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18th Century and Earlier Art

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Period: 18th Century and Earlier
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...
Category

Naturalistic 18th Century and Earlier Art

Materials

Engraving, Handmade Paper

Fine 1600's Italian Baroque Master Portrait of Child with Pet Dog Oil Painting
Located in Cirencester, Gloucestershire
Portrait of a Child with Pet Dog Italian School, early 1600's circle of Annibale Carracci (1560-1609) oil on canvas, framed Framed: 11.5 x 9 inches Board : 10.5 x 8.5 inches Provenan...
Category

Baroque 18th Century and Earlier Art

Materials

Oil

Fine 18th Century British Old Master Oil The Young Shepherdess with Lamb
Located in Cirencester, Gloucestershire
The Young Shepherd English School, 18th century circle of Sir Joshua Reynolds oil on canvas, unframed Canvas: 30 x 25 inches Provenance: Private collection Condition: very good condi...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Grotesque Figures - Etching by Pierre Firens- 17th Century
Located in Roma, IT
Grotesque Figures is an original etching realized by Pierre Firens in the early 17th century It represents two grotesque figures in 17th century clothing. Pierre Firens (1580-1636/...
Category

Old Masters 18th Century and Earlier Art

Materials

Etching

Flowering Bardana Daisy: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Bardana Major Folio Non Serrato, Napoliere, B. Bdellifera Arbor, de Qu...
Category

Naturalistic 18th Century and Earlier Art

Materials

Engraving, Mezzotint

Painted Landscape with Shepherdess and Sheep late 1700s
Located in Milan, IT
Oil on Canvas. Central European school of the late 1700s. The large painting depicts a rural landscape, with a peasant dwelling on the left, the shepherdess in the left foreground wa...
Category

Other Art Style 18th Century and Earlier Art

Materials

Oil

Ya es hora from Los Caprichos - Etching by Francisco Goya - 1878
Located in Roma, IT
Ya es hora from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatin...
Category

Modern 18th Century and Earlier Art

Materials

Etching

FANTASTIC BATTLE BETWEEN INSECTS AND DWARVES
Located in Milano, IT
An extraordinary example of Alessandro Bernardino Deho's grotesque and fantastic production, this painting illustrates an imaginative scene in which anthropomorphic insects and dwarv...
Category

Italian School 18th Century and Earlier Art

Materials

Canvas, Oil

18th Century French Terra Cotta Bust of a Young Gentleman
Located in Beachwood, OH
18th Century French Terra Cotta Bust of a Young Gentleman Terra Cotta Unsigned 25 x 18 x 10 inches 41 lb.
Category

18th Century and Earlier Art

Materials

Terracotta

Giambattista Piazzetta workshop (Italian master) - 18th century figure painting
Located in Varmo, IT
Circle of Giambattista Piazzetta (Venice 1683 - Venice 1754) - San Giacomo Maggiore. 62.5 x 52.5 cm without frame, 72.5 x 62.5 cm with frame. Antique oil painting on canvas, in a c...
Category

Rococo 18th Century and Earlier Art

Materials

Canvas, Oil

17th Century Large Italian Old Master Oil Christ and the Penitent Canaanite
Located in Cirencester, Gloucestershire
17th Century Italian School Christ and the Canaanite Woman oil on canvas, framed Framed: 30.5 x 35 inches in an antique gilt 'hollow' fra...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Portrait Knight Paint Oil on canvas 17th Century Lombard school Old master Italy
Located in Riva del Garda, IT
Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Painting Italian Classical Landscape 18th ruin forteress Signed
Located in PARIS, FR
French or Italian school of the 18th century Animated landscape with a ruin Oil on canvas 27 x 33 cm (34 x 40 cm with the frame) Signed and dated lower right "1772 / Contencin? / fec...
Category

Italian School 18th Century and Earlier Art

Materials

Oil

Accuratissima Galliae Tabula - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Accuratissima Galliae Tabula [...], was realized by the cartographer Frederick de Wit for the famous Atlas published in ...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Thisbe and Pyramus, Ovid's Metamorphoses, French Classical Myth engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808). Thisbe, finding the dead body of Pyramus, throws herself on a sword. Fro...
Category

Naturalistic 18th Century and Earlier Art

Materials

Engraving

Abraham and the Sacrifice of His Son Isaac by Adriaen Van Stalbemt, C. 1605-1610
Located in Stockholm, SE
Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662 Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham” According to the Old...
Category

Old Masters 18th Century and Earlier Art

Materials

Copper

Silver Thread Embroidered Funeral Vestment
Located in Milano, IT
Rare and striking 17th-century funeral vestment, embroidered on both sides with precious silver threads on black velvet, a symbol of mourning and solemnity. One side depicts a skelet...
Category

18th Century and Earlier Art

Materials

Fabric

Huge I1600's Italian Old Master Oil on Canvas Jesus at House of Mary & Martha
Located in Cirencester, Gloucestershire
Jesus at the House of Mary & Martha Italian artist, 1600's oil on canvas, unframed Canvas: 32.5 x 56.5 inches Provenance: Private collection, England Condition: for a work of such mo...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil, Canvas

Seated Woman Holding a Staff
Located in Paris, Île-de-France
Taddeo Zuccaro (Urbino 1529 – 1566 Rome) and Workshop (?) Seated Woman Holding a Staff Pen and brown ink, brown wash heightened with white, traces of red chalk on laid paper 37 x 27...
Category

Old Masters 18th Century and Earlier Art

Materials

Ink

Nude Female Figure after Salvator Rosa - Etching by Allan Ramsay - 18th Century
By Allan Ramsay
Located in Roma, IT
Nude female figure is a print realized by Scottish artist Allan Ramsay (1713-1784) after Salvator Rosa, in the late 18th century. Etching on paper. Good conditions, with foxing on ...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Madonna Maria Sassoferrato Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

17th Century Oil on Canvas Spanish Religious Antique Painting, 1680
Located in Vicoforte, IT
Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...
Category

18th Century and Earlier Art

Materials

Canvas, Oil

Architectural Capriccio Of Ancient Rome, 17th Century VIVIANO CODAZZI
Located in Blackwater, GB
Architectural Capriccio Of Ancient Rome, 17th Century school of Viviano CODAZZI (1604-1670) Huge 17th Century Italian Old Master view of an Architectural Capriccio with figures out...
Category

18th Century and Earlier Art

Materials

Oil, Canvas

A Dance in Otaheite (Tahiti) 1784 James Cook Final Voyage by John Webber
Located in Paonia, CO
A Dance in Otaheite ( Tahiti ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) who...
Category

Realist 18th Century and Earlier Art

Materials

Engraving

Fine 1700's French/ Dutch Oil Painting on Copper Portrait Man Ruff Collar
Located in Cirencester, Gloucestershire
Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...
Category

Old Masters 18th Century and Earlier Art

Materials

Copper

Huge Old Master Oil Painting 17th century Diana & Cupids in Panoramic Landscape
Located in Cirencester, Gloucestershire
Diana The Huntress and her Cherubs Northern European artist, circa 1680's period oil on canvas, unframed canvas: 20 x 60.5 inches provenance: private collection, UK condition: some p...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Portrait Woman Princess Diziani Paint 18th Century Oil on canvas Old master Art
Located in Riva del Garda, IT
Gaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

17th Century by Giovanni Domenico Ferrucci The Death of Cleopatra Oil on canvas
Located in Milano, Lombardia
Giovanni Domenico Ferrucci (Fiesole, Italy, 1619 – Lucca, Italy, post 1669) Title: The Death of Cleopatra Medium: Oil on canvas Dimensions: without frame 85 x 70.7 cm – with frame 10...
Category

Old Masters 18th Century and Earlier Art

Materials

Canvas, Oil

Portrait of a Young Man
Located in London, GB
Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...
Category

18th Century and Earlier Art

Materials

Oak, Oil, Panel

HUBER Johann Kaspar. View of a city thought to be Antwerp. Wasked ink.
By HUBER JOHANN KASPAR
Located in Paris, FR
Johann Kaspar HUBER is a Swiss painter.
Category

18th Century and Earlier Art

Materials

Ink

Ancient Roman Fresco - Etching by Carlo Nolli - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good condition...
Category

Old Masters 18th Century and Earlier Art

Materials

Etching

Escuela Colonial Siglo XVIII - XIX Óleo sobre cristal - Virgen con niño.
Located in Sant Celoni, ES
Muy interesante ÓLEO SOBRE CRISTAL, representando a una Virgen con Niño, de finales del siglo XVIII principios del XIX. Escuela colonial, va con un fino marco de madera dorada al oro...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Madonna Correggio Paint Oil on table 16th Century Old master Italian Religious
Located in Riva del Garda, IT
School of Antonio Allegri, known as Correggio (Correggio c. 1489 - 1534) Attributable to Pomponio Allegri (Correggio, 1522 - Parma, 1593) Madonna and Child, Two Angels and John the B...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Smack rigged Royal yachts
Located in Stoke, Hampshire
Johann van der Hagen (1676-1745) Smack rigged Royal yachts Oil on canvas Canvas Size 30 x 25 in Frame Size 37 x 32 in Provenance: The Parker Gallery. Johann van der Hagen was a Dut...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Portrait Marianne Cogny De Troy Paint Oil on canvas 17/18th Century Old master
Located in Riva del Garda, IT
Workshop/Circle of François de Troy (Toulouse 1645 – Paris 1730) Portrait of a young lady (probably Marianne de Cogny, epouse de Philippe-Emmanuel de Beaufort...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Portrait of a Lady - British 17th century art Old Master portrait oil painting
Located in Hagley, England
This lovely British Old Master portrait oil painting is by noted British Old Master artist James Cranke. Cranke taught George Romney to paint as a small boy, living near by. Painted ...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Leading Out a Hunter
Located in Stoke, Hampshire
James Seymour (1702-1752) Leading Out a Hunter Mezzotint by Thomas Burford Image size 10 x 14 in Framed size 13 x 17 in James Seymour was an English artist renowned for his equestri...
Category

Old Masters 18th Century and Earlier Art

Materials

Mezzotint

White-throated Capuchin Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...
Category

18th Century and Earlier Art

Materials

Engraving

Madonna del Granduca, after Raphael
Located in West Sussex, GB
"Madonna del Granduca", after Raphael Oil on Canvas: 34 x 22.5 in. Frame: 45 x 33 ½ in. Inscribed verso. Pitti Palace red wax seal verso*. Fine Gilt Carv...
Category

Baroque 18th Century and Earlier Art

Materials

Oil

Mare and Foal in a Stable Interior, James Ward RA (1769 - 1859)
Located in GB
James Ward, an 18th-century English artist, captures a serene and intimate scene in his oil painting Mare and Foal in a Stable Interior. This work embodies Ward's expertise in portra...
Category

18th Century and Earlier Art

Materials

Canvas, Oil

Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category

Naturalistic 18th Century and Earlier Art

Materials

Engraving, Mezzotint

Holy Family Piola Paint Oil on canvas Old master 17th Century Maria Religious
Located in Riva del Garda, IT
Genoese school of the second half of the seventeenth century Circle of Domenico Piola (Genoa 1627-1703) The Holy Family Oil painting on canvas 83 x 68 cm. - in an antique frame 99 x...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Fine 18th Century Italian Oil Painting Elegant Figures Rococo Interior Setting
Located in Cirencester, Gloucestershire
Elegant Figures in Interior *see notes below Italian School, mid 18th century most likely of Venetian origin oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private ...
Category

Rococo 18th Century and Earlier Art

Materials

Oil, Canvas

Christ Salvator Mundi Paint Oil on copper 16/17th Century Flemish school
Located in Riva del Garda, IT
Antique painting depicting the Face of Christ as Salvator Mundi Flemish painter, 16th-17th century Oil on copper 22 x 18 cm./ framed 42 x ...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

FINE ORIGINAL ANTIQUE 18th CENTURY BRITISH OLD MASTER OIL PAINTING MAN O WAR
Located in Ferndown, GB
FINE ORIGINAL ANTIQUE 18th CENTURY BRITISH OLD MASTER OIL PAINTING MAN O WAR IN HARBOUR Description Good Condition canvas but very old with some browning in places (see picture). C...
Category

Realist 18th Century and Earlier Art

Materials

Oil

HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left
Located in Santa Monica, CA
GIULIO BONASONE (Italian 1500/10-1574) HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230) Engraving. Lettered in roundel held by putto at right: 'Iulio / Bonasone' Sheet 10 5/8 x 16 7/8 inches. Thread margins outside border line. A fair impression. Early annotations lower left verso, as well aa a collectors stamp: Lugt 2773 - A. Freiherr von...
Category

Old Masters 18th Century and Earlier Art

Materials

Engraving

The Grape Seller - Workshop of Jacob Ochtervelt
Located in Stockholm, SE
Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society. At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side. The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself. The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm. Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...
Category

Old Masters 18th Century and Earlier Art

Materials

Canvas, Oil

18th century portrait painting of a boy with a spinning top on a garden terrace
Located in Bath, Somerset
Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a garden landscape, playing with a spinning top. Signed and dated ' Phil. Merc...
Category

Old Masters 18th Century and Earlier Art

Materials

Canvas, Oil

Leda Swan Mythological Paint oil on canvas French Painter 18th Century
Located in Riva del Garda, IT
French painter of the late 18th-early 19th century Leda and the Swan (Literary source: Metamorphoses by Ovid, Book VI) Oil on canvas 95 x 126 cm Framed 109 x 142 cm This c...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Portrait of a woman with a book
Located in BELEYMAS, FR
Italian school circa 1560, circle of Bernardino Campi Portrait of a woman with a book Oil on panel H. 78 cm ; L. 57cm
Category

Italian School 18th Century and Earlier Art

Materials

Oil, Wood Panel

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

Old Masters 18th Century and Earlier Art

Materials

Engraving, Laid Paper

Toby Angel Savoldo Religious 17/18th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Giovanni Gerolamo Savoldo (Brescia, c. 1480 – after 1548) Follower of Toby and the Angel Oil on canvas 63 x 76 cm - In frame 77 x 90 cm We are pleased to offer this valuable ...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Ghisolfi Paint Oil on canvas Old master 17th Century Architectural Capriccio Art
By Giovanni Ghisolfi (Milan 1623 - 1683)
Located in Riva del Garda, IT
Giovanni Ghisolfi (Milan 1623 - 1683) Architectural capriccio with ruins of an Ionic temple Oil painting on canvas 73 x 87 cm., within a gilded wooden frame 87 x 100 cm. This quali...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Patas A Bandeau Noir - Etching by Jacques Mesnil - 1771
Located in Roma, IT
Patas A Bandeau Noir is an etching realized in 1771 by Jacques Mesnil. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descr...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Penitent Mary Magdalene c1750 Oil on Copper Old Master
Located in Holywell, GB
A finely painted picture, possibly of the penitent Mary Magdalene, painted in oil on to a copper plate and dating to c1750. Condition Two old touch ins, tiny chip to the forehead...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Holy Family St John Scarsella Paint 17th Century Oil on table Old master Italy
Located in Riva del Garda, IT
Ippolito Scarsella, known as Lo Scarsellino (Ferrara, c. 1550 - 1620) workshop Holy Family with the Infant St John oil on arched panel 46 x 29 cm. in a small temple frame 75 x 55 cm This interesting work shows us one of the most sought-after iconographic subjects in the Christian tradition, presented here according to an ancient and proven scheme. We see the Virgin, majestic, in the centre of the scene while holding a chubby child, who is offering a small bird to the young St John (tradition has it that it is a goldfinch, one of the symbols of the passion of Christ) to be caressed. Completing the Holy Family, we can see Saint Joseph in the shadows, apart from the loving everyday scene depicted in the foreground, calmly leaning on his walking stick. Regarding the stylistic characteristics of this small panel, it is easy to recognise the influence of 16th and 17th century Emilian painting, which leads us to confirm its traditional attribution to Ippolito Scarsella (circa 1550 - 1620) from Ferrara, undoubtedly one of the most important artists of this pictorial context. It could very well be a trial sketch...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Pair of Artworks "The Element Water: Poseidon Standing on a Shell"
Located in Edinburgh, GB
Two Magnificent Late Baroque Italian School Paintings Attributed to Paolo de Matteis - A Rare Pair Offered here as a single, exceptional lot are two compelling oil on canvas painting...
Category

18th Century and Earlier Art

Materials

Canvas, Oil

Christ Cross Religious Van Dyck 17th Century Paint Oil on canvas Old master
By Anthoon van Dyck (Antwerp 1599 - London 1641)
Located in Riva del Garda, IT
Anthoon van Dyck (Antwerp 1599 - London 1641) workshop Christ Carrying the Cross - 17th century Oil on canvas (120 x 94 cm - framed 140 x 112 cm). This remarkable canvas, depic...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

The Penitent Magdalene - Italian Baroque Old Master art portrait oil painting
By Giovanni Francesco Barbieri (Il Guercino)
Located in Hagley, England
This stunning Italian Baroque Old Master portrait oil painting is attributed to the circle of Guercino, Giovanni Francesco Barbieri (1591 - 1666) and it is ascribed verso. The paint...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Floral Arrangement in a Glass Vase - Dutch Old Master still life oil painting
By Simon Pietersz Verelst (circle)
Located in Hagley, England
This stunning 18th century Dutch Old Master Golden Age floral oil painting is attributed to a circle of Simon Pietersz Verelst. Painted circa 1720 it is a still life floral of a mixe...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

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