19th Century Art

The Cats and Kitty is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was ...

An original landscape painting by the Dutch artist Edward de Looz-Block. Leeboard barges on a broad river, probably the Schelde. Signed to the lower right. Well presented in a decora...

Antique Italian oil painting of Venice. Oil on canvas. Signed. Framed. Image size, 31L x 21H.

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de ...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

Docked Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any more info...

Albert BREDOW Germany, 1828 – Moscow, 1899 Oil on canvas Signed lower right "ABredow" 43 cm x 62 cm (67 x 85 cm with frame) Albert Bredow is a German-Russian landscape painter, lit...

El estado de la obra es aceptable Se presenta enmarcada la pintura con un marco bastante actual Medidas obra: 30 cm altura x 24 cm ancho. Medidas marco: 39 cm altura x 33 cm ancho.

A late 19th century oil painting depicting a serene riverside scene, with a rustic thatched cottage nestled among lush trees on the bank. The composition beautifully captures the int...

Pendant l'entracte is a beautiful and colored lithograph on paper, signed in pencil on lower left margin by Alexandre Lunois (1863 -1916). This original print, representing a couple...

Eugene Petit 1839 - 1886 Oil on canvas Painting Size: 18 x 21 3/4" (46 x 56cm) Outside Frame Size: 25 x 28 3/4" (63 x 73cm) Free Shipping He was born in 1839 at Paris and died in...

This intricate woodblock print is a fine demonstration of Kunisada's later works. Depicting a beautiful lady dressing in floral kimono and decorative hair pieces. The signature to th...

Northern Nocturnal Landscape is a colored oil painting on canvas realized by Johann Friedrich Hesse in the early XIX century. Canvas dimensions: cm. 120 x 90 The artwork is hand-s...

This mid-19th-century oil painting attributed to British artist William Adolphus Knell (1805-1875) depicts a sailing yacht before a Mediterranean coastline. Knell was one of the lead...

A charmingly naive landscape by the Norwegian artist, Bjorn Smith-Hald. The artist has signed to the lower left and the painting has been presented in a distressed gilt frame. On can...

19TH CENTURY CONTINENTAL SCHOOL Satyr with Cymbals and Kroupezion, Grand Tour after the Antique Bronze with marble base 26 in. h. x 15 in. w. x 10 in. d. This dancing faun is now mo...

Robert Frain active 1829-1877, was a Scottish painter. There is very little biographical information regarding Frain, however he was active in the first quarter to the third quarter ...

BEN MORE FROM AUCHLYNE ROAD oil, by Frederick Richard Lee & Thomas Sidney Cooper A beautiful 19th century landscape painting of the Scottish mountain (Munro) by the renowned artists Frederick Lee & Thomas Sidney Cooper The painting is an oil on board, signed by both artists and dated 1854.Housed in a gilt frame. The image size is 47cm x 62cm, whilst overall the size is 69cm x 85 cm The painting is in very good condition, having had a light clean. There is some slight crazing to the sky section as to be expected with age, ( see photo close ups with flash) the frame is also in very good condition. There is a handwritten label verso which reads Note: According to Cooper, it was during a visit to Lee in Devon that a mutual decision was made to '...paint some pictures conjointly'. Lee was to paint the landscape first and Cooper to introduce the animals - and, at Lee's insistence, to handle the financial arrangements. In the late 1840s both artists were at the height of their popularity and their exhibited collaborations in the Dutch tradition created a 'great sensation' at the Royal Academy when they first appeared. Prince Albert commented that they had '...caused a new want among patrons' and pronounced them 'the Beaumont and Fletcher...

A stunning large oil on canvas by British nineteenth century artist Arthur William Redgate who was a Nottinghamshire based artist. He was a noted rustic landscape painter and he spec...

The English Gentleman and his Country House English artist, circa 1800-1820 period Fine Georgian period portrait of a young English gentleman, seated with distant view of his country...

The original poster by Firmin Bouisset for Chocolat Menier, featured as Plate 47 in the prestigious Les Maîtres de l'Affiche series, is an iconic work of late 19th-century advertisin...

This lovely Victorian 19th century figurative oil painting is by Italian artist Frederick Andreotti. Painted circa 1880 it is a lovely playful depiction of a pretty seated young woma...

This painting by Elisabeth Keyser beautifully captures a scenic view from the northern city wall of Visby, near Lübeckerbräschen. The landscape showcases a stretch of coastline leadi...

Frank Walters (British, late 19th century) - Highland Cattle at the Lake. 51 x 76 cm without frame, 57 x 82 cm with frame. Old oil painting on canvas, in a gilded wooden frame. - ...

Venetian painter (late 19th century) - Venice, view of the Riva degli Schiavoni with carnival masks. 30 x 40 cm without frame, 46 x 53 cm with frame. Oil on panel, in a carved and ...

Double sided crayon drawing: Front: Study for "The Shoe" Reverse: Studies of Figures Blue crayon, red and black crayons Image size: 19.25 x 15.375 inches Frame size: 30 x 25 1/2 inch...

'Setter on Point' is by 19th century British artist John Sutcliffe known for his paintings of animals. One of his paintings of a dog in a landscape, same size as this one, sold at Ch...

Female Painter's Manikin Mid-1800s jointed and articulated, life-size Italian sculpture, 167 cm tall 66 Inches, made of beech wood with traces of lacquer preparation. This extraordi...

A very pretty late 19th-century English marine scene of fishing boats beached after being out to sea and bringing in their catch for the day. This was a subject that was very popul...

John White Alexander's graceful depictions of beautiful women earned him critical acclaim both in Europe and America. However, his career did not get off to an easy start—Alexander b...

This lovely British Victorian landscape oil painting is by noted artist Sam Bough. It was painted in 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes alongside fellow artist Alexander Frazer. The location is the ancient forest of Cadzow in Lanarkshire which they both favoured. The landscape is of a rough path through ancient oaks heading towards more dense forest with white cattle grazing to the right. A superb balanced composition and an excellent example of Bough's skill in landscape painting. Signed lower left and dated 1855. Provenance. Christie's stencil verso 519GG. James Bourlet & Sons label verso. Condition. Oil on canvas, 28 inches by 18 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 35 inches by 25 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skil ful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

This pastoral scene captures the rhythms of rural life, depicting a horse-drawn hay wagon traversing a golden field under dramatic cloudy skies. Signed and dated to the lower right....

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

'Winter Jasmine' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fre...

Une petite Promenade en Mer is a b/w lithograph (plate n.10) from the satirical print series “Les Trains de Plaisir”, composed of caricatures “de mœurs” (of behaviours), realized by ...

A fine and detailed watercolour portrait in the realist style, entitled 'Lucy, Early Period' from an inscription to the reverse. The artist has chosen to depict the sitter in profi...

The Thatched Cottage Suffolk School, 19th century indistinctly signed & dated verso oil on canvas, unframed canvas: 13 x 19 inches provenance: private collection, England condition: ...

An original oil painting by the listed British artist Anthony Sandys (1806-1883) depicting figures foraging in a woodland. Well presented in a period gilt frame with an internal slip...

Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek...

A charming landscape scene by Charles Walter Radclyffe (1817-1903), depicting a cattle drover gossiping with a local woman, partway over a stone bridge crossing. The composition has ...

Les Fleurs Animées is an original modern rare book engraved by Jean Jeacques Grandville (Nancy, 1803 – Vanves, 1847) and written by Taxile De...

This charming British Victorian genre oil painting is by noted exhibited artist Henry Tuner Munns. It was painted in 1865 in realist palette with superb detail in the young boy's fac...

French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...

As an artist trained in the applied arts, Gustav Klimt valued all forms of art, including the graphic arts. This final design from 1896 for inclusion in Allegorien published by Gerlach & Schenk demonstrates respect for artistic precedent and for a wide range of media and technique. The publication was printed in an unknown number of copies. Klimt’s rendering in latin of the title, “SCVLPTVR.,” with three-dimensional effect on the wall, is a figurative allusion to this medium as well as a literal reference to Ancient Rome. By doing the same with his signature and date in roman numerals on the right hand side of the image, Klimt places himself, The Artist, firmly in this linear and legitimizing context of art history and as its modern standard-bearer. Playing on Classical mythology and the story of Pygmalion, in which a statue comes to life, Klimt presents his modern Venus holding an apple. Klimt’s Venus exhibits a curvilinear softness; there are no angles. Klimt deftly shows the possibilities in a graphic image to give life to dark, wavy hair and tenderness to swelling breasts and belly. To further emphasize the allegory of thriving modern art, he contrasts his Venus with the cold, hard ancient classical head whose eyes are vacuous and whose hair is but a stylized mass of curls. Klimt’s living Venus stands in front of the large bust and large classical pillar upon which is a sculpture of a Sphinx and a Greek Attic bust. As if a gallery to represent sculpture’s “best of” through the ages, the upper horizontal panel includes bust depictions in marble, cast metal and wood...

Alexandre Toussaint MENJAUD (Paris, 1768 – Paris, 1832) Study for The coronation of Tasso Oil on paper mounted on canvas 37.5 x 29.5 cm Around 1819 Related work: Painting exhibite...

Etruscan Vase-painting Copper-line engraving with later hand-colouring. 1808. From Millin's 'Peintures de Vases Antiques' published in Paris in 1808. Depicts scene from an ancient ...

Mid 19th Century Family Oil Portrait C.1840 Outstanding oil portrait of a young family revealing a painting of the matriarch of the family, possibly a mourning portrait. Original o...

The Beach at Long Branch Woodengraving, 1869 Signed in the block lower right "WH" ( see photo ) Published in Appleton’s Journal of Literature, Science and Art, August 21, 1869 Condit...

The Actor Nakamura Shikan II is an original modern artwork realized by Utagawa Hirosada (Japanese, active 1825–75) in 1850. Original woodcut print chuban format, 1850. Signed Hirosada. Publisher: Kagawa. From the series "Kokon yujin ki" (Transcription on past and present heroes). The actor Nakamura Shikan II as Danshichi Kurobei in the play Natsumatsuri Naniwa kagami. Excellent impression, fresh in colour, with blindstamping (floral design), visible wood grain (grey kimono...

Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto Image: 47.5 x 36.3 cm, Sheet: 67.5 x 52 cm, Framed: 87.9 x 71.7 cm Edition of 46 ...

Salvador Dali (1904-1989) - Une de Mai Lithograph from 1972. Th edition of 49/150. Dimensions of work: 120.5 x 78 cm Publisher: Edition Waintrop, Paris. Reference: Michler/Löpsi...

Feeding Time, the Cottage Interior Scottish School, 19th century signed lower corner oil on board, framed framed: 19 x 24 inches board: 14.5 x 18 inches Provenance: private collecti...

A charming scene depicting the Market Cross in Chichester on a sunny morning in the late 19th century. Unsigned. Title and date inscribed to plaque if the gilt frame. Foliate strapw...

A very attractive mid 19th century marine oil painting, by the celebrated French artist Charles Hoguet (1821-1870), Dieppe 1851. The painting depicts three masted fishing boats with ...

Egyptian slit-faced Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and...

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...