18th Century Art

Watercolour. Hand-Numbered "312" lower-right on margin. In very good condition except a little stain on the high left corner. Wonderful Watercolour drawing by Jan Peeter Verdussen, s...

"Perseus and Andromeda" is an original etching by Scottish artist Alexander Runciman, signed in the lower left area of the plate. It depicts Perseus on the left swinging his shield and a young woman, Andromeda, on the right shielding her gaze. Andromeda is to be sacrificed to a sea-monster to save her city, but Perseus rescues her from this fate by slaying the beast. 5 3/4" x 9 1/2" art 16 1/4" x 20 1/4" frame Alexander Runciman (1736-1785) was a Scottish painter of historical and mythological subjects. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...

Artist: Francesco Londonio (Italian, 1723-1783) Title: "Woman Spinner and a Shepherd with Flock" *Signed and dated by Londonio in the plate (printed signature) upper right Year: 1759 (first state of two) Medium: Original Etching on blue wove handmade paper Limited edition: Unknown Printer: Unknown Publisher: Likely the artist Londonio himself Reference: Scola No. 13 Sheet size: 7.25" x 5.5" Image size: 6.75" x 5.25" Condition: Presently archivally tipped into a storage mat. Some light foxmarks to sheet. Minor crease across the two sheeps' heads. It is otherwise a strong impression in very good condition Very rare Notes: The plate number "12" printed upper right in margin. "Sammlung Hämmer (Hammer Collection)" inkstamp in green on verso lower center. Biography: Francesco Londonio (Milan, 1723 – Milan, 1783) was an Italian painter, engraver, and scenographer, active mainly in Milan in a late-Baroque or Rococo style. Londonio trained as a painter under Ferdinando Porta and Giovanni Battista Sassi in Milan, but traveled to Rome and Naples. He studied engraving with Benigno Bossi. He is best known for his paintings and ectchings of rustic and pastoral landscapes and subjects, with both animals and peasants playing a dominating role over the landscape. This focus on genre themes was popular among the wealthy patrons of the time, specially in Northern Italy; and artists such as the Brescian painters Ceruti and Cifrondi worked with such themes. In his engravings, he recalls Gaetano Zompini. Londonio is also known for his scenography. An example, of this poorly conserved art form that still exists is a nativity scene on cut wooden shapes for the church of San Marco in Milan. The effect is a cheaper version of the naturalistic Sacri Monti scenes, which had been painted stucco statuary. It also can be seen as a cross between the holy scenes described above, and the theatrical set pieces, for example, those needed for the newly founded La Scala theater. The work at San Marco prompted Empress Maria Theresa of Austria...

This mid-18th-century Dutch oil painting depicts a seated 17th-century gentleman within a room by a forge. During the 17th century, the Netherlands flourished as a hub for trade and...

This beautiful late 18th-century portrait depicts a young lady holding forget-me-nots. Exquisitely attired in a lavish pink dress, she’s the personification of elegance. In her righ...

Late 17th, early 18th century old master oil painting depicting an allegory of Lady Justice holding demons at bay Our painting, likely a sketch for a much larger work,, conveys a pr...

A nice decorative Swedish 18th century still life painted on a wood panel. It is in a very nice condition. It is probably painted during the second half of the 18th century. The var...

Circle of Francisco José de Goya y Lucientes (Fuendetodos 1746-1828 Bordeaux) Portrait of a María del Rosario Fernandéz, called 'La Tirana' (1755-1803). OIl on canvas. 76.5 x 57.2 c...

Officers on horseback with infantry on parade Circle of Dirk Langendijk (Dutch 1748-1805) *see below watercolour on paper mounted in frame frame: 21 x 29 inches board: 10 x 16 inches...

Figures under Archway Italian School, 18th century oil on canvas, unframed canvas: 13.5 x 16.5 inches provenance: private collection, United Kingdom condition: very good and sound co...

Ancient Roman Decorations is an etching on paper realized by Nicola Vanni in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the print suite “Ant...

A Venetian Gentleman 18th Century Venetian School oil painting on board, framed framed: 7.25 x 6 inches board: 5.25 x 4 inches provenance: private collection, UK condition: some scu...

This is an original 18th century hand-colored map entitled "An Accurate Map of the Morea Together with the Neighboring Countries in Greece; also the Islands in the Archipelago and Ae...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (frame), signed and dated at lower left...

This portrait of a nobleman in King Henry VIII's court entitled "N. Poines, Knight" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring in 1795. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of a noble man (Nicholas Poines (or Poins), who is facing to the left. He is bearded and is wearing a feathered cap and an ornate shirt. Bartolozzi's engraved portrait is after a drawing by Hans Holbein the Younger (1497-1543), the famous artist in the court of Henry VIII. The inscription below the image reads "In his Majesty's Collection". "Published as the Act directs April 6, 1795 by I. Chamberlaine". Below the image on the left it reads: "From the original drawing by Hans Holbein". Below the image on the right it reads: "Engraved by F Bartolozzi RA Historical Engraver to His Majesty". The engraving is presented in an ornate beaded black frame with a gold inner trim and a light peach-colored mat. It is glazed with UV conservation glass. The frame measures "22.25 high, 17" wide and 1.25" deep. There are a few tiny spots, but the print is otherwise in excellent condition. There is a small ding in the the upper right. The original text from the 18th century publication is included in a sleeve on the back of the frame. There are three additional framed Bartolozzi engraved portraits from Holbein drawings that are available on 1stdibs. They are framed and matted identically to this one, other than some differences in frame size. These include portraits of Anne Boleyn, Henry VIII's son Edward, who succeeded Henry as King and himself was succeeded by Queen Elizabeth I, and M. Souch. These would make for an attractive and interesting display grouping. A discount is available for the purchase of one or more of these portraits, depending on the number. These can be viewed on our Timeless Intaglio...

This portrait of Prince (and eventually King ) Edward VI entitled "Edward VI" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring in 1795. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of Prince Edward VI, Henry VIII's son with Henry's 3rd wife, Jane Seymour, who died in childbirth. He is facing to the left and he is wearing a feathered cap tilted to his right. Edward succeeded his father as king, but died your. He was succeeded by his half sisters Queen Mary 1 and Queen Elizabeth 1. Bartolozzi's engraved portrait is after a drawing by Hans Holbein the Younger (1497-1543), the famous artist in the court of Henry VIII. The inscription below the image reads "In his Majesty's Collection". "Published as the Act directs May 1, 1793 by I. Chamberlaine". Below the image on the left it reads: "From the original drawing by Hans Holbein". Below the image on the right it reads: "Engraved by F Bartolozzi RA Historical Engraver to His Majesty". The engraving is presented in an ornate beaded black frame with a gold inner trim and a light peach-colored mat. It is glazed with UV conservation glass. The frame measures "24.5 high, 19.5" wide and 1.25" deep. The print is in excellent condition. There are three additional framed Bartolozzi engraved portraits from Holbein drawings that are available on 1stdibs. They are framed and matted identically to this one, other than some differences in frame size. These include portraits of Anne Boleyn, N. Poines, Knight, and M. Souch. These would make for an attractive and interesting display grouping. A discount is available for the purchase of one or more of these portraits, depending on the number. These can be viewed on our Timeless Intaglio...

We would like to thank Marco Riccòmini for his help in preparing this note and in particular for pointing out the existence of the drawing in the Musei Civici of Reggio Emilia. The ...

We wish to thank Mrs. Bożena Anna Kowalczyk who suggested this drawing be attributed to Giuseppe Bernardino Bison during a direct examination of the artwork. This drawing, perfectly representative of Giuseppe Bison's technique, represents an episode in Caesar's life that may have been inspired by his incursions on the Brittany coast. It is presented in an exceptional 18th...

Follower of Jean-Baptiste Monnoyer (12 January 1636 – 20 February 1699) Still Life Oil on Canvas in Later Giltwood Frame Dimensions refer to size of frame. Jean-Baptiste Monnoyer ...

Follower of Sir Joshua Reynolds (1723 - 1792) A double portrait of a married couple Sir Thomas Tancred (d.1784) and his wife Penelope (d.1837) daughter of Thomas Ashton (or Assheto...

This is a 3rd state impression (from seven). This impression includes the address of the artist and the price that he was charging at the time, which were removed from the plate in ...