Early 19th Century Art

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Neoclassical school circa 1800-10 Oedipus and Antigone, study of heads Painting, oil on spun wood panel Unsigned Painting: 33 x 42 cm (13 x 16.5 inches) Beautiful original frame: 44....

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

‘Vale of the Conwy’ by Samuel Lines (1778-1863). The painting – which depicts a single female figure in Welsh dress walking with a goat in an extensive mountain landscape – is signed...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

A very good quality early 19th Century Austrian, Vienna style convex porcelain plaque depicting a hand painted portrait of the "Duchess of Devonshire." Georgiana Cavendish, Duchess o...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study of a Male Nude Carrying a Staff Pencil and Charcoal on Paper with Heightening on paper. Annotation (presumably a dedication) lower left. Paper size 24 inches x 16.5 inches ( 61cm x 42cm ). Frame size 30.1 inches x 22.2 inches ( 76.5cm x 56.5cm ). Available for sale; this academic life drawing of a male nude is by the German artist Eduard Braun and dates from around 1826. The drawing is presented and supplied in an interesting configuration with a modern twist (which is shown in these photographs). The drawing has been mounted between two sheets of Tru Vue Museum Glass® UV99 so that the wall or setting behind the hanging is visible and therefore provides the surround for the artwork. This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Eduard Braun. This drawing has a later annotation and presumably a dedication in red ink in the bottom left hand corner. The annotation is the monogram HL within a heart. The configuration of the HL resembles the format used by the French artist Henri Laurens 1885 – 1954 where the downstroke of the L is merged with the second downstroke of the H. This stunning original pencil and charcoal drawing on paper is by a German artist called Eduard Braun. He was born in 1798 and died in 1876, but little else is known about him apart from the fact that he was active in the Paris art salons and rooms. This drawing is from a portfolio by this artist on a similar theme and is typical of the type of academic study undertaken by serious art students throughout the nineteenth century. One of the other drawings in this portfolio is annotated as being created in 1826 and there is every reason to think that this drawing is contemporaneous with that. The drawing is of a very high standard, capturing both strength and sensitivity, showcasing the artist’s ability to reproduce a lifelike image of a nude model. The subject of this drawing is a young man, possibly in his mid-twenties, with a toned and muscular body. He is standing with his weight on his right leg, which is slightly bent, and holding a wooden staff in his right hand. His left foot is raised slightly with the toes pointed, and his left hand is placed behind his back. Although he is facing fully towards the viewer, his gaze is to his left. He has pleasant, serene expression on his face. The background is bare, save for the shadow cast by the model. This original antique drawing...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Abraham COOPER Canvas Size: 28 x 36" (70 x 90cm) Outside Frame Size: 38 x 46" (95 x 115cm) A fantastic example of Cooper's work. A piece on a grand scale suitable for any keen spo...

Measurements with frame: 87 x 69 cm The Ademollian tempera, which can be dated roughly between the first and third decades of the 19th century, illustrates two episodes of war and mo...

Antique bronze sculpture of male nude reading a letter or proclamation. Marble base, 19th century. Unsigned.

A stunning Ormolu with twin photograph / picture frame from the early 19th century, French in origin with an unusual and rare solid bronze background with gilded ornate garland and r...

Measurements with frame: 87 x 69 cm In this tempera dated between the second and third decade of the 19th century we find an iconographic design with a sacred character by neoclassic...

Portrait Of Arthur Wellesley 1st Duke of Wellington (1769-1852), 19th Century English School Large 19th Century Portrait Of Arthur Wellesley 1st Duke of Wellington (1769-1852), oi...

William Crouch (active 1817-1850) A view of a country estate in the mountains Watercolour 3 x 4½ 8¼ x 9¼ inches with frame William Crouch was a prolif...

This captivating study pictures Saint Paul during his time in in the desert after fleeing the persecution of Decius. The painting is full of the usual symbolism that surrounds St Pau...

Portrait Of John Conant Of Worcester, Massachusetts (1773-1856), circa 1810 circle of Gilbert STUART (1755-1828) Large early 19th century portrait of John Conant of Worcester, Mass...

L'écolier, 19th Century circle of Jules Bastien-Lepage (1848-1884) Large 19th Century portrait of a young village school boy, oil on canvas circle of Jules Bastien-Lepage. Excell...

Alexandre Toussaint MENJAUD (Paris, 1768 – Paris, 1832) Study for The coronation of Tasso Oil on paper mounted on canvas 37.5 x 29.5 cm Around 1819 Related work: Painting exhibite...

Intriguing set of four 19th century hand colored stone lithographs depicting animal species by the prolific Swiss artist and print maker Karl Joseph Brodtmann. Presented under glass ...

Portrait of a Gentlemen, c. 1835 Oil on Canvas 30" x 25" Housed in a 2 1/2" Frame Overall Size: 34 1/2" x 29 1/2" Craquelure throughout, some inpainting. In otherwise good condi...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

A charming rural scene painted in the style of Thomas Girtin with good strong colours. Circle of Thomas Girtin Sheep in a hilly pasture with a farmhouse Signed with initials and dated "AP (18)05' Watercolour, with attractive washline mount 6¾ x 9¾ inches with frame 14 x 17 inches including frame Thomas Girtin was born in London in 1775, the same year as J.M.W. Turner, and died in 1802, at the age of twenty-seven. The art of watercolour was transformed during Girtin's brief life. This was especially marked in landscape watercolours, which grew in scale and ambition. Led by Girtin and Turner, watercolourists abandoned careful stained drawings for a more dramatic style of painting that captured moods and a range of light and weather effects. Not everyone welcomed the rapid technical changes, especially as revolution and war threatened the established political order. For a brief period, however, watercolour painting was the epitome of modern art, and the landscapes of Girtin and Turner were welcomed as a national triumph. Girtin was apprenticed at the age of 14, in the year of the French Revolution, and by the age of 19 he was exhibiting at London's Royal Academy, and producing watercolour landscapes for private patrons. However, unlike Turner, Girtin remained something of an outsider to the art establishment: he did not study at the Academy's schools, and was rumoured to have radical, or even revolutionary sympathies. He also tried to break away from the traditional reliance on the patronage of the wealthy, partly by trying to sell his work on the open market, and partly through two larger projects aimed at a mass audience: a group of twenty printed Views of Paris and an enormous 360 degree panorama of London...

Julien Leopold BOILLY Paris 1796-1874 Portrait of a man First third of the 19th century Pierre noire Signed on the right 23,5 x 17 cm 38 x 29 cm framed Small stains

François-Édouard Picot (French, 1786 – 1868) Ancient Greek Comedy Play • Pencil Drawing on laid paper behind decorative matting, visible image, ca. 10.5 x 15.5 cm • Modern Glased frame, ca. 27 x 33 cm • Signed "Picot fecit" lower left • As we photographed through glass, there are reflections in the images Worldwide shipping is complimentary - There are no charges for handling & delivery Here we have the somewhat unusual, yet typical subject matter François-Édouard Picot was interested in depicting. Shown is a scene from an ancient Greek comedy play. The previous owner has noted on the back, that this image was copied from an ancient Greek stone relief. François-Édouard Picot was born on the 10th of October in 1786 in Paris, France. He studied with various masters and became well known for his historical and mythological subjects. In 1812 he won the second prize in the Prix de Rome competition and after that success, went on to exhibit at the Paris Salon, where in the year 1819 he won a first-class medal for his neoclassical L'Amour et Psyché, which today hangs in the Louvre in Paris. He regularly exhibited his work in the salon up to 1839. He taught several young great artists at his elitist studio and was known for accepting only very few students, which included William Bouguereau, Gustave Moreau, Cabanel and Paul Seignac...

A charming early 19th Century miniature portrait of a kindly looking gentleman in a smart black jacket and wing collar shirt. The portrait is unsigned and presented in a traditional ...

This delightful watercolour, aattributed to the British artist William Payne (1760-1830) depicts an idyllic stretch of English coastline with figures washing laundry by the water's e...

Detail of The Three Graces, Antonio Canova (1757-1822), National Collection of Sculpture, Victoria and Albert Museum © Victoria and Albert Museum, London Beautiful Extra Large 60 x ...

Signed and localized on the verso : "Vedute di parte dalla Piazza dif.a alla Loggetta e cam panil parte della Zecca ed in lontan Proc.e vechie e parte della chiesa punto preso vic...

The Castle on the Hill Scottish artist, early 19th century oil on canvas, framed framed: 21 x 27 inches canvas: 18 x 24 inches provenance: private collection, UK condition: very good...

The English Gentleman and his Country House English artist, circa 1800-1820 period Fine Georgian period portrait of a young English gentleman, seated with distant view of his country...

A charming watercolour study of aworkhorse resting in a walled paddock. The cacti to the background suggests a Mediterranean environment. Faintly inscribed to the reverse of the wate...

3 Panel Hand Colored Japanese Woodcut Print Lithograph Three panel hand colored woodcut lithograph from Nanso Satomi hakkenden, Tale of the Eight Dogs...

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...

A fine engraved map of the Northern Hemisphere, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.

A charming watercolour in the manner of Francis Wheatley depicting a courting couple sat beneath a tree. The pair appear to be in the midst of an argument with the woman wiping tears...

A fine engraved map of the Eastern Hemisphere of Earth, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.

A fine engraved map of the world on Mercator's projection, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.

An utterly charming English school portrait of a young boy leaning against a garden urn. Well-presented in an elegant gilt-effect frame with wash-line mount. Signed with the initials...

A fine engraved chart table showing the lengths of the principal rivers across the world, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.

The Clerical Gentleman English School, early 1800's period oil on canvas, framed framed: 41.5 x 34 inches canvas: 36 x 28.5 inches provenance: private collection, England condition: ...

Olio su tela. Lungo il margine destro è presente una dedica in portoghese "Ill'... Offerece Agradecide (con riconoscenza)", con la firma J.M. De Medeiros e la data 1875. Si può ri...

Georges-Antoine Rochegrosse 1859-1938 French La Princesse Bleue Oil on canvas Signed lower left Canvas: 27 1/8" high x 32 1/8" wide Frame : 37 3/8" high x 41 3/4" wide Exposed...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study of a Male Nude Rear View Holding a Cane on the reverse Academic Life Study of a Male Nude Arms ...

Il disegno in questione è molto probabilmente uno studio dal vivo per un ritratto da riportare successivamente in pittura, come si può notare dall'intensità dello sguardo e dall'alta...

"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae. The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs. The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...

A fine watercolour study depicting a man, horse and dog bringing a cart back from town on a winding path. The artist demonstrates a great ability to portray distance in the different...

A pair of Chinese reverse glass painting representing women and a child in a garden pavillion. Original "Chinese Chippendale" framing. China for export, circa 1830.

Company School C 1820 Watercolour on Paper Image Size: 31 x 47 cm Frame Size: 49.5 x 65 cm Label Verso Abbott & Holder, London A fabulous and intriguing early, large watercolour, by an Indian artist. This painting warrants further research. The image shows European buildings on what appears to be the banks of The Hooghly River in Eastern India (Bengal). This was an area favoured and painted by early landscape artists as the Europeans were active along the river which was the prime route for the movement of goods and people. Without the group of figures to the foreground this painting could have been painted by Sita Ram or one the artists travelling with him (seen in the overall perspective and the rendition of the buildings, the boats in the water...

Portrait of a French Gentleman, circa 1800's French artist, Empire period oil on canvas, unframed canvas: 29.5 x 25 inches provenance: private collection, France condition: a few min...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in wa...

Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass. A charming s...

A fine watercolour study depicting a mother embracing her infant child. The artist's accomplished hand captures the fine drapery covery the woman, showing the folds of the material i...

An accomplished watercolour study depicting a woman on her knees in prayer. The piece is signed with Westall's monogram to the lower right. Presented in a part gilt frame. Label vers...

Early 19th Century Italian School The Borghese Gladiator, c. 1810 Bronze with green patination 27 x 18 x 26 inches Since its discovery in the early seventeenth century, the Borghes...