Her Nurse with the Page Peter from Shakespeare's Romeo and Juliet Year: circa 1820 Medium: Oil o...

Herbert Gustave Schmalz Anyone for Croquet, circa 1898 Signed lower right Oil on canvas 47 5/8 x 31 3/4 inches Provenance Anthony Mitchell, Nottingham Burlington Gallery Ltd., Londo...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

Wonderful vintage impressionistic still life with burgundy and white African daisies (Osteospermum) in brass cache pot with statue by Marie Michael (Am...

Early 20th Century Likeness of Jack London Wonderful portrait of a gentleman with a striking likeness to Jack London by Robert Alexander Graham (American, ...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2013 Style: Figurative Art, Title: Glass of Wine Size:...

Artist/ School: French School, 20th century Title: Classical Ladies in Landscape Medium: oil painting on canvas, unframed and inscribed verso. canvas: 19.75 x 28.75 inches Prove...

Original acrylic with wash artwork of children on heavy card stock by the Italian born artist, Domenic Guerrera. Signed lower right. Signed verso, Roma (Rome, Italy). Condition is ve...

Nude Boy In The Forest, 19th Century inscribed to "TUKE" Early 20th Century portrait of a nude boy in a forest, oil on canvas inscribed "Tuke" to the plaque. Sunlit woodland sc...

Rare and well painted modernist nude composition. Oil on canvas. Signed. Framed. Image size, 18H by 24L inches.

Jesus Ortiz Tajonar (1919-1990) Mexican Boy with Papier-Mâché Animal Warrior Mask c.1950s Fantastic mid century modern oil painting by listed Mexican artist Jesus Ortiz Tajonar. W...

Interior with Flowers by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls...

Oil on Canvas frames to Guild of Framers Museum Standard :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

This artwork "Mother and Child" c 1940 is an oil painting on hardboard by noted American artist Victor Thall, 1902-1983. It is signed at the lower right corner by the artist. The board size is 23.5 x 15.5 inches, framed size is 37 x 28.5 inches. Framed in original gold wash frame, with fabric liner. The painting is in excellent condition, the frame has some minor restorations. About the artist: Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction. Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual. Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths. Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983. Education: 1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond. Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris Teaching: 1947 -1949 Art Students League Selected Bibliography: Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991. Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery. 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950. Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43. 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949. Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill. Upton, Melville, "George Binet Gallery," Sun, December 13, 1947. Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947. "Victor Thall at Binet Gallery," Art News, December 1947, p. 59. Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947. Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery. Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker, May 27, 1944, pp. 68-69 Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22. Devree, Howard, "Victor Thall," New York Times, October 24, 1943. Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune, October 24, 1943 Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943. Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition. Victor Thall Oil Paintings, New York: Puma Gallery, 1943. Art News, "Our Own Exhibition Gallery," June-july 1943, ill. MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill. Selected Public and Private Collections: Brooklyn Museum Desmond Child, Los Angeles Robert Crewe, Los Angeles Sidney Lumet, New York Newark Museum Billy Steinberg, Los Angeles 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Portrait of a Woman in Red - Bay Area Figurative School Abstract Expressionist Abstracted portrait of a woman in red by San Francisco artist Heather Speck (American, b. 1978). A wom...

Portrait Of A Girl In White, circa 1900 by Robert Edward MORRISON Large circa 1900 edwardian portrait of a girl in white, oil on panel. Excellent quality and condition period port...

An early 19th century, figural oil of a young woman with chestnut hair, shown wearing a headscarf and glancing towards the viewers left. A detail from a copy of 'Rebeca at the Well',...

The Egg is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Hand-signed on the higher left margin. Signed on the back. Realized ...

A charming portrait depicting an Edwardian lady in attire typical of the period. Her long, open coat is topped with an elaborate collar, accentuated by a long beaded necklace leading...

Wonderful Italian painting from the first half of the 18th century. Oil on canvas artwork depicting a fascinating biblical story, the beheading of the Babylonian leader Holofernes by...

Contemporary in a Traditional style Impressionist Figurative Portrait Oil Painting of Model in White Gown adjusting the suspenders on her silk Stockings...

Dancer  is a beautiful oil on panel realized by  Vrbová-Štefková in the mid-20th Century.  Signed and framed, 60 x 50 cm.  Good condition. 

2306G [2020] original Ink on paper Image size: H:36.5 cm x W:28 cm Complete Size of Unframed Work: H:36.5 cm x W:28 cm x D:0.1cm Sold Unframed Please note that insitu images are...

PORTRAIT OF UGO FOSCOLO - Oil on canvas cm.50x40, Antonio Jannone, Italy, 2002. this beautiful portrait of the Italian poet Ugo Foscolo is the painter's pe...

Portrait of a girl is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative work of a female fi...

Ken: Purgatory... what's that? Ray: Purgatory's kind of like the in-betweeny one. You weren't really shit, but you weren't all that great either. Like Tottenham. [pause] Ray: Do you believe in all that stuff, Ken? Ken: About Tottenham? About three years ago, during a trip to Spain, Evgeniy Monahov...

The Penitent Magdalene, 18th Century Studio of Pompeo Girolamo Batoni (1708-1787) Huge 18th Century Italian Old Master depiction of the Penit...

After Sir Thomas Lawrence (British, 1769-1830), Portrait of Selina Peckwell, Oil on Canvas, 20th century, unsigned, giltwood frame. The painting is in the style of British portraitur...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

French painter (18th century) - Portrait of Louis XV as a child. 64.5 x 49.5 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good s...

Signed lower right dated 1944 Signed verso William Malherbe "The Thetford Hill Vermont" Provenance: Palm Beach Galleries Framed in a gold frame

Stark, surrealist study of two nude figures in a color saturated room by Clayton Anderson (American, 20th Century), 1970. Signed and dated by the artist, left margin. Presented in a ...

Taju Mayakiri is the son of the Well know Nigeria Old Master and Postwar artist - Tijani Mayakiri ( 1937 - 1992), he invented a style of Painting that has the sketch at the back and...