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1930s Art

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Period: 1930s
Erotic - Drawing by Maurice Vertès - 1930s

Erotic - Drawing by Maurice Vertès - 1930s

Located in Roma, IT

Erotic is an original pencil drawing realized by Maurice Vertès in 1930s. The little drawing is in good condition on a yellowed paper. On the back the stamp of the collection by Comtesse Anna Laetitia...

Category

Modern 1930s Art

Materials

Pencil

St. Moritz – Original Swiss Winter Poster
St. Moritz – Original Swiss Winter Poster

St. Moritz – Original Swiss Winter Poster

Located in Zurich, CH

Original Swiss Travel Poster promoting St. Moritz as winter destination, featuring Germaine Aussey, then a famous French actress. Created by Walter Herdeg who – together with Herber...

Category

Modern 1930s Art

Materials

Paper

Auribeau-sur-Siagne - Post Impressionist Landscape Oil by J Martin-Ferrieres
Auribeau-sur-Siagne - Post Impressionist Landscape Oil by J Martin-Ferrieres

Auribeau-sur-Siagne - Post Impressionist Landscape Oil by J Martin-Ferrieres

By Jacques Martin-Ferrières

Located in Marlow, Buckinghamshire

Signed and dated oil on panel landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Auribeau-sur-Siagne, is a c...

Category

Post-Impressionist 1930s Art

Materials

Oil, Panel

Portrait of a woman
Portrait of a woman

Portrait of a woman

Located in PARIS, FR

Portrait of a woman by Marcel GIMOND (1894-1961) Bronze with a nuanced dark brown patina signed on the neck with the monogram "MG" period cast by "Meroni Radice, cire perdue, Paris"...

Category

French School 1930s Art

Materials

Bronze

Odalisques - Oil Paint by Antonio Feltrinelli - 1930s
Odalisques - Oil Paint by Antonio Feltrinelli - 1930s

Odalisques - Oil Paint by Antonio Feltrinelli - 1930s

By Antonio Feltrinelli

Located in Roma, IT

Odalisques is a modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas, realized in 1930s. Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) He was born in Milan on June 1, 1887 to Giovanni Feltrinelli, the nephew of Giacomo, who was the founder of the Feltrinelli partnership. Feltrinelli was not only a prominent figure in the Italian economic and financial field, but he was also a painter, who was characterized as a strong, impetuous hot colorist, and preferred still lifes, portraits and landscapes. He started his career in 1930 at La Permanente (Milan), where he exhibited a portrait and a still life that won him the Fornara award. That same year, Feltrinelli exhibited his work at the Venice Biennial and at the Pesaro Gallery in Milan. Together with other prominent avant-garde artists, he participated in various foreign exhibitions on modern Italian painting...

Category

Modern 1930s Art

Materials

Oil

Design for Art Deco Marquetry Panels 1927 for Furniture George M Hammer London

Design for Art Deco Marquetry Panels 1927 for Furniture George M Hammer London

By Donald L. Hadden

Located in London, GB

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Donald L Hadden (British, 20th century) Design for a Pair of Marquetrie Panels for Geo. M Hammer with two dancing figures 23x31.5cm Watercolour signed and dated 1927 Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical...

Category

Modern 1930s Art

Materials

Watercolor

Circa 1930 lithograph numbered 9/10 - Louis-François Schmied representing Athena
Circa 1930 lithograph numbered 9/10 - Louis-François Schmied representing Athena

Circa 1930 lithograph numbered 9/10 - Louis-François Schmied representing Athena

By François-Louis Schmied

Located in PARIS, FR

Nice lithograph numbered 9/10 of Louis-François Schmied representing Athena. François-Louis Schmied (1873 - 1941), is a French painter, wood engraver, printer, publisher, illustrator, and bookbinder of Swiss origin. He is considered a major artist...

Category

Art Deco 1930s Art

Materials

Paper, Lithograph

Still Life with Fishes - Oil on Wood Panel
Still Life with Fishes - Oil on Wood Panel

Still Life with Fishes - Oil on Wood Panel

Located in Roma, IT

Still Life with Fishes is an original oil painting on wood panel realized around 1935 by an anonymous artist of the Italian school of the XIX century. A wonderful still life with a ...

Category

1930s Art

Materials

Oil

“East River New York Skyline”
“East River New York Skyline”

“East River New York Skyline”

By Leon Dolice

Located in Southampton, NY

Original pastel on archival paper by the well known New York artist, Leon Dolice. Signed lower right by the artist. View of New York City skyline from the East River. Circa 1930. Con...

Category

Ashcan School 1930s Art

Materials

Pastel, Archival Paper

Girl with Cat oil painting by Hans Burkhardt
Girl with Cat oil painting by Hans Burkhardt

Girl with Cat oil painting by Hans Burkhardt

By Hans Burkhardt

Located in Hudson, NY

Girl with Cat (1935) Oil on canvas 38" x 26" 42 ½" x 30 ½" x 3 ½" framed Signed and dated "1935 H Burkhardt" lower right. Signed, dated and inscribed verso. About this artist: Hans ...

Category

Modern 1930s Art

Materials

Canvas, Oil

Portrait of Lady - Oil on Canvas by Carlo Socrate - 1930
Portrait of Lady - Oil on Canvas by Carlo Socrate - 1930

Portrait of Lady - Oil on Canvas by Carlo Socrate - 1930

By Carlo Socrate

Located in Roma, IT

Portrait of Lady is an original oil on canvas artwork realized by Carlo Socrate (1889-1967) in 1930. A beautiful portrait of a woman by one of the major exponents of the association of painters that came to be known as Scuola Romana (Roman School). Very good conditions. Collect a masterpiece of the XX century. Carlo Socrate (Mezzana Bigli -Pavia 1889 – Rome 1967) He is the son of actors and lives in Argentina until the age of nine years. Once returned to Italy, he begins attending the Free School of the Nude and in 1914, he goes to Rome, where a year later he would study at Villa Strohl-Fern. In 1917, he worked for the company, Ballets Russes by Diaghilev; he also collaborated with the scenography for Las Meninas and prepared the scenes for Les femmes de bonne humeur (The Good Humored Ladies) by Léon Bakst. During this period, he meets Picasso, whom he follows to Paris, collaborating with him on scenes from Parade. During his stay in Paris, he meets Derain and other exponents of the cultural environment. With Picasso, he visited Barcelona and then Madrid where, together, they visited The Prado Museum. In 1918, at the Casina Valadier on the Pincian Hill (Rome), he exhibits his Still Life with a Dish of Apples and Onions, which arouses perplexity in the Roman environment for his personal rare “neoclassicism” but at the same time, attentive to European situation in those years. After Portatrice di Frutta (Fruit Carrier) (1924), which is one of his masterpieces, he exhibits i Cacciatori (The Hunters), a very challenging painting, at the “Novecento Italiano...

Category

1930s Art

Materials

Canvas, Oil

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art

By Stuart Davis

Located in New York, NY

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...

Category

American Modern 1930s Art

Materials

Paper, Gouache, Pencil

The Grey City, 1933 - Original Lithograph
The Grey City, 1933 - Original Lithograph

The Grey City, 1933 - Original Lithograph

By Jacques Camus

Located in Paris, IDF

Jacques Camus The Grey City, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfolio ...

Category

Art Deco 1930s Art

Materials

Lithograph, Stencil

1935 original map French exploration in North America
1935 original map French exploration in North America

1935 original map French exploration in North America

Located in PARIS, FR

In 1935, a remarkable map titled "Les Français au Cœur de l'Amérique" was produced, highlighting the rich history of French exploration and influence in North America. This map is a ...

Category

1930s Art

Materials

Paper, Lithograph

Le Fifre - Musée De L'Orangerie (after) Edouard Manet, 1932
Le Fifre - Musée De L'Orangerie (after) Edouard Manet, 1932

Le Fifre - Musée De L'Orangerie (after) Edouard Manet, 1932

By Édouard Manet

Located in New York, NY

Artist: Edouard Manet Medium: Lithographic Poster, 1932 Dimensions: 29.5 x 22 in, 75 x 55.9 cm Classic Poster Paper - Excellent Condition A This 1932 very rare lithographic poster reproduces an amazing painting by Edouard Manet entitled "Le Fifre" (the fifer), from 1866. It was displayed at the Louvre from 1914 until 1947, when it was relocated to the Musée du Jeu de Paume. In 1986, it was moved to its current home in the Musée d'Orsay, the national museum of 19th-century art. (it is now on loan to the Louvre in Abu Dhabi.) On a trip to Spain in 1865, Édouard Manet visited the Prado, where the art of Diego Velasquez...

Category

1930s Art

Materials

Lithograph

Jo Mora, Evolution of the Cowboy 1933, from Jo Mora Estate
Jo Mora, Evolution of the Cowboy 1933, from Jo Mora Estate

Jo Mora, Evolution of the Cowboy 1933, from Jo Mora Estate

Located in Phoenix, AZ

"LAST ONE IN MINT CONDITION" Evolution of the Cowboy, 1933 Original Lithograph Excellent condition, came directly from Jo Mora Jr. Unframed!! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics. This is an original lithograph from the Jo Mora Estate from Jo Mora Jr. Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West". Early life Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey. Jo Mora 1931 Yosemite map Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald. In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway". In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed. Career In 1907, Mora wrote and illustrated the comic strip Animaldom. In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work. On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated. In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9] In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco. Carmel-by-the-Sea In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue. Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel. Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel. Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas! — Carmel Pine Cone During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar. Architect Robert Stanton...

Category

Other Art Style 1930s Art

Materials

Lithograph

LES HALEURS
LES HALEURS

LES HALEURS

By Jacques Villon

Located in Portland, ME

Villon, Jacques. LES HALEURS. GP E-332. Etching and drypoint, 1930. Final state. Edition of 50, numbered 34/50 and signed in pencil. 7 1/8 x 8 5/8 inches, 181 x 222 mm. (plate). Fra...

Category

1930s Art

Materials

Etching

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures
Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures

By Maurice Becker

Located in New York, NY

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...

Category

American Modern 1930s Art

Materials

Masonite, Oil

St. Moritz – Swiss Original Winter Poster, Ski Race
St. Moritz – Swiss Original Winter Poster, Ski Race

St. Moritz – Swiss Original Winter Poster, Ski Race

Located in Zurich, CH

Original Vintage Swiss Avantgarde Poster created in 1933 by Walter Herdeg (1908 – 1995) and printed in 1934 by the Art. Institut Orell Füssli in Zurich as an intaglio to promote the ...

Category

Modern 1930s Art

Materials

Paper

Cabriolet coachwork design by Alexis Kellner AG for the Packard Custom Eight.

Cabriolet coachwork design by Alexis Kellner AG for the Packard Custom Eight.

By Herschu (Herbert Schultz)

Located in London, London

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

Category

Modern 1930s Art

Materials

Watercolor, Gouache, Handmade Paper

Boris Lovet-Lorski Limestone Art Deco Head, circa 1930
Boris Lovet-Lorski Limestone Art Deco Head, circa 1930

Boris Lovet-Lorski Limestone Art Deco Head, circa 1930

By Boris Lovet-Lorski

Located in New York, NY

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

Category

1930s Art

Materials

Limestone

Portrait of a Boy - Original Drawing - 1930s
Portrait of a Boy - Original Drawing - 1930s

Portrait of a Boy - Original Drawing - 1930s

By Jean Delpech

Located in Roma, IT

"Portrait of a Boy" is an original drawing in sanguine on paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is very good. Included passepartout...

Category

Modern 1930s Art

Materials

Paper, Pencil

Backstage

Backstage

By Paul Alex Deschmacker

Located in West Hollywood, CA

Presenting an absolutely stunning and large original oil by French artist Paul Alex Deschmaker. "Backstage" is an original oil on canvas, signed, dated 1931, beautifully framed an...

Category

Art Deco 1930s Art

Materials

Oil

Antiquity - Original Woodcut Print - 1935
Antiquity - Original Woodcut Print - 1935

Antiquity - Original Woodcut Print - 1935

Located in Roma, IT

Antiquity 1935s is an original woodcut print on paper glued on ivory-colored cardboard, realized by Anonymous Artist of the XX Century. In excellent conditions: as good as new. Ima...

Category

Modern 1930s Art

Materials

Woodcut