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Art Subject: Men
Two Men with a Diver
Located in New York, NY
This work is offered by CLAMP in New York City.
Category

2010s Contemporary Paintings

Materials

Canvas, Oil

"Triple Elvis" Denied Andy Warhol Silver Black Pop Art Painting by Charles Lutz
Located in Brooklyn, NY
"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...
Category

21st Century and Contemporary Pop Art Figurative Paintings

Materials

Enamel

Original French Mid Century Post-Impressionist Oil Painting Portrait Young Lady
Located in Cirencester, Gloucestershire
Portrait by Édouard Righetti (1924-2001) Signed lower front oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors....
Category

Mid-20th Century Post-Impressionist Portrait Paintings

Materials

Oil

Joyline 2 - 21st Century, Contemporary, Figurative, Women Breastfeeding Child
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Acrylic

Self Portrait Of Sir Joshua Reynolds (1723-1792), 18th Century English School
Located in Blackwater, GB
Self Portrait Of Sir Joshua Reynolds (1723-1792), 18th Century English School Large 18th Century English Self portrait of painter Sir Joshua Reynolds, oil on canvas. Excellent qual...
Category

18th Century Portrait Paintings

Materials

Oil, Canvas

Framed 19th Century Oil - Family Scene
Located in Corsham, GB
A naive yet charming 19th-century study of a small family gathered around a baby. The mother cradles the infant in a chair while a small white cat watches quietly in the background, ...
Category

19th Century Figurative Paintings

Materials

Oil

"Dreams in Gold, " Oil Painting
Located in Denver, CO
Suchitra Bhosle's "Dreams in Gold" is an original, handmade oil painting that depicts a nude, dark haired woman, in golden jewelry, relaxing on a bed with a book nearby. About the ...
Category

2010s Impressionist Portrait Paintings

Materials

Oil, Board

Holding Leather Bag (Brown leather bag surréaliste oil painting vintage dark)
Located in Quebec, Quebec
Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove, red glove, Brown coat, ame...
Category

2010s Surrealist Figurative Paintings

Materials

Canvas, Oil

Portrait Knight Paint Oil on canvas 17th Century Lombard school Old master Italy
Located in Riva del Garda, IT
Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...
Category

17th Century Old Masters Paintings

Materials

Oil

Rococò Venetian Master - 18th century figure painting - Venus and Chronos
Located in Varmo, IT
Venetian painter (18th century) - Sketch for Venus and Chronos. 59 x 43 cm without frame, 70 x 54 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame...
Category

Mid-18th Century Rococo Landscape Paintings

Materials

Oil, Canvas

FRANCOIS VAN SEVERDOCK. Portrait of Eugène de Zereso de Cejada. Oil on panel
By Francois Van Severdonck
Located in Paris, FR
Portrait of Eugène de Zereso de Cejada. Oil on mahogany panel. Eugène de Zereso de Cejada was a Belgian politician and Baron.
Category

Late 19th Century Realist Portrait Paintings

Materials

Oil

The Mischievous Boy
Located in West Hollywood, CA
Presenting an extremely rare, early oil painting by English artist Ernest Procter. Ernest Procter was classically trained and extensively exhibited throughout his lifetime. Procter ...
Category

1920s Symbolist Figurative Paintings

Materials

Oil

Large American Modernist Oil Painting Baseball Game the Tryout Sidney Goodman
Located in Surfside, FL
Sidney Goodman (1936-2013) The Tryout Oil on Canvas Hand signed lower right Dated 1965 Provenance: bears labels verso from Terry Dintenfass Gallery (partial label) George Krevsky Ga...
Category

1960s American Realist Figurative Paintings

Materials

Canvas, Oil

WIND. original painting
Located in Zofingen, AG
In this piece, I've poured my soul into capturing the essence of movement and freedom. With each stroke of acrylic and oil, I've blended realism with a hint of impressionism to embod...
Category

2010s Naturalistic Animal Paintings

Materials

Canvas, Oil, Acrylic

After Vincent Van Gogh’s “Dr. Gachet” by Henrico (Richio) Galvez
Located in San Francisco, CA
The inspiration for this work was Vincent Van Gogh’s “Portrait of Dr. Gachet.” Both versions of the original perceptively convey the sitter’s sense of utter frustration, perhaps at h...
Category

21st Century and Contemporary Post-Impressionist Paintings

Materials

Canvas, Oil

Masculine Elegance (Beauty Within Us)
Located in Ibadan, Oyo
The Beauty Within Us" is a compelling narrative series of paintings that celebrates the unique and diverse beauty of Black hair, serving as a powerful symbol of identity, heritage, a...
Category

21st Century and Contemporary Expressionist Portrait Paintings

Materials

Canvas, Acrylic

Portrait of a Young Man
Located in Wilton Manors, FL
Gilbert Lewis (b.1945). Portrait of a Young Man, ca. 1990s. Gouache on illustration board, 18 x 24 inches. Signed upper right. Excellent condition. Measures 24 x 30 inches in custom frame. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks...
Category

1990s Realist Portrait Paintings

Materials

Gouache

My brave princess
Located in Zofingen, AG
This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "My Brave Princess" from the "PERICHORESIS SERIES...
Category

2010s Impressionist Interior Paintings

Materials

Canvas, Acrylic

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female
Located in Santa Fe, NM
Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...
Category

1940s Tribal Figurative Drawings and Watercolors

Materials

Paint, Paper

Orientalist Painting 20th Art deco Odalisque Woman nude Wood panel
Located in PARIS, FR
French School of the 20th Century An Odalisque in Marocco Oil on wood panel 27 x 34.5 cm (43 x 51 cm with the frame) Beautiful solid wood frame Exhibition stamp (number 23) on the fr...
Category

20th Century Art Deco Nude Paintings

Materials

Oil

Phaedra and Her Horse Pegasus
Located in Bozeman, MT
One of the originators of the Western pop art movement, Billy Schenck incorporates techniques from photorealism with a pop art sensibility to both exalt and poke fun at images of the...
Category

2010s Pop Art Portrait Paintings

Materials

Canvas, Oil

Fenneker after Pieter de Hooch - c.1920 Oil, Dutch Interior
Located in Corsham, GB
A charming study after an original painting by Dutch artist Peter de Hooch (1629-1684). The scene depicts a woman reading in a classically Dutch interior, with soft lighting and simp...
Category

Early 20th Century Interior Paintings

Materials

Oil

17th Century by Pietro Della Vecchia The Alchemists Oil on canvas
Located in Milano, Lombardia
Pietro Della Vecchia (Venice, Italy, 1603 - Vicenza, Italy, 1678) Title: The Alchemists Medium: Oil on canvas Dimensions: without frame 73 x 97 cm – with frame 90.4 x 114.3 x 6 cm ...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Courtship in the Forest French Romantic School XIX century oil on canvas
Located in Barcelona, Barcelona
Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...
Category

Late 19th Century Romantic Figurative Paintings

Materials

Canvas, Oil

Oil Painting by George Romney "Portraits of a Lady and Gentleman"
Located in Mere, GB
Oil Painting Pair circle of by George Romney "Portraits of a Lady and Gentleman" 1734 - 1802 Romney was a leadway society portrait painter of the Georgian ear...
Category

1780s Portrait Paintings

Materials

Oil

L'Antagoniste- 21st Century Contemporary Figure Painting of a Bare Chest Man
Located in Nuenen, Noord Brabant
Tania Rivilis l'Antagoniste 80 x 70 cm Oilpaint on wood (OSB board) Tania Rivilis (born in Ukraine 1986) 2022 winner of the 'William Locke Price' from the Royal Society of Portra...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Wood Panel

Fine Mid 19th Century Oil - Boy in Thought
Located in Corsham, GB
A fine 19th century oil depicting a young boy with a school book in hand, deep in thought. The artist has rendered the boy in impressive detail as he stands out illuminated against a...
Category

Mid-19th Century Portrait Paintings

Materials

Oil

A Magnificent Pair of French Royal Paintings "Aurora and Diana" "Night and Day"
Located in Queens, NY
Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...
Category

18th Century Portrait Paintings

Materials

Oil

The Vagabond and His Dog oil on board painting
Located in Barcelona, Barcelona
Technical details of the painting - Title: "The Vagabond and His Dog" - Artist: Rosendo González Carbonell - Technique: Oil on panel - Dimensions (without frame): 10.6 x 11....
Category

1970s Impressionist Figurative Paintings

Materials

Oil, Board

American School Signed Trompe L'Oeil Nude Woman Portrait Oil Painting
Located in Buffalo, NY
Very nicely painted American school modernist painting. Oil on canvas. Signed. Nicely framed. Image size, 16L x 20H.
Category

1940s Realist Nude Paintings

Materials

Canvas, Oil

Spanish fishermen on the beach Spain oil on canvas painting mediterranean sea
Located in Barcelona, Barcelona
Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...
Category

21st Century and Contemporary Post-Impressionist Landscape Paintings

Materials

Oil, Canvas

PORTRAIT OF PIETER PAUL RUBENS
Located in Milano, IT
This fine oil on canvas, attributable to a late 17th-century Venetian artist, is a coeval copy of the famous portrait by Pieter Paul Rubens, documented in the collections of Cosimo I...
Category

Late 17th Century Italian School Portrait Paintings

Materials

Canvas, Oil

Surrealism expressionism scene landscape mixed media
By Augustin Ubeda
Located in Barcelona, Barcelona
Agustín Úbeda (1925-2007) - Surrealist scene - Mixed technique on paper glued to board Measurements 44x71 cm. Without frame. BAD CONDITION, NEEDS RESTORATION. Origin: Family of the a...
Category

1960s Expressionist Landscape Paintings

Materials

Board, Mixed Media, Paper

Drummer, by Gay Betts Native American Drummer, oil on canvas painting
Located in Santa Fe, NM
Born and raised in New York City, Grace (Gay) Betts (1883-1978) became a peripatetic painter of Western and Southwest landscapes and Indians, and her subjects included Yosemite National Park and Arizona tribal members. She was also a muralist who did backdrops for animal displays...
Category

1960s Figurative Paintings

Materials

Canvas, Oil

Sailor fisherman in his boat Spain oil on canvas painting seascape
Located in Barcelona, Barcelona
Domingo Alvarez (Spain 1942) - sailor fisherman in his boat - oil on canvas Canvas size 46x61 cm. Unframed.
Category

Early 2000s Photorealist Landscape Paintings

Materials

Canvas, Oil

Together under the cherry blossoms, Painting, Acrylic on Canvas
Located in Yardley, PA
Together under the cherry blossoms The painting Together under the cherry blossoms is about Volunteering, Friendship, humans working together to build a better world. I have pa...
Category

2010s Contemporary Paintings

Materials

Acrylic

Les Jockey & La Propietaire - Post Impressionist Figurative Oil by E Grau Sala
Located in Marlow, Buckinghamshire
Signed, titled and dated figures in landscape oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts a large group of jockeys and horse owners talking...
Category

1970s Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Flamenco Dancer, Sevilla, Spain
Located in Greenwich, CT
Francis Mora is often considered to be the American artist who most depicted Hispanic culture in American and abroad. He made a trip to Spain in the early 1900's and created mostly ...
Category

Early 1900s Ashcan School Figurative Paintings

Materials

Oil, Board

After Thomas Brooks (1818-1892) - 19th Century School Oil, Dawn of Love
Located in Corsham, GB
A fine study of the original 1846 painting by Thomas Brooks titled 'Dawn of Love'. The original is currently part of the Victoria & Albert collection. The...
Category

19th Century Figurative Paintings

Materials

Oil

Parting (pet dog, bulldog, cowboy, animal portrait art, surrealist oil painting)
Located in Quebec, Quebec
"Parting," a surrealistic painting by Rudolf Kosow, masterfully employs scale to create a poignant narrative of farewell. The canvas is dominated by the face of a bulldog, each hair and whisker intricately detailed, exuding a warmth and expressiveness that captures the essence of the breed. The bulldog's large, soulful eye, reflecting a quiet resignation, suggests an awareness of an impending separation. Perched thoughtfully on the dog's snout, a diminutive figure of a man wearing a cowboy hat sits, his posture one of contemplative sorrow. The man dangles his legs over the edge of the snout, a symbol of the precipice between companionship and the solitude of parting. Kosow's work deeply explores the themes of connection and departure. The intimate positioning of the man against the vastness of the dog's facial landscape evokes the shared history and emotional bond between human and animal. The painting's title, "Parting," may imply an imminent physical separation, yet the closeness of the two subjects suggests an unbreakable emotional tie that distance cannot sever. In this piece, Kosow invites the viewer to consider the bittersweet moments of goodbye that are an intrinsic part of life's journey, highlighting the enduring nature of love that remains through any farewell. "Parting" is a testament to the poignant beauty found in the strength of connections that transcend the constraints of size and species. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...
Category

2010s Surrealist Animal Paintings

Materials

Canvas, Oil

Men Portrait
Located in PARIS, FR
Lucien Jonas (1880 - 1947) Men Portrait 1920 Oil on canvas 81 x 65,5 cm Signed and dated bottom right
Category

1920s Portrait Paintings

Materials

Oil

Jon Wassom - Soul Searching - Expressive Mixed Media Figurative Painting
Located in Denver, CO
Jon Wassom’s Soul Searching (2024) is a striking mixed-media painting on canvas, measuring 24 x 20 inches with a 1.5-inch depth. This original artwork captivates with its expressive ...
Category

2010s Contemporary Portrait Paintings

Materials

Canvas, Mixed Media

French Romantic Painting 19th Circle of Horace VERNET The Hussars Horses
Located in PARIS, FR
French school of the 19th century (Entourage of Horace VERNET) The hussars Oil on canvas Unsigned 41 x 33.5 cm (58 x 50 cm with the frame) Beautiful frame Regence style Good conditio...
Category

Mid-19th Century Romantic Figurative Paintings

Materials

Oil

Gossamer- Chiaroscuro Lit Painting of a Nude Figure with Golden Hair
Located in Chicago, IL
Nathan Brad Hall's work comes together in this show to build an undeniably jaw dropping experience for viewers. “Undercurrents,” says Hall, “is about trying to find a way to capture ...
Category

2010s Contemporary Nude Paintings

Materials

Linen, Oil

Figure Painting, Sports, Baseball, The Pitcher by America Martin
Located in 326 N Coast Hwy. | Laguna Beach, CA
America Martin "The Pitcher" Oil & Acrylic on Canvas 111 x 48.25 inches 112.5 x 49.5 inches framed Exploring the identity of both her namesake and country, LA-based America Martin d...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Oil, Acrylic

"Limelight" Interior Oil Painting of Bar
Located in Denver, CO
Mark Andrew Bailey's "Limelight" is an original, handmade oil painting that depicts an impressionistic interior setting of a restaurant or dining hall. About the Artist: Artist Mar...
Category

2010s Impressionist Figurative Paintings

Materials

Oil, Panel

Walkman
Located in Ibadan, Oyo
The painting is about a brand of popular portable audio players manufactured and marketed by Sony since 1979. The original Walkman was a portable cassette player and its popularity made "Walkman" an unofficial term for personal stereos of any producer or brand. By 2010, when production stopped, Sony had built about 200 million cassette-based Walkmans. The Walkman brand was extended to serve most of Sony's portable audio devices, including DAT players, MiniDisc players/recorders, CD players (originally Discman then renamed the CD Walkman), transistor radios, mobile phones, and digital audio/media players. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Morakinyo Femi...
Category

1970s Contemporary Figurative Paintings

Materials

Canvas, Oil, Acrylic

1930's French Impressionist Oil Group Of Figures Gathered In Forest
Located in Cirencester, Gloucestershire
Vintage French Oil Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 10 high...
Category

Mid-20th Century Impressionist Figurative Paintings

Materials

Oil

Glimpse of Something That Seemed All Potential - Nude Original Oil Painting
Located in Chicago, IL
Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Panel

"Genre Scene"
Located in Edinburgh, GB
Grand 17th-Century Style Genre Scene – Oil on Canvas A magnificent large-scale oil painting depicting an elegant gathering of noble figures in an architectural setting. This historic...
Category

17th Century Realist Figurative Paintings

Materials

Canvas, Oil

!9th century English Pub interior , with Huntsmen and figures drinking
Located in Woodbury, CT
After the painting by John Lomax,who was an English genre painter The scene is great fun, as we can see different groups all enjoying the Classic English Pub interior...
Category

1890s Victorian Figurative Paintings

Materials

Canvas, Oil

Portrait of baron de Roisin - Gendarmerie general
Located in BELEYMAS, FR
Flemish school of the 19th century Armorial portrait of Baron Henri de ROISIN (1787-1846) in the uniform of a general of the gendarmerie (1835) Oil on canvas H. 108 cm; W. 90 cm Bar...
Category

1830s French School Portrait Paintings

Materials

Canvas, Oil

Christ Supported by an Angel in the Garden of Gethsemane, On Slate
Located in Stockholm, SE
This evocative Veronese School painting captures the moment in the Garden of Gethsemane when Christ, overwhelmed with sorrow, prays to God before his arrest and crucifixion. Supporte...
Category

Early 17th Century Old Masters Figurative Paintings

Materials

Slate

Early 20th Century Likeness of Jack London
Located in Soquel, CA
Early 20th Century Likeness of Jack London Wonderful portrait of a gentleman with a striking likeness to Jack London by Robert Alexander Graham (American, ...
Category

Early 1900s Realist Figurative Paintings

Materials

Linen, Oil

19th Century English Coaching Scene Oil Painting Horse Carriages outside Tavern
Located in Cirencester, Gloucestershire
The Half Way Hotel English artist, late 19th century (double sided painting with a hunting scene to the reverse). oil painting on board, unframed board: 13 x 10.75 inches provenance...
Category

Mid-19th Century Victorian Figurative Paintings

Materials

Oil

Neon Nude: Mixed media painting on paper by Angela Lyle
Located in Brecon, Powys
Bright and vibrant this mixed media on paper is a lovingly created study. Excellent condition Angela was born in 1946 and studied art at Kingston Art College, London. Her early c...
Category

21st Century and Contemporary Contemporary Nude Drawings and Watercolors

Materials

Mixed Media

Mid 19th Century "Susanna And The Elders" After The Old Master by Martinelli
Located in San Francisco, CA
Outstanding Mid 19th century old master "Susanna and the Elders" after Martinelli Brilliant old master painting of Susanna and the Elders. Original oil on canvas. Dimensions 26.5" ...
Category

Mid-19th Century Old Masters Nude Paintings

Materials

Canvas, Oil

Mid Century French Portrait Seated Male Nude in a Meditative Pose
Located in Cirencester, Gloucestershire
Title: Seated Male Nude in a Meditative Pose Artist: Josine Vignon (French 1922-2022) Medium: signed black pen/charcoal on artists paper stuck on board, glass covered Size: 9.5 (h...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Ballpoint Pen, Charcoal

1880's French Impressionist Oil Painting Portrait Ambroise Vollard Famous Dealer
Located in Cirencester, Gloucestershire
Portrait believed to be of Ambroise Vollard by Adolphe GUMERY (1861-1943) oil painting on canvas stuck on board, unframed faintly signed & dated 1883 board: 10 x 8.5 inches condition...
Category

Late 20th Century Impressionist Portrait Paintings

Materials

Oil

Untitled Portrait II (Modern, Academic Style Portrait Painting of a Young Man)
Located in Hudson, NY
Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...
Category

2010s Academic Portrait Paintings

Materials

Canvas, Oil

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