18th Century and Earlier Art
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Period: 18th Century and Earlier
Saint Cosmas And Saint Damian Attributed To Bonifacio Bembo
By Bonifacio Bembo
Located in New Orleans, LA
Attributed to Bonifacio Bembo
c.1444-1477 Italy
Saint Cosmas and Saint Damian
Tempera on panel
These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. Based on the research of art historians Marco Tanzi and Andrea de Marchi, it is believed that these represent the missing panels from the famed polyptych formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity.
The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George.
While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece.
According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats.
The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...
Category
Renaissance 18th Century and Earlier Art
Materials
Tempera, Panel
Late 17th-Century Italian School, Architectural Capriccio With Portico
Located in Cheltenham, GB
This late 17th-century Italian oil painting depicts a view with distinctive Italianate architecture including a building with an iconic portico and pediment.
Popular in mid-17th-cen...
Category
Italian School 18th Century and Earlier Art
Materials
Oil, Canvas
17th-18th Century By Giovanni Girolamo Bonesi Mary Magdalene Oil on Canvas
Located in Milano, Lombardia
Beautiful original frame in carved, sculpted and gilded wood.
Oral expertise by Prof. Massimo Pulini.
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
18th century English scene of a groom with a horse in a landscape
Located in Woodbury, CT
Wonderful 18th century English gouache on paper of a 18th century English scene of a groom with a horse in a landscape.
One of a set of five all framed in Hogarth frames.
L.Green ...
Category
Old Masters 18th Century and Earlier Art
Materials
Paper, Gouache
$2,360 Sale Price
20% Off
Europe: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of Europe Drawn from the Best Authorities Assisted by the Most Improved Modern Charts and Maps." by E...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving
Coronation Portrait Of King Edward VI (1537-1553) as King Of England & Ireland
Located in Blackwater, GB
Coronation Portrait Of King Edward VI (1537-1553) as King Of England & Ireland, 16th Century
English School - Oil on panel - circa 1547
Large 16th Century Coronation portrait of Edward VI as King Of England & Ireland, oil on panel. Early and important portrait...
Category
18th Century and Earlier Art
Materials
Oil, Wood Panel
$10,958 Sale Price
20% Off
The Loire Valley of France: A 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...
Category
18th Century and Earlier Art
Materials
Engraving
English 18th century portrait of a water spaniel dog standing in a landscape
By George Stubbs
Located in Bath, Somerset
Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape.
This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture.
Oil on canvas in a giltwood frame
Provenance: Private collection, Somerset
George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted.
Stubbs was born in Liverpool, the son of a leather worker...
Category
English School 18th Century and Earlier Art
Materials
Canvas, Oil
$16,050 Sale Price
20% Off
Famille Paysans Jan Asselyn (1610/1652) (entourage)
Located in GOUVIEUX, FR
Huile sur toile XVIIe siècle Dim sans cadre 52/42 cm Dim avec cadre 60/50 cm Ecole Hollandaise Entourage de Jan Asselyn Scène de la vie courante comme aimait à les représenter les ...
Category
Dutch School 18th Century and Earlier Art
Materials
Oil
Portrait Of George Farington, East India Company, 18th Century
By Arthur Devis
Located in Blackwater, GB
Portrait Of George Farington, East India Company, 18th Century
attributed to Arthur DEVIS (1712-1787)
One of a matching pair - the other is belie...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
$7,637 Sale Price
20% Off
Set of Three Leaves from "Breviarium Pataviense" /// German Catholic Incunabula
Located in Saint Augustine, FL
Artist: Erhard Ratdolt (German, 1442-1528)
Title: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29"
Portfolio: Breviarium Pataviense
Year: 1490 (First edition)
Medium: Set of Three Original Incunabula Leaves on watermarked laid paper
Limited edition: Unknown
Printer: Erhard Ratdolt, Ausburg, Germany
Publisher: Friedrich von Öttingen and Christoph von Schachner, Passau, Germany
Reference: Hain No. 3875; Bod-Inc No. B-542; GW No. 5426; Weale/Bohatta No. 335; Schreiber No. 3615
Sheet size (each): approx. 12.5" x 8.88"
Condition: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" all have scattered wormholes, staining, foxing, and soiling about their sheets. The latter two have remnants of tape at their edges. "Vol. 6, 28-29" has heavier staining to its sheet and edge wear about. Have been professionally stored away for decades. They are all otherwise strong impressions in overall fair condition with strong colors
Extremely rare
Notes:
Comes from Ratdolt's six volume "Breviarium Pataviense", (1490) (First edition), which consists of 378 pages of Gothic texts in Latin with red rubricated initials, psalms, readings, hymns, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on May 12, 1490. There was a subsequent printing on November 27, 1490. Both "Vol. 6, page 10-11" and "Vol. 6, 28-29" have a bow and arrow watermark in the center of their sheets. Some information and old prices inscribed in pencil to their sheets.
Breviary is a liturgical book in the Roman Catholic Church that contains the daily service for the divine office, the official prayer of the church consisting of psalms, readings, and hymns that are recited at stated hours of the day.
Biography:
Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...
Category
Old Masters 18th Century and Earlier Art
Materials
Laid Paper, Woodcut
Cockfighting Champion Portrait of "Intrepid", 18th Century
Located in Blackwater, GB
Cockfighting Champion Portrait of "Intrepid", 18th Century
attributed to John Nost SARTORIUS (1759-1830)
Fine large 18th Century English study of a prize Cockerel in a farmyard, o...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
$5,534 Sale Price
20% Off
Southern Greece: A Large 17th Century Hand-colored Map By Sanson and Jaillot
Located in Alamo, CA
This large original hand-colored copperplate engraved map of southern Greece and the Pelopponese Peninsula entitled "La Moree Et Les Isles De Zante, Cefalonie, Ste. Marie, Cerigo & C...
Category
18th Century and Earlier Art
Materials
Engraving
Christ and St John the Baptist as children, studio of J. van Cleve, 16th Flemish
By Joos van Cleve
Located in PARIS, FR
Christ and St John the Baptist embracing
Studio of Joos van Cleve (1485 – 1541), Antwerp
First half of 16th century
Oil on oak panel, h. 55 cm, w. 43 cm
A 17th century ebonized wood frame
Framed: h. 100 cm, w. 83 cm
Provenance:
• Advertisement in Burlington Magazine, 1929, at the antique dealer Paul Larsen, 34 Duke's Street, London, United Kingdom
• Clowes Sale, Christie's London, 7 July 1950, lot 153 (as Joos Van Cleve)
• Acquired from the Katz antique dealers in Dieren (Netherlands) in the 1950s (one of the most important art galleries in the Netherlands specialising in Old Masters)
• By descent, private European collection
The composition of our painting depicting two naked babies embracing, Jesus and Saint John the Baptist, draws its source from a drawing by Leonardo da Vinci, probably executed in Milan around 1490 (kept at Windsor Castle, United Kingdom).
This scheme, widespread early in the Lombard school, was widely reproduced by Leonardo's Milanese followers (Marco d'Oggiono, Bernardino de Conti or Bernardino Luini.)
It is very likely that Joos Van Cleve was inspired by one of the works of his artists during his stay in Italy, however some historians hypothesize that he borrowed the figures from the painting by Marco d'Oggiono who had copied it on site in Flanders (it would have belonged to Margaret of...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Wood Panel
Bacchanale Mythological Carpioni Paint Oil on canvas 17th Century Old master Art
Located in Riva del Garda, IT
Giulio Carpioni (Venice, 1613 - Vicenza, 1678), Attributable to
Bacchanale
Oil on canvas 98 x 132 cm. - In frame 120 x 154 cm.
This high-quality, beautifully preserved painti...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
17th Century, Old Master, "King Basileus Alexander of Macedon Magnus, the Great"
Located in Berlin, DE
Very decorative, 17th century, old master painting, oil on canvas, King Alexander Magnus, the great.
Illustration of two children, putti, with wreaths of flowers on a board (or maus...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
$26,690 Sale Price
20% Off
King Portrait Clementi Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Maria Giovanna Battista Clementi known as La Clementina (Turin, 1692 - Turin, 1761), Attributable to
Portrait of Victor Amadeus II of Savoy (Turin 1666 - Moncalieri 1732) king of Sardinia, duke of Savoy, marquis of Saluzzo and duke of Monferrato, prince of Piedmont and count of Aosta, Moriana and Nizza from 1675 to 1720.
Oil on oval canvas,
79 x 62 cm., Framed 98 x 82 cm.
The portrayed in this fascinating virile portrait is King Vittorio Amedeo II of Savoy, portrayed in ceremonial armor and red cloak according to the traditional courtly iconography, represented half-length, slightly three-quarter-length, with the towering "courtly" wig, according to the dictates of fashion of the first decades of the century, of French inspiration.
In order to represent the power embodied in our austere portrayal, the sovereign is immortalized with the symbolic attributes of the power of the family, identifiable in the ancient crown of the Kingdom of Sardinia, in the scepter with the Mauritian cross and in the necklace of the Supreme Order of the Most Holy Annunziata, established in 1364 by Amedeo VI, as the highest honor of the House of Savoy...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$11,124 Sale Price
35% Off
Cancer - Etching by Charles De la Haye - 18th Century
Located in Roma, IT
Cancer is an original etching on paper realized by Charles De la Haye after Andrea Stech, in the 18th century.
Signed in the plate on the lower.
Good conditions except for a small missing paper on the lower left.
Amazing 18th-century artwork refers to a mythological sky map...
Category
Modern 18th Century and Earlier Art
Materials
Etching
Dutch genre painting 18th JANSON Oil on canvas Village fair peasants Kermesse
Located in PARIS, FR
Johannes JANSON (Attributed to) Amboyna (Moluccan Islands), 1729 - Leyden, 1784 Oil on canvas 47 x 57 cm (62 x 72 cm with frame) Trace of signature lower right Monogrammed and dated on the back "1755"Inscription on the recto « Johannes Janson »
Very beautiful frame of the 18th century in gilded wood
Good condition (just a bit of thinness, a repair and a few repaints, well restored)
As for the painting by Johannes Janson exhibited in the Louvre museum, our painting is also a "typical example of retrospective pastiche - much appreciated in the 18th century. – of recognized masters of the Golden Age, the specialists in Dutch rustic landscape Potter, Adriaen van de Velde or Dujardin. Recognizable in our painting is the way Janson represents trees, and animals (the horse in particular on the left is recognizable). And also the silhouettes of his small characters painted in bright colors. This village fair is a rich composition with many characters, musicians, drummers, peasant men and women, children. The scene is very cheerful and it has the charm of the festive atmosphere of the Dutch countryside with many picturesque details represented such as the dancers with a glass or a pitcher in their hands, the dishes or baskets which circulate filled with food, the child playing with a dog or the musician with the violin who animates the assembly. The vivid colors are characteristic of Dutch 17th century genre...
Category
Dutch School 18th Century and Earlier Art
Materials
Oil
Theories of Planetary Motion: An 18th C. Framed Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Theoria Planetarum Primariorum In qua ipsorum motus in Copernican...
Category
18th Century and Earlier Art
Materials
Engraving
3rd Countess of Dysart, Grace Wilbraham
Located in Douglas, Isle of Man
Sir Godfrey Kneller 1646-1723, was a German born British portrait painter. He was born in Leiden and studied under Bol and Rembrandt, before travelling to Rome, Venice, Hamburg and ...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
Rococò French painter - 18th century figure painting - Joseph in prison
Located in Varmo, IT
French painter (18th century) - Joseph in prison.
84 x 105 cm.
Antique oil painting on canvas, without frame (not signed).
Condition report: Lined canvas. Good state of conservati...
Category
Rococo 18th Century and Earlier Art
Materials
Canvas, Oil
$1,787 Sale Price
57% Off
Turin Countryside - Original Ink and Watercolor by Jan Pieter Verdussen - 1744
Located in Roma, IT
China ink and Watercolour. With handwritten notes, indicating the place and date of the artwork in lower margin: "Fait proche de Turin, ce 13 Juin 1744". Numbered on the lower right ...
Category
Old Masters 18th Century and Earlier Art
Materials
Paper, Ink, Watercolor
18th Century By Vincenzo Re Christ Healing a Paralytic Oil on Canvas
Located in Milano, Lombardia
Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762)
Title: Christ Healing a Paralytic
Medium: Oil on canvas
Dimensions: without frame 50 x 62 cm - with frame 70 x 92 cm
Expertise...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Canvas
$8,388 Sale Price
20% Off
Man on Horseback - Etching - 18th Century
Located in Roma, IT
"Man on Horseback" is an original print in etching technique on ivory-colored cardboard , by Anonymous Artist of the XVIII Century.
In excellent condi...
Category
Modern 18th Century and Earlier Art
Materials
Etching
Portrait of a young woman in Louis XV period dress
Located in BELEYMAS, FR
French School
Portrait of a young woman in Louis XV period dress
Pastel on paper mounted on oval canvas
H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm)
18th century frame, anti-refle...
Category
French School 18th Century and Earlier Art
Materials
Canvas, Paper, Pastel
17th Century By Agostino Beltrano The Procession to Calvary Oil on Canvas
Located in Milano, Lombardia
Agostino Beltrano (Naples, Italy, 1607 - 1665)
Title: The Procession to Calvary
Medium: Oil on canvas
Dimensions: without frame 98 x 122.5 cm - with frame 118 x 142.5 cm
Beautiful or...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Canvas
18th Century By Vincenzo Re The Pool of Bethesda Oil on Canvas
Located in Milano, Lombardia
Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762)
Title: The Pool of Bethesda
Medium: Oil on canvas
Dimensions: without frame 50 x 62 cm - wi...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Canvas
$8,388 Sale Price
20% Off
17th c. Antwerp studio of J. Brueghel & H. van Balen - The Virgin with Child
Located in PARIS, FR
Workshop of Jan Brueghel the Younger (1601-1678) & Hendrick van Balen (Antwerp, 1575 – 1632)
17th century Antwerp School
The Virgin and Child ...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages.
This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York.
1. François Boucher, the master of French rocaille
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre.
As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him.
On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
Category
Old Masters 18th Century and Earlier Art
Materials
Chalk, Ink
Thai Bell
Located in Palm Desert, CA
A bronze Thai Bell from the Dongson Culture (1000 BC-200 AD). The work is unsigned.
Category
Tribal 18th Century and Earlier Art
Materials
Bronze
Pair of Gallant Scenes - Oil on Canvas - 18th Century
Located in Roma, IT
Pair of Gallant scenes is a pair of artworks realized by the French School in 18th Century.
Oil on canvas. It Includes 2 ancient gilded frames.
Scen...
Category
French School 18th Century and Earlier Art
Materials
Canvas, Oil
The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna
The Triumph of Caesar: Plate IV of IX
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category
Old Masters 18th Century and Earlier Art
Materials
Handmade Paper, Laid Paper, Ink, Woodcut
Ancient Arabic Calligraphy of Praying
Located in Roma, IT
Arabic Calligraphy of praying is a precious manuscript reporting Islamic Sacred Verses in an ancient calligraphy style.
One page, one-sided, in Ara...
Category
18th Century and Earlier Art
Materials
Ink
Annunciation Bonini Paint Oil in canvas Old master 17th Century Leonardo Italy
Located in Riva del Garda, IT
Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680)
Annunciation (or Madonna of the Beautiful Angel)
Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.)
Work accompanied by the expertise of Prof. Emilio Negro
The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin;
We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.
In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style.
It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love.
The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$14,870 Sale Price
20% Off
Portrait of an Officer, Cornelius Johnson, 17th Century Old Masters
By Cornelius Johnson
Located in London, GB
Circle of Cornelius Johnson
Circa 1620’s
Portrait of a Officer
Oil on canvas
Image size: 28 x 24 inches
Period style hand made frame
Provenance
Private European Estate
This striking portrait dates to around 1620, as you can see from the images of the sash the detail is very high. The sash is decorated with gold thread and would have cost a small fortune at the time. Sashes were originally developed for a military function (making officers more visible for their men during combat), but soon became a primarily male fashion...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Interior and pipe smoker
Located in Genève, GE
Work on wood
Brown wooden frame
49 x 58 x 4 cm
Category
Dutch School 18th Century and Earlier Art
Materials
Oil
$1,703
Painting The Judgement of Paris 18th century
Located in Milan, IT
Oil on Canvas.
The large painting depicts the famous mythological episode of the Judgement of Paris, the event that helped trigger the Trojan War.
Paris, a Trojan prince, was called ...
Category
Other Art Style 18th Century and Earlier Art
Materials
Oil
"Festive Village Gathering"
Located in Edinburgh, GB
Festive Village Gathering
Artist: Unidentified (18th Century)
Medium: Oil on canvas
Date: Circa late 18th Dimensions:
Framed: 91 × 138 cm
Unframed (sight): 75 × 124 cm
This large, vi...
Category
Realist 18th Century and Earlier Art
Materials
Canvas, Oil
17th Century Oil on Canvas Flemish Painting Saint Philip Baptizing the Eunuch
Located in Vicoforte, IT
A splendid Flemish painting from the second half of the 17th century. Oil on canvas artwork depicting a rare biblical scene, the baptism of the Ethiopian eunuch by Saint Philip. A hi...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
La Femme Muse /// Allegorical Symbolism Romantic Old Masters European Drawing
Located in Saint Augustine, FL
Artist: Unknown (Likely French, 18th Century)
Title: "La Femme Muse"
*No signature found
Circa: 1780
Medium: Original Pastel Drawing on heavy laid paper
Frami...
Category
Old Masters 18th Century and Earlier Art
Materials
Pastel, Laid Paper
$1,200 Sale Price
78% Off
View of Venice, including Gondolas, 18th Century Hand Colored Engraving
Located in Alamo, CA
An early 18th century hand colored engraving of a scene of the city of Venice, Italy entitled "Palazzo Lin, a. S. Samuele sopra il Canal Grande". It depicts Venetian architecture, wa...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving
Ancient Roman Ruins - Etching and Drypoint - Late 1700
Located in Roma, IT
Image dimensions: 21.5 x 15 cm.
Ancient Roman Ruins is a beautiful black and white etching and burin on laid paper, representing the Sepulcher of the Plauzia family in Tivoli and th...
Category
Modern 18th Century and Earlier Art
Materials
Etching
The Oriental and his wife - Etching after Albrecht Durer - 18th century
Located in Roma, IT
This etching is a reverse copy after Dürer's original (ca. 1495-1496), executed in 18th century.
Dürer's monogram at the bottom centre.
Provenance: Aglietti Gallery, 1969
Passepar...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Announcement Waben Signed Dated 1620 17th Century Oil on table Flemish Paint
Located in Riva del Garda, IT
Jacques Waben
(Alkmaar ca. 1575-1641/1642 Hoorn)
Signed in the bottom centre and dated ‘J. Waben f./1620’.
The Announcement to the Shepherds
Oil on oak panel
103 x 63 cm
in frame 107 x 67
Provenance: Vienna Palais Dorotheum Old master painting 10.12.2015 (lot 143)
This is a spectacular depiction of the theme of the annunciation to the shepherds, set in a nocturnal atmosphere dense with photos but refined, the episode of the birth of Jesus reported in the Gospel according to Luke (Lu 2:8-15), in which an angel announces the birth of Christ to a group of shepherds.
We see the scene just as described in the Gospel passage that sets the event at night where the shepherds, intent on watching over their flock, were startled by the sudden appearance of an angel of astonishing beauty who we see here radiating a powerful golden light, while at his side a multitude of other angels from the heavenly army sing praises to God.
After exhorting them not to be afraid, he informed them that a saviour, the Messiah, had been born in Bethlehem, whom they would find wrapped in swaddling clothes in a manger, cared for by the Virgin and St Joseph.
The annunciation to the shepherds was the most depicted night scene in Flemish painting from the 15th century...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$14,250 Sale Price
20% Off
Pastoral Landscape - British 18th century Old Master art oil painting
Located in London, GB
This superb Old Master 18th century figurative landscape oil painting is by noted French born artist Philip James Loutherbourg. who settled in England in 1771. The painting has good ...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Philip James LoutherbourgPastoral Landscape - British 18th century Old Master art oil painting, 1778
$13,283 Sale Price
20% Off
Flora Goddess, Allegory Of Spring - Etching by Pietro Campana - 18th Century
Located in Roma, IT
Flora Goddess, Allegory Of Spring from "Antiquities of Herculaneum" is an etching on paper realized by Pietro Campana in the 18th Century.
Signed on the plate.
Good conditions with...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School
Located in Greven, DE
Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces.
He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...
Category
Baroque 18th Century and Earlier Art
Materials
Oak, Oil
Portrait of a Lady in Green Dress & Pearl Jewellery c.1660 Painting John Wright
By John Michael Wright
Located in London, GB
In this exquisite work, painted around the time of the Great Fire of London in 1666, a beautiful young woman is wearing a green dress over a white chemise and a russet-coloured scarf...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Plucking a Branch from a Neighbor's Plum Tree
Located in Middletown, NY
A mischievous tableau with sexual overtones.
Tokyo: Shuei-Sha, 1768.
Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 inches (273 x 200 mm), full margins. I...
Category
Edo 18th Century and Earlier Art
Materials
Handmade Paper, Watercolor, Woodcut
Rocky Landscape with Trees and Temple Ruins a drawing by Giulio Parigi (ca 1615)
Located in PARIS, FR
This Rocky Landscape with Trees and the Ruins of a Temple is a drawing by Giulio Parigi, an eclectic and prolific artist of the Medici court. An engraver, architect, furniture and je...
Category
Old Masters 18th Century and Earlier Art
Materials
Ink, Laid Paper, Pen
Adoration Magi Jan Van Der Straet Paint Oil on canvas Old master 16th Century
Located in Riva del Garda, IT
Jan Van der Straet, known as Giovanni Stradano (Bruges 1523 - Florence 1605), Workshop of
The Adoration of the Magi
late 16th century - early 17th century
oil painting on canvas
Mea...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$7,311 Sale Price
20% Off
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving
Bulldogs Hunting A Badger, 18th Century attributed to Charles TOWNE (1763-1840
Located in Blackwater, GB
Bulldogs Hunting A Badger, 18th Century
attributed to Charles TOWNE (1763-1840)
Large 18th Century English School hunting scene of Bulldogs Hunting a badger, oil on canvas laid to...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
$3,320 Sale Price
20% Off
Cacti, Rio Grande, Black and White, USA 1960s, 16, 4 x 23, 1 cm
By Erich Andres
Located in Cologne, DE
Silver Gelatine Print by Erich Andres, ca 1950.
Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...
Category
Modern 18th Century and Earlier Art
Materials
Silver Gelatin, Black and White
St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "St Peters Church at Rome" (Vol. 1, Plate 6)
Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
Category
Old Masters 18th Century and Earlier Art
Materials
Laid Paper, Engraving, Etching, Intaglio
In Honour of the Sun God - Etching by G. Pivati - 1746/1751
Located in Roma, IT
Image dimensions: 25.5 x 18 cm.
In honour of the Sun God is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati.
This original print, representing the...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Enlightenment Italian painter - 18th century figure painting - Portrait - Italy
Located in Varmo, IT
Italian painter (18th century) - Portrait of a gentleman with aphorism.
92 x 68 cm.
Antique oil painting on canvas, without frame (not signed).
- Inscription: "There are more madm...
Category
Rococo 18th Century and Earlier Art
Materials
Canvas, Oil
$1,787 Sale Price
25% Off
The Annunciation, mid-17th century French school
Located in PARIS, FR
The Annunciation
Mid-17th Century French School
Oil on canvas, h. 64 cm, l. 64 cm
17th century carved and giltwood frame decorated with oak leaves and acorns
Framed: h. 80 cm, l. 80...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
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