Safety Paintings

Panel Sz: 7 1/4" x 19 1/4" Frame Sz: 11 3/4" x 23 1/2" Artist: Joseph L. Parrish (1905-1989) Joseph L. Parrish was chief editorial cartoonist for The Chicago Tribune who was widel...

Pollack, Bob (American, born 1936). JERRY RICE (San Francisco 49ers, 1997). Original painting in acrylics on paper, 1996. Signed and dated within the image....

Pollack, Bob (American, born 1936). STEVE YOUNG (San Francisco 49ers, 1997). Original painting in acrylics on paper, 1996. Signed and dated within...

Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...

The artist invents and then captures a moment of a peak drama with soldiers being shot and bombs exploding. It's beautifully rendered. This work was published as a two-page spread...

Acrylics on canvas

Signed Lower Right by Artist

A nocturnal meeting of metallic constructions and shards of color evokes mystery and excitement. The viewer is thrown off kilter in a tilt-a-whirl of strange shapes and unlikely colo...

Three children in the boat, going along the channel. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Ha...

Oil on canvas Canvas size: 10 x 18 inches Framed size: 15.5 x 23.5 inches Signed

Signed on reverse Jean-Marc Teillon is a French artist born in 1856 who lives & works in Arcueil, France. He was formerly director of Galerie Municipale Julio Gonzalez in Arcueil.

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

This painting is acrylic on gallery-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the...

Original Oil Painting by Elizabeth McGhee Elizabeth McGhee (b. 1985, Southern California) completed her BFA in 2009 at the Laguna College of Art and Design, Laguna Beach, CA. She co...

"Millennium Pink" is a painting by Maestro Stanislav Belovski. About the painting: Style and Technic: POP ART, Contemporary, Acrylic on canvas The painting is unframed. “The impressions of artist's paintings on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination and leaves no option. His paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of his talent.” Maestro Belovski has track records of multiples exhibitions. His works are owned in privet collections around the word. The Stanislav Belovski's paintings are a great example that the vintage style prevails lately and is also present in the world of contemporary art. His works should be read as an expression of nostalgia and fascination with the past - fashion, design and pop culture of the 60s. A characteristic feature of these images is a clearly visible texture of the canvas, which remind us pages that someone snatched from a fashion magazine found in the attic. It's similar to the effect used by Quentin Tarantino in his recent productions, where full of dirt and defects film reels pulls the audience in a unique atmosphere of a Drive-in theater. His favorite field of work is the visual arts. In his work he uses and is inspired by iconic images from the recent past - musicians, political figures and artists. Stanislav Belovski was born in 1976, Bulgaria Exhibitions: SELECTED EXHIBITIONS 2016 – Alianz Bulgaria, National Fine Arts, Sculpture and Graphics Contest 2015 – Correction of Socialism 2, Studio24, solo exhibition, Plovdiv 2015 2015 – Image and Likeness: 77 self-portraits of contemporary Bulgarian artists...

Mixed media on vintage enamel sign. KADIR LÓPEZ (b. 1972, Las Tunas, Cuba) came to artistic maturity at a time when the image and illusion of the...

Frank Dean 1865 - 1947 Evening Drink Oil on canvas, signed and dated 1894 Image size: 29 ½ x 49 ½ inches Handmade frame Dean was born in Headingly, near Leeds, in 1865. He was a pup...

Why - Blue Version - 2018 KIKI "has a predilection for the use of supports and mediums resulting from urban art: it combines stencil work, staging and collage of torn posters, the mi...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

Wilfrid Constant Beauquesne (1847 - 1913) "Franco-Prussian Battle Scene" c. 1900 Oil on Canvas Signed Lower Right Site Size: approx 22 x 28 inches Framed Size: approx 35 x 40 inches French artistry was deeply influenced by three wars during the 19th century and, accordingly, the artistic imagination was not lost upon the public. "Patriotism comes to the aid of battle painters," a contemporary remarked, "presenting them with a sympathetic public already fascinated by the subject." After the brief Franco-Prussian conflict of 1870, French painters were particularly anxious to retrieve national pride by presenting works which reflected their own national heroism versus enemy brutality. Known for his scenic depictions of this war, Wilfried Beauquesne, a native of Rennes, France, was undoubtedly influenced in his selection of subjects by his instructors at the Ecole des Beaux Arts in Paris. Vernet-Lecomte and Horace Vernet were both well known military artists. Vernet had actually lived and worked during the period of Napoleonic conflicts - being awarded the Legion of Honor by the Emperor's own hand. Beauquesne exhibited regularly at the annual Paris Salon between 1887 and 1899, as well as throughout Europe. In 1890, illustrating the fortunes of life, The Art Amateur ran the following item in its "Gossip Column:" "A queer story comes to me from Paris. A commission agent made a bargain with a poor painter, living out at Saint-Maude, to paint military subjects for him, at two francs an hour. The agent changed the signature to that of Gaubault, and sold the pictures to various dealers. On day, by chance, the poor painter came to Paris, went to the Salon, and was astonished to see one of his pictures there. He look at the catalogue, and found the name of the artist and the address of the dealer where he was to be found, The poor artist went to the dealer and introduced himself saying, "I am Gaubault." "Most happy to make your acquaintance," replied the dealer. "Your pictures sell very well, and I have been wanting to see you for the last six years." "But my name is not Gaubault, it is Beauquesne." Explanations followed. The dishonest commission agent disappeared; and Beauquesne restored his real signature on the pictures, which had made his pseudonym almost famous...

Paul Cornoyer “Central Park Autumn” c. 1910 Oil on Canvas Framed Size: approx 29 x 35 inches Canvas Size: approx 22 x 26.5 inches Provenance: The Artist to Private Collection, St. Louis thence by Descent Conservation report: Excellent condition. On original canvas, not relined. No in-painting. Paul Cornoyer was born in 1864 in St. Louis, Missouri. He studied there at the School of Fine Arts in 1881. His first works were in a Barbizon mode, and his first exhibit was in 1887. In 1889, he went to Paris for further training, studying at the Academie Julien, and returned to St. Louis in 1894. By the early 1890s, his work was more lyrical and Tonal, and he applied this style to subjects such as cityscapes and landscapes. In 1894, he painted a mural depicting the birth of St. Louis for the Planters Hotel in that city. His activities during the next six years were not particularly profitable, however, and the whereabouts of his St. Louis paintings are scarcely known. One exception is the triptych, A View of Saint Louis, with its strong urban realism. It shows the Eads Bridge...

Presenting an exceptional original oil pastel by French artist Pierre DeMougins. "Tightrope" is an original oil pastel, signed, painted in 2004, with an image dimension of 25 x 19 i...

Medium: Oil on Canvas Dimensions: 28.00" x 21.00;" Framed 36.00" x 29.00" Signature: Signed Lower Right Saturday Evening Post Cover, June 29, 1918 Exhibitions: It's a Man's World,...