18th Century and Earlier Art

Francis Sartorius (1734-1804) A horse and groom with a dog signed and dated 'F.Sartorius.Pinxt.1777' (lower right) Oil on canvas Canvas Size - 14 1/4 x 18 in Framed Size - 16 1/2 x 1...

The Flagellation of Christ Flemish Baroque, 17th century oil on wood panel, framed framed: 31 x 42 inches wood panel: 19.5 x 26 inches Provenance: pri...

French School of Francois Boucher (Paris, 1703 - 1770) Putti as Fishermen (Allegory of Water) 18th century Oil on canvas 65 x 146 cm. - In frame 77 x 157 cm. We present a splendid...

Tobias & The Angel Flemish Baroque Old Master, circa 1600 circle of Paul Brill (Flemish 1554-1626) oil painting on canvas, 43.5 x 59.25 inches condition: very good, restored and read...

Carved and painted wooden sculpture - Figure of a saint - Italy, 17th-18th century. 36 x 25 x h 74 cm. Entirely in carved, lacquered and painted wood. Some missing parts and colour...

This superb Italian 17th century Old Master religious portrait oil painting is attributed to circle of Bartolomeo Schedoni. Painted circa 1610 it is a portrait of the Holy Family. Ma...

A feature of this exquisitely rendered oil on panel portrait, presented by Titan FIne Art, is its remarkable seventeenth century carved auricular / Sunderland frame...

A fascinating portrait dating from circa 1695-1700 with wonderful provenance: it belonged to the British industrialist Leonard Pelham Lee (1903–1980) and hung in his manor house in W...

Artist/ School: 17th Century Italian School Title: The Presentation of the Virgin in the Temple Medium: oil painting on canvas, framed Size: canvas: 21” x 16” (53.3 x 40.8cm) Pro...

Appearance is a black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754) in 1750s. Good condition.

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Ludolf Bakhuizen 1631 - 1708 Dutch Men oWar Setting Sale in a Fresh Breeze Provenance Christies 1998 Pen and Grey Ink and Grey Wash. Image 5 x 7.25". Fr...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

Isaac van Duynen was a 17th century painter, specialized in fish still lifes. Born in Dordrecht, he settled in The Hague around 1650. We know from 17th century sources that his paint...

Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750. Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers. This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75". Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...

Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...

Saint Michael Archangel Guido Reni (Bologna 1575 - 1642) Workshop/Follower of 17th-18th century Oil on canvas (104 x 68 cm. - In frame 109 x 68 cm.) This high quality painting is b...

Large Sandstone Head of Shakyamuni Buddha Thailand (formerly Siam), Ayutthaya Kingdom 17th century 16 1/2 inches on stand, 11 1/3 without Private collection, France. The face is ...

NUREMBERG CHRONICLE, 1493 THE GOLDEN CALF (THE CALF OF GOD) 1493 Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...

A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...

This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknow...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...

Good condition overall. With beautiful carved wooden frame. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership wit...

The Virgin & Child Flemish School, circa 1600 circle of Cornelis van Cleve (Flemish c. 1520-1614), oil painting on canvas canvas: 37 x 30 inches provenance: private collection, Paris...

The painting, large in size and with a notable decorative impact, comes from an important private collection, divided between Rome and Paris, and depicts a rural episode set in a lat...

Heracles in Combat With Centaur from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen after Camillus Paderni in the 18th C...

This is a second state impression from three states.

This exquisite oil on panel portrait, depicts a young lady wearing the most elaborate and costly items of the period - the Dutch coif or coronet of sheer lawn with lace, the lavishly embroidered stomacher, and the exquisite ‘molensteenkraag’ or millstone collar, made of batiste fabric. These items were worn by the wealthy individuals in society. The collar itself often requiring over 15 metres of fabric and an incredible effort to maintain. The whiteness of her skin serves as a marker of her social background and status, highlighting how physical appearance can often play a significant role in how individuals were perceived in society. This portrait shows the precise, meticulously crafted, style for which the artist became well-known and is a fine example in its description of the sitter’s character and the careful reproduction of the face and fabrics. The well-preserved condition provides a unique opportunity for us to admire the intricacy and details of the attire that may not always be possible in portraits from a similar age. The dark pigments used to depict the expensive black silk, along with the intricate lace, have remarkably stood the test of time, allowing us to appreciate the craftsmanship and artistry that went into creating them four hundred years ago. The gold pin worn in her hair on her left side indicates that she was engaged when the portrait was painted; married women wore the ‘betrothal pin’ on their right side. Like rhetoricians, seventeenth-century artists were bound by rules and expectations for proper decorum, even in matters of dress. Costume was carefully chosen to suit the ideals of a particular culture or sitter and was used to convey a multitude of meanings. Knowledge of its associations and the history of costume can be crucial to the interpretation of portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middle-class patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Still lifes of items of everyday objects, landscapes, and seascapes reflecting the naval and trade power that the Republic enjoyed were popular. The large group portrait is also a standard subject often of a civic organisation. The new wealthy class were keen to have their portraits commissioned and thus many artists worked in this lucrative genre. This portrait was in the famous collection of Dr. Paul Viktorovich Delaroff (1852-1913) who was a legal advisor based in St. Petersburg and Pavlovsk. He was the son of a Russian army general, he attended the Imperial School of St. Petersburg, earned a doctorate in law, and later taught civil law at the University of Kharkiv. However, he soon left academia to serve as an advisor at the Ministry of Public Works and eventually became a privy councillor to His Majesty the Emperor of Russia. Delaroff dedicated much of his life to the study of painting and engaged in art dealing on a large scale. Known for his charm and engaging conversation, he was a man of remarkable vitality. His extensive network enabled him to make several advantageous purchases and helped reignite interest in the Dutch school among Russian art enthusiasts. He amassed a vast collection of paintings, with some of his finest pieces loaned to museums in The Hague, Leiden, Berlin, and elsewhere. His impressive gallery of old master paintings was sold at auction in Paris during two sales in 1914, the first held on April 23-24, and the second from April 27 to May 2. Contained within a good quality period frame. Cornelis van der Voort, or van der Voorde (circa 1576 – circa 1624), was a distinguished Dutch portrait painter, art collector, art appraiser, and art dealer active during the early 17th century in Amsterdam. His oeuvre includes both individual and group portraits, notably the 'schuttersstukken' which portray members of local militias, and 'regentenstukken' depicting the regents of charitable institutions—a genre he notably pioneered. Van der Voort's contributions were instrumental in the evolution of portrait painting within the early 17th-century Dutch Republic, and he is particularly acclaimed for his introduction of the life-size, full-length format to the practice of Dutch portraiture. His oeuvre was highly sought after and regarded with great reverence. He significantly impacted the early portraiture of Rembrandt, as well as the works of Nicolaes Eliasz, Pickenoy, and Thomas de Keyser...

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

This stunning Italian 17th century Old Master religious oil painting is by Baroque artist Giuseppe Bartolomeo Chari. Painted circa 1684 it is a large and vibrant oil painting of the Madonna and child. To their left is Saint Catherine and to their right four putti or cherubs look upon a sleeping Jesus. The detail in all the figures faces and hair and the colouring is just superb, especially the Madonna's sumptuous blue robe. A really fabulous 17th century religious work with previous full attribution and excellent provenance which was once attributed to Carlo Maratta (1625-1713). Provenance. With Vangelisti, Lucca, Italy, 1966, from whom acquired by the family of the previous owner, and thence by descent. Red seal stamp verso Christies April 15th 1912 Christies March 23 1956 Condition. Oil on Canvas. Image size 44 x 54 inches unframed and in good condition. Frame. Housed in an original Carlo Maratta frame, 62 inches by 52 inches framed and in good condition. Giuseppe Bartolomeo Chiari (1654-1727), also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome. Born in Rome, he was one of the main assistants, along with Giuseppe Passeri and Andrea Procaccini, in the studio of an elder Carlo Maratta. His father had opposed the career, but his mother, on the recommendation of a painter named Carlo Antonio Gagliani. By the age of 22, he had frescoed the lateral lunettes (Birth of Virgin and Adoration of Magi...

JOHANNES JANSSON (1588 - 1664) PERU, engraving with early coloring. Platemark 15 1/8 x 19 3/8 inches, sheet 17 x 20 1/2 A nice example of one of the earliest maps of Peru. From the ...

A portrait of courtier and politician John Poyntz, after Hans Holbein, circa 1644 - 1674. This painting is based on a drawing by Hans Holbein, part of the drawings collection of the ...

French School of the 18th Century Portrait of a gentleman Pastel on paper 25 x 18 cm Framed : 49 x 32 cm The mounting of this work is marked "Attribué à Saint Aubin", which means t...

This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...

After Carlo Dolci "The Angel Gabriel" Oil on Canvas: Painted oval form :13 x 11 in. Frame: 29 x 23 in. Fine carved giltwood Florentine frame. Late 18t...

Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century. Erotic scene from the series "Koshuko zue juni ko". A courtesan with a customer under a kimono stand...

Floral Garland with Sacred Imagery Period: Likely 17th–18th century Medium: Oil on canvas Style: Flemish or Dutch Baroque Frame: Antique wooden frame This exquisite oil painting is a...

A beautiful 18th century Dutch Old Master oil on panel depicting mountain goats in a landscape at sunset. Excellent quality work in very good original condition. The reverse of the ...

French portrait of a nobleman, 17th Century, great condition. With a beautiful carved wooden frame.

Giovanni Segala (Murano 1662 - Venice 1717) - San Giovanni. 70.5 x 108.5 cm without frame, 89 x 127 cm with frame. Ancient painting on canvas, in an ancient contemporary frame in c...

Portrait Of Mary, Queen Of Scots (1542-1587) English School - Oil On Panel Large English School court portrait of Queen Mary Of Scots, oil on panel. Excellent quality and condition...

A rare and most attractive still life by William Smith of Chichester. The sumptuous textures of the peaches and grapes contrasting with the dark ba...

Up for sale is a beautiful Antique 18-century original oil painting on canvas depicting a portrait of a beautiful woman In a dress of dark gold brocade trimmed with lace. A bright bl...

Swans Startled by Dog Flemish Old Master, 18th century unsigned (as is typical of the period) oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches proven...

The Tooth-Puller is a superb original oil painting on canvas, realized by an anonymous artist, a follower of Caravaggio, in the first half of the X...

The donkey is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Peter Monamy (London 1681-1749) A Calm with a Man of War firing a Salute Oil on canvas Canvas Size 14 1/4 x 17 1/4 in Framed Size 20 x 24 in Peter Monamy was an acclaimed British marine painter of the late 17th and early 18th centuries, renowned for his evocative depictions of seascapes and naval scenes. Born in 1681 on Guernsey, one of the Channel Islands, Monamy displayed an early affinity for art, which was shaped by the maritime culture of his homeland. His works vividly capture the drama and grandeur of the sea, marking him as one of the prominent marine artists of his time. At a young age, Monamy moved to London, where he likely apprenticed with a sign painter. His artistic skills flourished during this period, influenced by Dutch marine painters such as Willem van de Velde the Younger...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (2 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the plate lower right above the caption From: Vedute di Roma A proper Roman printing w...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Refined 17th century Italian painting. Oil on canvas artwork depicting a splendid Madonna and Child, of remarkable pictorial quality, inspired by the Tuscan school of Andrea del Sart...

18th century oil on canvas chinoiserie scene painted 'en Camaïeu Bleu'. Originally part of a decorative scheme in a dining room as an overdoor set into panelling. Provenance: From ...

18th century painting Cavalry Oil on wood panel 16 x 21.5 cm

Ancient Roman Bust, from the Series Antiquities of Herculaneum is an original etching on paper realized by Filippo Morghen. Signed on the plate, on the lower right. Good conditions ...

Christ Crucified (Christus Patiens) with God the Father, the Virgin and St. John In the manner of 14th century Tuscan painting Tempera on panel Height: 150 cm Width: 99 cm Perform...