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1920s Art

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Period: 1920s
Recognized Seller Listings
Nu (Standing Female Nude)
Located in Fairlawn, OH
Nu (Standing Female Nude) Red chalk on wove paper, c. 1925 Signed lower right: C Despaiu (see photo) Sheet size (folded format): 12 1/8 x 8 5/16 inches Condition: Very good Sheet fol...
Category

Post-Impressionist 1920s Art

Materials

Chalk

Herders
Located in Fort Washington, PA
Signed Lower Left by Artist
Category

1920s Art

Materials

Oil

Le Cheval
Located in Fairlawn, OH
Le Cheval Etching, 1921 Signed in pencil lower left Edition: Signed edition of 50 (as here) Unsigned edition is 400 for the book Du Cubisme Printer: R. Girard et Cie Pr...
Category

Cubist 1920s Art

Materials

Etching

Der Hafen von Plit
Located in Palm Desert, CA
"Der Hafen von Plit" is a drawing by Paul Klee. The drawing is signed lower left, "Klee". The framed piece measures 25 1/4 x 30 1/2 x 1 3/8 in. Paul Klee was one of the most import...
Category

Abstract 1920s Art

Materials

Ink, Laid Paper, Pen

VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category

Modern 1920s Art

Materials

Woodcut, Linocut

Brookdale, New Jersey
Located in Fairlawn, OH
Brookdale, New Jersey Graphite on paper, 1922 Signed with the artist's initials l.l., and dated 1922 (see photo) Annotated "Brookdale" front and back of she...
Category

American Modern 1920s Art

Materials

Graphite

LOVERS (LIEBESPAAR
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959) LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the edition of the portfolio is 85. ...
Category

Expressionist 1920s Art

Materials

Woodcut

Spring Landscape with house and figure
Located in Fairlawn, OH
Spring Landscape with house and figure A preliminary watercolor for a color aquatint, illustrated on line, title unknown Signed lower left in block letters (see photo) Watercolor and...
Category

American Impressionist 1920s Art

Materials

Watercolor

Eroded Rock, Point Lobos
Located in Fairlawn, OH
Eroded Rock, Point Lobos Gelatin silver print, 1929 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward Edition: 5 or 6 prints (see ttext below) Weston negative Numbered verso: "1357" photographer's estate stamp, verso LITERATURE: A. Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, The Center for Creative Photography, 1992, fig. 576. Label: The Photographs of Edward Weston/Arizona Board of Regents label affixed to paper folder. Edward Weston description of printing in 1953-54 In 1945 Edward Weston began to experience the first symptoms of Parkinson's disease, which slowly progressed until by 1948, he took his last photograph. By the second half of 1952, Weston decided he should select a master set of his best work. Out of his approximately 3000 negatives, he would pick 1000 and have Brett Weston print...
Category

Abstract 1920s Art

Materials

Silver Gelatin

Lapin bijou sonnette, Sandoz, Ring, Rabbit, Bronze, animal, sculpture, 1920's
Located in Geneva, CH
Lapin bijou, sonnette, circa 1920-1930 Fondry Susse, Ed. 1748 pcs Bronze with a brown patina H. 6.5 cm Signed on the side of the base : Ed.m.Sandoz Sandoz : Sculpteur Figuriste et An...
Category

Modern 1920s Art

Materials

Bronze

Circus Dog, The Saturday Evening Post cover
Located in Fort Washington, PA
Signed by artist lower right The Saturday Evening Post cover, July 29, 1922 This commission for The Saturday Evening Post is a brill...
Category

1920s Art

Materials

Oil

'Hostellerie des Chiens du Guet' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category

Post-Impressionist 1920s Art

Materials

Monotype

Village in Normandy, Watercolour on Paper by Paulémile Pissarro, 1920
Located in London, GB
Village in Normandy by Paulémile Pissarro (1884 - 1972) Watercolour, ink and charcoal on paper 40 x 31.2 cm (15 ³/₄ x 12 ¹/₄ inches) Signed lower left, Paulémile Pissarro Executed ...
Category

Post-Impressionist 1920s Art

Materials

Watercolor, Charcoal, Ink

Three Nudes in a Garden
Located in Fairlawn, OH
Three Nudes in a Garden Graphite, c. 1928-1933 Initialed in pencil lower left (see photo) Illustrated: Elliott & Wooden, Aaron Bohrod: Figure Sketches, Fige 9, page 32 (see photo) A...
Category

American Modern 1920s Art

Materials

Graphite

The Drunkard in Spring —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Trunkene im Frühling' (The Drunkard in Spring) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 1/8 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

Vienna Secession 1920s Art

Materials

Etching, Drypoint, Aquatint

'The Spirit of the Wine' — Modernist Japanese Printmaking, 1920s
Located in Myrtle Beach, SC
Hokuto Tamamura (1893-1951), 'The Spirit of the Wine' (Shuten Dōji) - from Dai Chikamatsu Zenshu (The Complete Works of Chikamatsu)', color woodblock, 1923-26. Signed 'Hokuto'. A fin...
Category

Showa 1920s Art

Materials

Woodcut

The Gargoyle and His Quarry
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category

American Modern 1920s Art

Materials

Drypoint, Etching

EARLY SKYSCRAPER
By Helen West Heller
Located in Portland, ME
Heller, Helen West (American 1872-1955). EARLY SKYSCRAPER. Wood-engraving, 1928. Edition size not known. Titled, dated and signed in pencil, and further inscribed by Heller in the lo...
Category

1920s Art

Materials

Woodcut

Basilica of Madeleine, Vezelay
Located in Fairlawn, OH
Basilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...
Category

American Realist 1920s Art

Materials

Etching

Untitled (seated female nude)
Located in Fairlawn, OH
Seated Femake Nude Graphite and chalk on tan paper, c. 1920 Signed "Keller" and signed again with the artist's initials in a cypher A finished life drawing most probably exhibited at...
Category

American Modern 1920s Art

Materials

Graphite

Ontario St. Grading and Temporary Ramps
Located in Fairlawn, OH
Ontario St. Grading and Temporary Ramps Drypoint, August 1929 Signed in pencil lower right (see photo) From: The Cleveland Set (23 plates), this being No. 13 Edition: Small A brilliant example of American industrial art. A wonderful, rich impression, with lots of burr and contrasts. Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne...
Category

American Modern 1920s Art

Materials

Drypoint

Chivalry Sketch, Study for SEP Cover
Located in Fort Washington, PA
Study for Satruday Evening Post Cover, Fabruary 16, 1929
Category

1920s Art

Materials

Oil

Spring in Brown County
Located in Fairlawn, OH
Spring in Brown County Oil on canvas mounted on phenolic resin support, c. 1925 Signed lower right: L. O. Griffith (see photo) Condition: Excellent Painti...
Category

American Impressionist 1920s Art

Materials

Oil

'Peking - Paifang Gate' — Mid-Century Watanabe Color Woodcut
By Cyrus Le Roy Baldridge
Located in Myrtle Beach, SC
Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted. Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches. ABOUT THE IMAGE A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings. This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China. ABOUT THE ARTIST Cyrus Leroy Baldridge...
Category

Showa 1920s Art

Materials

Woodcut

Maternité / Motherhood I: Honte / Disgrace
Located in Santa Monica, CA
MARC CHAGALL (1887 – 1985) MATERNITE, 1926. Motherhood I: Honte / Disgrace (Kornfeld 65, Cramer 5, Sorlier, p. 20-21 Etching, Frontispiece from Maternite Au Sans Pareil, Paris, 1926. Marcel Arland, illustrated by Marc Chagall with five original etchings this being one of the five. Image size: 5 5/8 x 4 1/8. 1130 unsigned impressions on various papers. The story begins with a young woman being shunned by the whole village because she had given birth to a child and left its dead body...
Category

Modern 1920s Art

Materials

Etching

Café scene
Located in London, GB
Provenance: Private collection, Orlando, Florida
Category

1920s Art

Materials

Canvas, Oil

Kuppenheimer Famous Fifties Featuring John Barrymore
Located in Fort Washington, PA
Inscribed on back #174 House of Kuppeneheimer 1927 fashion advertisement, catalog cover.
Category

1920s Art

Materials

Oil

Men Drinking Coffee
Located in Fort Washington, PA
Signed by Artist Lower Right Maxwell House Coffee
Category

1920s Art

Materials

Oil

Women Bathing — German Expressionism, Nudes, 1920
Located in Myrtle Beach, SC
Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...
Category

Expressionist 1920s Art

Materials

Etching

Easter Baby, Study
Located in Fort Washington, PA
Study Easter Sunday Baby
Category

1920s Art

Materials

Oil

The Adventurers, Post Cover
Located in Fort Washington, PA
Signed by Artist in Lower Right The Saturday Evening Post, April 14, 1928, cover illustration Literature: Arthur Leighton Guptill, Norman Rockwell, Illustrator, New York, 1970, p....
Category

1920s Art

Materials

Oil

Farm Horse Drunking
Located in Fairlawn, OH
Farm Horse Drunking Charcoal and pastel on artist's board, c. 1920 Signed lower right in pencil (see photo) Titled in ink lower center, as are all the illustration for At the Farm (s...
Category

English School 1920s Art

Materials

Chalk

'Venus' — 1920s German Expressionism
Located in Myrtle Beach, SC
Karl Michel, 'Venus, Ex Libris - Hanns U. Herta Heeren', woodcut, 1923, edition not stated but small. Signed, dated, and numbered 'op.154' in pencil. Signed in the block, lower left. A fine impression, on cream Japan paper, with full margins (15/16 to 2 11/16 inches), in good condition. Printed by the artist. Matted to museum standards (unframed). . Translation: Venus Ex Libris for Hanns and Herta Heeren. Image size 5 15/16 x 4 inches (156 x 102 mm); sheet size 9 5/8 x 6 inches (245 x 152 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category

Expressionist 1920s Art

Materials

Woodcut

The Solitary One in Autumn—after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Der Einsame im Herbst' (The Solitary One in Autumn) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 3/8 to 4 1/8 inches), in good condition. Image size 12 3/8 x 8 7/8 inches; sheet size 19 5/8 x 13 3/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

Vienna Secession 1920s Art

Materials

Etching, Drypoint, Aquatint

Untitled (Profile of an African Woman)
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Profile of a Black Woman)', lithograph, edition 250, 1929. Signed and numbered 14 in pencil. Number 14 of Volume 2, a series of 10 lithographs publishe...
Category

Art Deco 1920s Art

Materials

Lithograph

Seated Nude
Located in Fairlawn, OH
Seated Nude Match Stick ink drawing, c. 1925 Signed by the artist in pencil lower right: A. Biehle Created at the Kakoon Arts Club, Cleveland. Influenced by friend and fellow artist...
Category

American Modern 1920s Art

Materials

Ink

'Viel Gluck 1923' — New Year's Greeting - 1920s German Expressionism
Located in Myrtle Beach, SC
Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...
Category

Expressionist 1920s Art

Materials

Etching

The Hunting Prince by Orovida Pissarro - Etching
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category

1920s Art

Materials

Etching

Brittany Landscape with Figure
Located in Fairlawn, OH
Brittany Landscape with Figure Etching & color aquatint, c. 1920 Signed lower right (see photo) Numbered lower left: "No. 21" (see photo) An early ...
Category

American Impressionist 1920s Art

Materials

Aquatint

FIRE CAN
Located in Portland, ME
(Sloan, John). FIRE CAN. Etching, 1920. m. 199. 95 x 61mm; 3 3/4" x 2 3/8", signed and inscribed in pencil: Of the usual edition of 100, only 45 were printed. Very good conditon. Man...
Category

1920s Art

Materials

Etching

Untitled
Located in Fairlawn, OH
Untitled Pastel on paper, 1922 Initialed and dated lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Provenance: Estate of the Artist The Orange Chicken...
Category

Abstract 1920s Art

Materials

Pastel

Untitled
Located in Fairlawn, OH
Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: excellent Image size: 11 8 7/8 inches Frame size: 18 1/4 x 16 1/4 inches Provenance: Estate of the artist The Orange Chicken...
Category

Abstract 1920s Art

Materials

Pastel

'Feast of Passover' — American Expressionism
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category

Expressionist 1920s Art

Materials

Woodcut

SCARCE EARLY OROZCO - CABEZA DE MUJER -
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1883 – 1949) CABEZA DE MUJER, ( Woman's Head: Mexican Woman) 1929 (Orozco 9) Lithograph, signed and numbered 23/50. in pencil. Pri...
Category

Realist 1920s Art

Materials

Lithograph

Main Street, Wiscasset, Maine
Located in New York, NY
Gouache on paper
Category

1920s Art

Materials

Paper, Gouache

Toujours Chic Tryptic.
Located in New York, NY
Set of 3 covers to the French fashion journal, "Toujours Chic" illustrated by Germaine Joumard who also sometimes signed her pieces "ZouZou." The three issues are: Les Robes de Soirees...
Category

1920s Art

Materials

Paper

Man & Beast by Orovida Pissarro - Etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

Post-Impressionist 1920s Art

Materials

Etching

Portrait of Gladys Anne Hoskyns
Located in Fairlawn, OH
Portrait of Gladys Anne Hoskyns Collotype after a Wyndham Lewis drawing, 1923 Singed in the plate and reinforced in pencil Published by The Dial Publishing Company in Living Art: Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and Ten Photographs after Sculpture by Contemporary Artists Author/Publisher: Scofield Thayer...
Category

Modern 1920s Art

Materials

Lithograph

APRIL
Located in Santa Monica, CA
FRANCES H. GEARHART APRIL c. 1928-30 Color block print, signed and titled in pencil. Image 9" x 5". sheet 11 1/8 x 7 1/8. Very good impression. The usual tack holes at the right she...
Category

Impressionist 1920s Art

Materials

Woodcut

UNION SQUARE NY CITY
Located in Portland, ME
Roth, Ernest David (American, 1897-1964).UNION SQUARE NY CITY Etching, 1929. 10 x 7 1/2 inches (plate), 11 1/2 x 8 1/2 inches (sheet). Signed and dated in pen...
Category

1920s Art

Materials

Etching

Pair of Benito Fashion Prints with Gold Details
Located in New York, NY
"Boabdil" and "Princesse Loitaine" from "La Derniere Lettre Persane." Paris, Librairie Centrale des Beaux-Arts, 1920. Original pochoir prints with gold paint.
Category

1920s Art

Materials

Paper

Of Youth —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Jugend' (Of Youth) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 1/4 x 9 1/16 inches; sheet size 19 3/4 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

Vienna Secession 1920s Art

Materials

Etching, Drypoint, Aquatint

Of Beauty —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Schönheit' (Of Beauty) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

Vienna Secession 1920s Art

Materials

Etching, Drypoint, Aquatint

The Box at 'Faustus'
Located in Storrs, CT
The Box at 'Faustus'. 1929. Drypoint. 11 x 8 7/8. Edition 100, #39. Signed, titled, and numbered in pencil. A rich impression printed on the full sheet of pale blue/green-toned wove paper. Signed in pencil. A tongue-in-cheek image of the devil in the opera box...
Category

American Modern 1920s Art

Materials

Etching, Drypoint

Pan and Maidens
Located in London, GB
Silvered bronze with marble base
Category

1920s Art

Materials

Bronze

Woman's Head
Located in Fairlawn, OH
Edition of 50 printed by Charles White in 1951 for the estate Bibliography: Lincoln Kirstein, Elie Nademan (New York: The Eakins Press, 1973),, 20 Elie Nadelman Born 1882, Warsaw...
Category

American Modern 1920s Art

Materials

Drypoint

Waking Up for the Hunt, Elks Magazine Cover
Located in Fort Washington, PA
Medium: Oil on Canvas on Board Signature: Signed Lower Left Elks Magazine Cover, November 1927 Provenance: From the Estate of Charles Martignette
Category

1920s Art

Materials

Canvas, Oil, Board

Chatter by Orovida Pissarro - Etching
Located in London, GB
Chatter by Orovida Pissarro (1893-1968) Etching 26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Trial proof no. 18/25 and titled lower middle Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

Post-Impressionist 1920s Art

Materials

Etching

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