Shelter Paintings

My work is all about sunlight, the play of light on objects, the varying degrees of contrast between light and shadow, and deep, saturated color. Long shadows cast by buildings, win...

Original painting done by the artist, signed lower left.

Contemporary figurative painting

Ron Rizk’s paintings depict the intimate personal history of locales from his life. Ethereal and yet grounded in reality, the paintings tell the stories of very real places as seen ...

the painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Signed Lower Right Autumn scene with natives.

A painting by Gregory Sumida. “Plastic Feeder, Lockford, CA” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is s...

Medium: Oil on Board Dimensions: 18.50" x 27.00" Signature: Signed Lower Right

Daniel Sprick's "Iron Mountain" is an original oil painting featuring a scenic landscape from Glenwood Springs, Colorado. About the artist: "Upon first glance, viewers might thin...

"Irina Miftahova" Landscape Oil Painting 20" x 47" inch by Evgeniya Buravleva Evgeniya Buravleva was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vy...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

“Broken Ice” encapsulates a wintry landscape where light assumes a pivotal role, casting its glow upon the snow-covered foreground in front of an architectural marvel. The building portrayed draws inspiration from the iconic Farnsworth House, paying homage to Mies van der Rohe’ timeless modernistic pavilion. The interplay of light reflecting off the snow in the forefront becomes a focal point, illuminating the scene and contributing to the ambiance of the wintry landscape. This luminous display adds depth and texture to the composition, infusing it with a sense of tranquility and stark beauty. Against the backdrop stands an iceberg, its presence enhancing the sensation of intense cold permeating the environment. The contrast between the crisp lines of the modernistic structure and the imposing, icy form of the iceberg amplifies the painting’s evocative portrayal of frigid isolation. Crafted and prepared for display, “Broken Ice” stands...

“Frozen Light” captures a captivating scene where a white modernistic architectural marvel rests amid a landscape draped in glistening snow, set against a dramatic backdrop of a dark...

“Frozen Light” captures a captivating scene where a white modernistic architectural marvel rests amid a landscape draped in glistening snow, set against a dramatic backdrop of a dark...

Mid-day, Zuni Village, 1897 By. Frank Reed Whiteside (American, 1866-1929) Unframed: 20" x 30" Framed: 28" x 38" Frank Reed Whiteside, born in Philadelphia on 20 August 1867, became a student of Thomas Anshutz at the Pennsylvania Academy of the Fine Arts (1888-92). He already began exhibiting there during his student years (1887-98). In 1893, he enrolled in the Académie Julian in Paris where he received instruction from Jean-Paul Laurens and Benjamin Constant. After his French academic training, Whiteside taught art in Philadelphia high schools. He took frequent trips to the Southwest between 1890 and 1928 to live with and paint the Zuni Indians. Whiteside depicted ceremonial dances, Zuni buildings, and other genre scenes, usually in blinding afternoon sunlight. He carefully observed the effects of light on vibrant color, using a finely crafted impressionist technique. He was fond of broad areas of color, subtle combinations of hues, and simplified shapes and silhouettes. Whiteside continued to exhibit at the PAFA (1905-15), at the Art Institute of Chicago (1896-1916), at the Carnegie International (1905 and 1907) and at the Corcoran Gallery (1907). He was a member of Philadelphia art societies and beginning in 1909 had a summer studio in Ogunquit, Maine, where he took part in Hamilton Easter Field's discussion groups. Frank's wife, Clara Walker Whiteside, who published Touring New England in 1926, was active in the Ogunquit Art Association. Like Stanford White, Frank Reed Whiteside was the victim of murder, on 19 September 1929, but Whiteside's case remains unsolved. One night, the sixty-three year-old painter answered the doorbell. Two witnesses...

By Milbie Benge 24" x 30" Oil on canvas

By Milbie Benge 16" x 20" Oil on Canvas

Bo Bartlett Untitled, 2020 Gouache on paper 22 1/2 x 30 inches 57.2 x 76.2 cm Signed "Bo" (lower right recto) and dated (lower middle recto) -- Bo Bartlett is an American realist ...

Bo Bartlett Station, 2017 Gouache on paper 15 1/4 x 22 1/2 inches 38.7 x 57.2 cm Signed: Bo (lower right recto) Dated: Aug 31 2017 (lower left recto) -- Bo Bartlett is an American...

Signed and dated (at lower right): MOORE 12

This work’s strength comes from its range of tonal values combined with coarse texture. In "Selfie," Chambers draws upon a variety of colors and textures to imbue this painting with ...

The rich sense of contrast between green and red hues lends an energetic disposition to this pastoral scene. In combination with a rugged textual treatment, this work’s color and des...

acrylic on paper

Laszlo Neogrady (1896-1962) "Tending the Flock" c. 1930 Oil on Canvas approx 24 x 30 approx 30 x 36 framed Laszlo Neogrady was born in Budapest, Hungary in 1896. He was the son of...

Joseph Orr "Winter Wood" Acrylic on Canvas 18 x 24 28 x 34 framed Joseph Orr, from Missouri, has been painting professionally since 1972. He paints much o...

acrylic on canvas