18th Century and Earlier Art
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Period: 18th Century and Earlier
Maniere de Construire Les Colonnes, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Construire Les Colonnes en Bois'
French copper-line engraving by Michelinot after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's 'L'Ar...
Category
French School 18th Century and Earlier Art
Materials
Engraving
Study of a Bull and Study of Two Heads with Laurel Crowns (recto and verso)
Located in New York, NY
Provenance:
(Possibly) Wilhelm Suida; thence by descent to:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
Traditionally attributed to the French...
Category
French School 18th Century and Earlier Art
Materials
Paper, Chalk
Feast in the Garden of Love, 17th century Antwerp, Louis de Caullery
Located in PARIS, FR
Louis de Caullery (1582-1621)
Antwerp School early 17th century
Oil on oak panel
Dimensions: h. 51 cm (20.08 in), w. 43 cm (16.93 in)
Ebonized wooden frame
Framed: h. 67 cm (26.38 in...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Wood Panel
Still Life Of Pears, Apples and Grapes in an upturned basket, 17th Century
Located in Blackwater, GB
Still Life Of Pears, Apples and Grapes in an upturned basket, 17th Century
circle of BARTHOLOMEUS ASSTEYN (1607-1667)
Huge 17th Century Dutch Still Life of apples, pears and grape...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
18th Century Oil Painting Portrait of Phillip, 6th Viscount Wenman.
By Nathaniel Dance-Holland
Located in London, GB
Sir Nathaniel Dance-Holland (1750-1811) was an English portrait painter and one of the founding members of the Royal Academy in 1768. Justly celebrated in his lifetime he won several...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
14th-century Gothic gargoyle in limestone
Located in Milano, IT
Fascinating limestone gargouille (or gargoyle) from the region of Avignon, France, dating from the 14th century. A rare and striking hand-carved piece that perfectly embodies the med...
Category
French School 18th Century and Earlier Art
Materials
Stone
PORTRAIT OF COURT MUSICIAN JOSEF LEMBERGER (1667-1740) Hungarian School
Located in Blackwater, GB
PORTRAIT OF COURT MUSICIAN JOSEF LEMBERGER (1667-1740)
Hungarian School
Large 18th Century Hungarian Portrait of court musician Josef Lemberger, oil on canvas. Superb quality and early important...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
Fine 17th Century Still Life Oil Painting Italian Old Master Fruit on Ledge
Located in Cirencester, Gloucestershire
Ornate Classical Fruit Still Life
Italian School, 17th century
oil on canvas, unframed
canvas: 22 x 27 inches
provenance: private collection, UK
condition: very good and sound condi...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Canvas
Christ Crowned with Thorns, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving
18th C. Portrait of William Harvey, MD: 17th C. Circulatory System Discoveries
Located in Alamo, CA
An 18th century engraved portrait of William Harvey, MD by Jacobus Houbraken after a painting by Wilhem von Bemmel, from "The Heads of Illustrious Pers...
Category
18th Century and Earlier Art
Materials
Engraving
Venice See Landscape Bella 18th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Gabriele Bella (Venice 1730 – Venice 1799) attributed
View of Venice with the Guglie bridge (or the Cannaregio bridge, as it was formerly called) circa 1750/60
oil on canvas, ...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
"Spring at Window" 18th Century Antique realism Watercolor painting on Paper
Located in Jacksonville, FL
The painting is signed and dated 1858
Felix Schlesinger (1833-1910) was a German painter known for his charming and detailed portrayals of domestic ...
Category
Realist 18th Century and Earlier Art
Materials
Paper, Watercolor
The Hunchbacked Fiddler (3rd State)
Located in Chicago, IL
The Hunchbacked Fiddler (3rd State), 1654
Etching
266 x 113 mm.; 6 1/2 x 4 7/16 inches
Watermark:
Fleur-de-lys in a Crowned Shield
References:
Godefroy 44 III/VI
Hollstein 44 III/VI
Pelletier, Adrian van Ostade...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
17th Century Still Life Felice Boselli Natura Morta Animals Oil on Canvas Yellow
By Felice Boselli
Located in Sanremo, IT
Pair of paintings, still on the first canvas, oil on canvas measuring 70 x 82 cm without frame and 80 x 92 cm with coeval frame by the painter Felice Boselli (Piacenza 1650 - Parma 1732) depicting a still life with popular characters, animals and game.
Felice Boselli was an Italian painter of the Baroque period, best known for still lifes of game...
Category
Italian School 18th Century and Earlier Art
Materials
Canvas, Oil
Portrait Of Jeanne III d'Albret (1528-1572), 16th Century
Located in Blackwater, GB
Portrait Of Jeanne III d'Albret (1528-1572), 16th Century
French School Court Portrait - oil on panel
Fine 16th century French Old Master portrait of Jeanne III, Queen regent or Navarre, oil on panel. Rare and early depiction of the Queen regent in court attire by a French court painter circa 1550. Jeanne d"Albret married Antione De Bourbon to become the Duchess of Vendome. Her son Henri would be come Henri III...
Category
18th Century and Earlier Art
Materials
Oil, Panel
Still Life with Fish and Large Copper Pot, Late 18th Century Spanish Painting
Located in London, GB
Oil on canvas
Image size: 24 x 28 1/2 inches (61 x 73 cm)
Contemporary style hand made frame
This is an incredibly carefully executed work. On what appears to be a wooden ledge we see a plate of freshwater fish, possibly a roach, a copper pot, a larger terracota pot...
Category
Realist 18th Century and Earlier Art
Materials
Canvas, Oil
Painting Holy Family with Saints 17th century
Located in Milan, IT
Oil on Canvas. Venetian school of the 17th century.
The figures, portrayed in the half-length foreground, have Mary placed in the center holding the infant Jesus; behind them on the ...
Category
Other Art Style 18th Century and Earlier Art
Materials
Oil
Sketch of a Man in Profile
Located in London, GB
Sketch of a Man in Profile
17th Century French School
Ink on paper
Image Size: 10 1/2 x 7 inches (26.5 x 17.5 cm)
Framed
Provenance
The estate of Joseph McCrindle
Christies Old Masters and British Pictures and Old Master Drawings Sale 12th December 2008
This highly worked picture shows us a man depicted in profile is seen interacting with a scene that extends beyond the boundaries of the paper's composition, the pen strokes intricately portraying the man's face, rendering a detailed, textured complexion. He points his left hand out to something in the distance, with a look of almost alarm.
The artist Giovanni Benedetto Castiglione (1609-64) did a series of oriental head studies.
The exotic headgear that he wears and this type of oriental head studies, had its principal source was of course Rembrandt, who etched many similar heads during the 1630s.
In the seventeenth-century Western European imagination, the turbaned figure represented the epitome of alterity: the Ottoman Turk. Ottoman costume...
Category
Old Masters 18th Century and Earlier Art
Materials
Paper, Ink
With King's Privilege - Original Etching by Pierre Charles Trémolières - 18th
Located in Roma, IT
With King's Privilege is an Original Etching (chez Huquier) realized by Pierre Charles Trémolières (1703-1739 Paris).
The artwork is in good condition on a yellowed paper, included ...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Rococo painting with frame by 18th-century Venetian school oil on canvas
Located in Florence, IT
The painting (with a Salvador Rosa-style gilded frame 88 x 116 cm) depicts a group of four children who are playing outside on a swinging seesaw; we are probably dealing with a prank, as can be seen by the satisfied expression of the child on the right at the expense of the one in the foreground, who seems to be supported by the others, perhaps because of the fear felt.
They are dressed in the same way, with black or brown ankle boots and a kind of double-breasted jumpsuit with a rich lace collar reminiscent of the jabots of dames, blue for the one in the foreground, brick-colored for the other three.
Children also look alike in the hair, typical of the period, and features, suggesting a kinship relationship.
We find the same subject, for example, in Johann Zoffany...
Category
Rococo 18th Century and Earlier Art
Materials
Canvas, Oil
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
College Fun at the University of Cambridge, engraving by William Bunbury
Located in London, GB
William Bunbury, engraved by James Bretherton
College Fun or Quizzing the Proctor
Hand coloured engraving
27 x 34 cm
c.1790
In this playful scene, a proctor--garnering a powdered wig and academic dress--is reading a public proclamation regarding a 'general fast.' Unbeknownst to him, a mischievous student is pinning a satirical note on his back. The note mocks the proctor's authority, reading, "From all Pride, Vanity, Glory and Hypocrisy, Good Lord Deliver us." Meanwhile, two other students, dressed in academic gowns and mortarboards, stand to the left, laughing and gesturing at the proctor, clearly enjoying the other student's prank.
This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank...
Category
Realist 18th Century and Earlier Art
Materials
Engraving
Manner of Pieter de Hooch (1629-1684) - 18th Century Oil, Couple Taking Tea
Located in Corsham, GB
A captivating Dutch genre painting in the manner of Pieter de Hooch (1629-1684). A couple can be seen taking tea together in a roomy interior with afternoon light flooding in from a ...
Category
18th Century and Earlier Art
Materials
Oil
The Queen of Great Britain arriving in Portsmouth 25 May 1662 & The Arrival in L
Located in Middletown, NY
Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...
Category
Old Masters 18th Century and Earlier Art
Materials
Laid Paper, Engraving
Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963.
A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back.
This work was included in Frederick Crace...
Category
English School 18th Century and Earlier Art
Materials
Handmade Paper, Engraving, Etching
French School, Portrait of a Lady, Actress, Young Woman, French , Rococo, Oval
Located in Greven, DE
French Art
Rococo
Portrait of a Woman, Young Lady, perhaps an actress
Category
Rococo 18th Century and Earlier Art
Materials
Canvas
ANCIENT ROMAN RED JASPER APPLIQUE OF TRAGIC ACTOR
Located in Milan, IT
ROMAN RED JASPER APPLIQUE OF TRAGIC ACTOR
Rome, 1st Century A.D.
5.5 x 4.2 cm the mask
2 1/4 x 1 3/4 in
Provenance
Penicuik House, Midlothian, acquired by either Sir John Clerk, 2nd...
Category
18th Century and Earlier Art
Materials
Marble
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving
Holbein Hand-colored Portrait of Warham, Archbishop of Canterbury for Henry VIII
By (After) Hans Holbein The Younger
Located in Alamo, CA
This framed hand colored stipple engraving and etching portrait of William Warham, Archbishop of Canterbury under King Henry VII and his son King Henry VIII was created by Francesco Bartolozzi (1728–1815) after a drawing and a painting by Hans Holbein (1497-1543), who was Henry VIII's court painter. The print was published in London by John Chamberlaine in 1795. The print was created utilizing stipple engraving and etching techniques by the Italian artist Francesco Bartolozzi, who was employed as the royal engraver by King George III of England. The publisher, John Chamberlaine, was Keeper of the King's Drawings and Medals. The inscription beneath the portrait reads" "In His Majesty's Collection", "Engraved by F. Bartolozzi R A Historical Engraver to His Majesty'' in the lower right, and ''From an original drawing by Hans Holbien'' in the lower left. The original painting by Holbein is displayed at Lambeth Castle and the original drawing is in the art collection at Windsor Castle. The engraving is held by many museums, including: The British Museum, The Metropolitan Museum of Art, The National Portrait Gallery, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
This portrait depicts Archbishop William Warham facing to his right, wearing a black cap covering his ears and fur trimmed clerical robes. The print is presented in a decorative gold-colored wood frame with a blue-grey fabric mat. The frame measures 26.5" x 20.13" x 1". The print is in excellent condition.
William Warham (1450-1532) was the last of the pre-Reformation archbishops of Canterbury, serving under King Henry VII and then under King Henry VIII. He was a quiet, unassuming intellectual whose career ended with a strong and brave stance against the divorce of King Henry VIII and the king's resultant withdrawal of England from the Catholic church and his draconian actions against the clergy. As Lord Chancellor...
Category
18th Century and Earlier Art
Materials
Engraving, Etching
Mughal School, 18th century Emperor Jahangir with Empress Nur Jahan on a Tiger
Located in Middletown, NY
circa 1750. Gouache and ink with heightening in gold on brown laid paper, 12 1/2 x 8 1/4 inches (317 x 210 mm), with a floral-motif border painted in blue and gold, the full sheet. With extensive inscriptions in Persian written in black ink on the verso. In good condition with extraordinary color. We see Empress Nur Jahan making an offering to a sage in his hut, as Emperor Jahangir looks on from a tree stand.
Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...
Category
Rajput 18th Century and Earlier Art
Materials
Gold
17th Century Dutch School Painting of a Goshawk
Located in London, GB
DUTCH SCHOOL 17TH CENTURY
A Goshawk perched on a Falconer's Gloved Hand
Oil on Canvas
Circa. 1660
29 3/4 x 24 7/8 inches (75.5 x 63 cms)
Provenance: Private Collection, Paris
Category
18th Century and Earlier Art
Materials
Oil
Important 17' Century Mythological Painting Diana and Actaeon Oil on Canvas
Located in Rome, IT
Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses.
Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval...
Category
Baroque 18th Century and Earlier Art
Materials
Oil
The Three Magi
Located in New York, NY
Provenance: Private Collection, Spain.
Known as Peruvian alabaster for its translucency and workability, Piedra de Huamanga is a highly prized material from the province of Ayacucho in Peru. In the 17th and 18th centuries, local craftsman in the town of Huamanga began to specialize in the production of small-scale, polychrome religious sculptures made from this distinctive stone. Huamanga sculptures are among the most accomplished examples of carving from the Spanish Americas, where polychrome wood sculpture was a far more common sculptural medium. These works, which were created as independent sculptures or as sculptural groups—such as our three Magi—were intended for ecclesiastical as well as domestics settings.
Our three figures likely formed part of a larger Nativity group—a New World variant of the tradition of the Neapolitan Crèche...
Category
18th Century and Earlier Art
Materials
Alabaster
Il Giocolare - Etching by Giovanni Volpato - 1765 ca.
Located in Roma, IT
Etching and burin on paper.
Image dimension: 37.8x29
On the lower margin from left to right under the composition "Fran. co Maggiotto inv." and then "Gio. Volpato Sculp. appo Nic. ...
Category
Modern 18th Century and Earlier Art
Materials
Etching
By Philipp Peter Roos, Roman countryside with herds
By Philipp Peter Roos (Rosa di Tivoli)
Located in Milan, IT
Philipp Peter Roos, known as Rosa da Tivoli (Sankt Goar, August 30, 1657 - Rome, January 17, 1706)
Pair of landscapes of the Roman countryside with catkins
(2) Oil on canvas, 22 x ...
Category
Other Art Style 18th Century and Earlier Art
Materials
Canvas, Oil
Cleopatra Queen of Egypt 17' century Painting Oil on Canvas
Located in Rome, IT
Amazing painting of Cleopatra oil on canvas with a gilt wood frame.
Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705)
The dramatic subje...
Category
Academic 18th Century and Earlier Art
Materials
Oil
Theatre Scene, Opera, Old Master Drawing, Griselidis, Mallet, French Art
Located in Greven, DE
Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone.
Old Master Drawing
Category
Romantic 18th Century and Earlier Art
Materials
Paper, Cardboard
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving
Saint Jerome the Penitent
Located in Milano, IT
Fine 16th-century polychrome wax sculpture depicting Penitent Saint Jerome, one of the most evocative subjects in the Christian tradition. The work, created with extraordinary skill,...
Category
Italian School 18th Century and Earlier Art
Materials
Organic Material, Wax
Untitled
Located in Los Angeles, CA
Italian, hand painted, oil on canvas landscape with hand painted border. See other painting in separate listing that creates a pair.
Category
18th Century and Earlier Art
Materials
Canvas, Oil
J Haid, Martin Van Meytens, Engraving, Portrait Count Ferdinand Plettenberg
Located in Greven, DE
Johann Jakob Haid (1704-1767), engraver
Johann Stenglin (1715-1770), engraver
Martin van Meytens (1695-1770), inventor
Ferdinand Count of Plettenber...
Category
Baroque 18th Century and Earlier Art
Materials
Engraving
The Temptation of Christ by the Devil (2nd State)
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577-1640 Antwerp)
Reference:
Le Blanc 6
Hollstein 6 II/III
Notes:
1. A very fine impression of the 2nd state (of three) of this majo...
Category
Baroque 18th Century and Earlier Art
Materials
Woodcut
Cadiz Island: A Framed 17th Century Hand-colored Map from Blaeu's Atlas Major
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662.
The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
the tuna fisheries.”
This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition.
Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving
Soldier begging for Mercy a preparatory study by Jean-Marc Nattier (1685 - 1766)
Located in PARIS, FR
This rare drawing by Nattier is part of a set of preparatory studies executed in 1717 for one of the painter's first commissions, the painting commissioned by Tsar Peter I of Russia ...
Category
Old Masters 18th Century and Earlier Art
Materials
Chalk
Attrib. Johann Tischbein (1751-1829)- 18th Century Pastel, Maria Luisa of Parma
Located in Corsham, GB
A romantic late 18th-century pastel portrait, attributed to the German portraitist Johann Heinrich Wilhelm Tischbein (1751-1829). Exquisitely presented in its original giltwood frame...
Category
18th Century and Earlier Art
Materials
Pastel
Circle of Amico Aspertini, The meeting of Anna and Gioacchino
Located in Tricase, IT
Circle of Amico Aspertini
Oil on panel, 59x31 cm.
Provenance: Asta Pandolfini 8 marzo 2023 lot. 47.
He was born in Bologna to a family of painters (including Giovanni Antonio Asperti...
Category
Renaissance 18th Century and Earlier Art
Materials
Oil, Board
Saint John the Baptist & Saint Benedict after Bartolomeo Montagna (1450-1523)
Located in Blackwater, GB
Saint John the Baptist & Saint Benedict, 18th Century
Diptych after lost work by Bartolomeo Montagna (1450-1523)
Large 18th Century Italian Old Master depiction of Saint John the B...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
ANTIQUE ITALIAN MARBLE BUST OF MELPOMENE, MUSE OF TRAGEDY
Located in Milan, IT
ITALIAN MARBLE BUST OF MELPOMEN, MUSE OF TRAGEDY
Late 18th Century
inscribed to base Melpomen
marble
height 66 cm
height 26 in
Category
18th Century and Earlier Art
Materials
Marble
Game of bowls Oil painting on canvas by Domenico Olivero
Located in Milan, IT
Domenico Olivero (Turin, August 1, 1679 - January 13, 1755)
Game of bowls
Oil on canvas, 43 x 65 cm
With frame, 54.5 x 76
Expert opinion Prof. Alberto Crispo
The painting shown here depicts peasants playing bowls near a farmhouse, while one of them offers sweets to a little girl. The canvas, in my opinion, can be traced back to the hand of Pietro Domenico Olivero (Turin, August 1, 1679 - January 13, 1755), as revealed by comparisons with other works by the artist, such as the Peasants' Feast already at the Gilberto Zabert Gallery in Turin, where we find an entirely similar layout, with the figures crowded around the building, placed on the left, and some household goods piled up on the right, including a copper cauldron almost identical to the one sketched in our painting. But see also other similar subjects painted by the Turin-based artist, such as the Game of Bowls already at the Cantore Gallery in Modena or the other version on the Genoese market in 2019, which, although radically different compositionally, confirm the painter's interest in playful themes and manifest the same ways in delineating characters, with synthetic and robust brushstrokes. The artist was born in Turin, in the parish of St. Thomas, on August 1, 1679 to Giovanna and Francesco, a carver by profession. He trained at the workshop of the painter and architect Melchiorre Baldassarre Bianco. He was esteemed by Victor Amadeus II of Savoy, who commissioned paintings for the Venaria Reale (1714), the Royal Palace of Turin (1716), and Rivoli Castle (1724), as well as by his ministers Pietro Mellarède and Carlo Vincenzo Ferrero di Roasio marquis of Ormea whose collections counted many of the painter's works. His success on the Turin art scene earned him election as prior of the Accademia di San Luca in Turin (1726). In 1731 he painted the eleven canvases with Stories of Franciscan Saints in the sacristy of the church of St. Thomas in Turin, while in 1734 he made the Marriage at Cana for the sanctuary of Oropa. The Savoy commissions continued with the ten canvases executed for the castle of Agliè (1737), the decoration of the third room of the New Archives in the Royal Palace of Turin (1739-41), and the thirty or so works for the hunting lodge at Stupinigi (1748-51). The painter also measured himself in designing sets for the Teatro Regio in Turin (1745-46). He made his will on November 15, 1754, and died in his hometown on January 13, 1755. Olivero's genre scenes, such as the one commented on here, reveal a focus on Flemish painting, particularly by David Teniers the Younger, Peter Mauritz Bolckman, Theodor Helmbreker, and Cornelis de Wael, as well as Roman bamboozlers such as Pieter van Laer, Michelangelo Cerquozzi, and Jan Miel...
Category
18th Century and Earlier Art
Materials
Canvas, Paint, Oil
Portrait Of George Farington, East India Company, 18th Century
By Arthur Devis
Located in Blackwater, GB
Portrait Of George Farington, East India Company, 18th Century
attributed to Arthur DEVIS (1712-1787)
One of a matching pair - the other is belie...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
Sleeping Man
Located in Middletown, NY
A superb impression from an important mid-19th century collection.
Etching on white laid paper with a partial crown and shield watermark, 4 x 2 7/8 inches (102 mm x 73 mm), margins....
Category
Old Masters 18th Century and Earlier Art
Materials
Laid Paper, Etching
18th Century portrait oil painting of a gentleman
Located in Nr Broadway, Worcestershire
Follower of Enoch Seeman the Younger
German, (1694-1744)
Portrait of Gilbert Sympkin
Oil on canvas
Image size: 29.25 inches x 24.5 inches
Size including frame: 38 inches x 33.25 inches
A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger.
Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice.
Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42.
These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
Other Art Style 18th Century and Earlier Art
Materials
Engraving
Flowering Burning Bush: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Gas Plants or Burning Bush and Fraxinella, which is finished with hand-coloring. It is entitle...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving, Mezzotint
Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
Four 18th Century Optical views
"Vue des Rives de la Seine prise du Pont Neuf à Paris"
"Vue de la Place de l'Hôtel de Ville et du Phare à Calais"
"Vue de Paris prise du Port de la Co...
Category
French School 18th Century and Earlier Art
Materials
Watercolor, Handmade Paper, Engraving
"Still life with fruits and bird"
Located in Edinburgh, GB
18th-Century Still Life Painting – Classical Fruit Composition
Artist: Unidentified
Period: 18th Century
Medium: Oil on Canvas
Dimensions: Framed: 54 x 74 cm Artwork: 35 x 54 cm
Sty...
Category
Baroque 18th Century and Earlier Art
Materials
Canvas, Oil
Carvaly Skirmish At Night, 17th Century
By Jacques Courtois
Located in Blackwater, GB
Carvaly Skirmish At Night, 17th Century
school of Jacques Courtois (1621-1676)
Large 17th Century Italian Old Master night battle with cavalry offic...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
View Across the Valley, Late 18th Century English Moonlit Scene
Located in London, GB
Oil on canvas
Image size: 14 1/4 x 18 inches (36 x 45.7 cm)
Period gilt frame
In this painting the bright moon, partially obscured by mounting dark clouds, dramatically lights the l...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
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