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Period: Early 19th Century
Dancers in a Landscape - British 19thC art figurative landscape oil painting
Located in London, GB
This lovely painting is a British Old Master late 18th century or early 19th-century oil painting by Thomas Barker of Bath. It is stylistically very similar to his other works of the...
Category
Old Masters Early 19th Century Art
Materials
Oil
“Cuore Sacro” olio su tavola in legno cm 30x28 ca 1800
Located in Torino, IT
Opera di fine 1800, Cornice originale restaurata in più punti
The "Sacred Heart" is often associated with Catholic devotion, representing the love and compassion of Jesus.
This dev...
Category
Old Masters Early 19th Century Art
Materials
Oil, Wood
Dutch shipping in a choppy sea
Located in Stoke, Hampshire
Charles Martin Powell (Chichester 1775-1824)
Dutch shipping in a choppy sea
Signed 'CPowell' lower right
Oil on canvas
Canvas Size - 16 x 19 in
Framed Size - 23 x 25 in
Provenance: The Parker Gallery...
Category
Old Masters Early 19th Century Art
Materials
Oil
Ca. 1820 Portrait of a Woman with Kashmir shawl.
Located in Firenze, IT
Ca. 1820
Portrait of a Woman.
Léon Cogniet (1794-1880, Paris), attributed.
French school of 19th century.
Tecnicque: oils on canvas.
Dimensions: 70cm x 61cm
20th century wooden frame.
Old attribution to Léon Cogniet (1794-1880, Paris) is inscribed on the wooden frame.
Portrait of the restoration period, post Napoleonic wars. Stylistically the painting is found in the transition period from the late Empire period to the beginning of Romanticism. The new artistic trends can be seen in the increased naturalism, representation of the landscape/nature, in the contrasts, and in a greater emotionality of the person represented. Detailed but loose is the way to describe the winter dress...
Category
Romantic Early 19th Century Art
Materials
Canvas, Oil
Testa Colossale Creduta Rappresentare la Spagna - Etching by F. Cecchini
Located in Roma, IT
"Testa colossale creduta rappresentare la Spagna" (Kolossal head commonly belived to represent Spain) is a wonderful black and white etching on paper, realized by the Italian artist Francesco Cecchini (1790 - 1820 ca), after Agostino Tofanelli (Lucca 1770 - Rome 1834) , as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò/ Francesco Cecchini incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II /Tav XX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio () date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints representing a precious piece of the Borghese collection is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time (some little wormholes on the left margin beyond the marginal line of the matrix and a thinning of the paper along the margins) but with fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior...
Category
Modern Early 19th Century Art
Materials
Etching
Book 1, line 192: Satan on the Burning Lake
By John Martin
Located in Fairlawn, OH
Book 1, line 192: Satan on the Burning Lake
Mezzotint, 1825
Engraved signature below the image (see photo)
From John Milton's "Paradise Lost"
Published by Septimus Prowett
Printed by...
Category
Romantic Early 19th Century Art
Materials
Mezzotint
Courtyard Scene with Arched Doorway Rustic Walls and Figures in Traditional Garb
Located in Cirencester, Gloucestershire
Charming Courtyard Scene
Simone Forge 1930's French Impressionist
oil on board unframed
board: 9.5 x 7.5 inches
Provenance: private collection
Condition: great condition
For more ...
Category
Impressionist Early 19th Century Art
Materials
Oil
Circle of Samuel Daniell (1775-1811) - Oil, Wildebeest on Grassland
Located in Corsham, GB
This atmospheric painting captures a trio of wildebeest on a vast, sun-drenched prairie, with two in the foreground and one in the distance.
Unsigned. Well presented in an oak frame...
Category
Early 19th Century Art
Materials
Oil
Early 1800's Scottish Oil Painting, Figures in Highland Landscape Golden Light
By Patrick Nasmyth
Located in Cirencester, Gloucestershire
Artist/ School: Circle of Patrick Nasmyth (1787-1831) British
Title: A Highland Landscape with Figures in the foreground,
Medium: Oil on Card, Inscribed on a label verso
Size:
car...
Category
Victorian Early 19th Century Art
Materials
Oil
Charles Louis Balzac ca. 1809-1829 Engraving Koum Omboû (Ombos)
Located in Chicago, IL
An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...
Category
French School Early 19th Century Art
Materials
Paper, Engraving
Large American Orientalist Oil Painting of a Courtyard by F. A. Bridgman
Located in London, GB
Large American Orientalist oil painting of a courtyard by F. A. Bridgman
American, c. 1900
Canvas: Height 69cm, width 91cm
Frame: Height 95cm, width 108cm, depth 8.5cm
Wonderfully p...
Category
Early 19th Century Art
Materials
Canvas, Oil
Sarah Whitehead; The Bank Nun, or the Lady in Black – English School, 19th Cent.
Located in Middletown, NY
A well-colored Victorian portrait of the woman whose ghost is known to haunt the Bank of England and Threadneedle Street.
Lithograph with hand-coloring in watercolor, 9 x 6 1/2 inch...
Category
English School Early 19th Century Art
Materials
Watercolor, Handmade Paper, Lithograph
Set of Four, Early 19th Century Hand Coloured Engravings, Horses and Carriages
Located in Cotignac, FR
Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass.
A charming s...
Category
English School Early 19th Century Art
Materials
Paper, Ink
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo Early 19th Century Art
Materials
Ink, Rice Paper, Woodcut
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a departure scene with a young warrior between two women.
Technique : Copper-line engraving with original hand-colouring
Back...
Category
Other Art Style Early 19th Century Art
Materials
Engraving
Portrait of Mrs Anne Neale Tucker Lauzun - British Old Master art oil painting
Located in London, GB
This lovely British Old Master portrait oil painting is painted in the manner of Sir Henry Raeburn. Painted circa 1800, the sitter is Anne Neale Tucker Lauzun. She was born in St Geo...
Category
Old Masters Early 19th Century Art
Materials
Oil
'Mazeppa' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
Romantic Early 19th Century Art
Materials
Lithograph
Primula Cortusoides - Siberian Primrose. Henry Andrews botanical engraving print
Located in Melbourne, Victoria
'Primula Cortusoides - Siberian Primrose'
Native of Siberia.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
Category
Naturalistic Early 19th Century Art
Materials
Engraving
19th century English School, Bay Horse and a Terrier in a Landscape
Located in Bath, Somerset
A bay hunter and a black and white short haired dog (possibly a bull terrier) in an extensive English landscape. a rustic barn in the near distance. Indistinctly signed 'Br...' and d...
Category
English School Early 19th Century Art
Materials
Canvas, Oil
Landscape on the farm
Located in Paris, IDF
Jean-François DEMAY, attributed to
(Mirecourt, 1798 – Paris, 1850)
Landscape on the farm
Oil on canvas
32.5 x 40.5 cm without frame
56 x 64 cm with frame
A native of Lorraine, Jea...
Category
French School Early 19th Century Art
Materials
Oil
1930's French Impressionist Charming French Townhouse with Green Balconies
Located in Cirencester, Gloucestershire
Charming French Townhouses
Simone Forge 1930's French Impressionist
acrylic on board unframed
board: 13 x 9.5 inches
Provenance: private collection
Condition: great condition
For ...
Category
Impressionist Early 19th Century Art
Materials
Acrylic
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
Old Masters Early 19th Century Art
Materials
Etching
The Cat's Paw
By John Doyle
Located in Middletown, NY
An iconic image satirizing the Prime Minister at the 1832 London Conference.
The Cat's Paw (Charles Maurice de Talleyrand-Périgord, Prince de Benevento & Henry John Temple...
Category
English School Early 19th Century Art
Materials
Handmade Paper, Lithograph
Early 1800's Italian Oil Painting Romantic Light Landscape Figure by River
Located in Cirencester, Gloucestershire
The Riverside Pathway
Italian School, early 1800's period
oil painting on paper laid on board, unframed
size: 12.75 x 17.5 inches
condition: overall very good for age, a few very sma...
Category
Romantic Early 19th Century Art
Materials
Oil
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a toilet scene with three women from an Attic hydria, now in the British Museum.
Technique : Copper-line engraving with original han...
Category
Other Art Style Early 19th Century Art
Materials
Engraving
1930's French Impressionist Tranquil Coastal Scene with Weathered Fishing Boats
Located in Cirencester, Gloucestershire
Tranquil Coastal Scene
Simone Forge 1930's French Impressionist
oil on board unframed
board: 13 x 16 inches
Provenance: private collection
Condition: great condition
For more any ...
Category
Impressionist Early 19th Century Art
Materials
Oil
Village Scene Figures & Animals - British Old Master exh pastoral oil painting
By James Ward
Located in London, GB
This stunning British Old Master exhibited pastoral oil on panel is by noted artist James Ward. Painted circa 1815 with superb provenance, it was e...
Category
Old Masters Early 19th Century Art
Materials
Oil
1950's French Impressionist Coastal Landscape with Beached Boats and Hazy Sky
Located in Cirencester, Gloucestershire
Coastal Landscape
Simone Forge 1930's French Impressionist
oil on board unframed
board: 13 x 16 inches
Provenance: private collection
Condition: great condition
For more any more...
Category
Impressionist Early 19th Century Art
Materials
Oil
English early 19th century painting of a chestnut hunter in a landscape
Located in Bath, Somerset
A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance.
Signed and inscribed 'Melton Mowbray', lower left.
Oil on canvas in a giltwood frame.
John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability.
Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools.
In 1804 Ferneley paid a man named Thomas Harrison...
Category
English School Early 19th Century Art
Materials
Canvas, Oil
Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss'
Native of Cape of Good Hope, South Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews...
Category
Naturalistic Early 19th Century Art
Materials
Engraving
A Boy and His Pug Dog
Located in Wiscasett, ME
Fantastic early portrait of a young man and his pug dog. This painting is most likely British, but it could also be from continental Europe. It dates from the late 18th to the early ...
Category
Old Masters Early 19th Century Art
Materials
Oil, Canvas
The Village Path after the Rain. Antique painting. Oil on Canvas
Located in St. Albans, GB
Daniel Sherrin
Picture Size: 24 x 42" (60 x 105cm)
Outside Frame Size: 35 x 53" (87.5 x 132.5cm)
Oil on Canvas
A spectacular example of Sherrin's work in an English gold leaf swept frame.
Daniel Sherrin was born in Brentford , Essex in 1868.
The son of John Sherrin R.I.- the well-known flower and still life painter.
There is no record of him receiving a formal training, but it is probable that as with many of his contemporaries he studied with his father. Most of Daniel Sherrin’s work is in the style of several popular artists of the time. He painted rural landscapes after the style of Benjamin W. Leader; marines after very similar to those of Thomas Somerscales...
Category
Victorian Early 19th Century Art
Materials
Oil
The Death of Priam - Oil Paint - Early 19th Century
Located in Roma, IT
Oil on canvas realized by an italian neoclassical artist in th early 19th Century.
In very good condition, it includes a coeval gilded wooden frame.
Category
Modern Early 19th Century Art
Materials
Oil
"Portrait of young woman"
Located in Edinburgh, GB
Portrait of a Lady Artist: Ferdinand Georg Waldmüller (1793–1865)
Medium: Oil on canvas
Period: Early 19th century
Dimensions: Framed: 84 x 61 cm Unframed: 72 x 62 cm
Provenance:...
Category
Early 19th Century Art
Materials
Canvas, Oil
Amos Green, Near Ingleton, Yorkshire
Located in Cheltenham, GB
This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire.
On either side of a shallow river, trees clin...
Category
English School Early 19th Century Art
Materials
Paper, Watercolor, Ink
Charming early 19th century Graphite Portrait of a Young Boy with Birds
Located in San Francisco, CA
Charming early 19th century Graphite Portrait of a Young Boy with Birds
A young child sits with a bird on his finger and a nest of birds on his lap
A wonderful antique drawing - Po...
Category
Early 19th Century Art
Materials
Graphite
Study of the Pergamene Head, or The Dying Alexander
Located in Middletown, NY
Graphite with white heightening on greenish beige wove paper, 17 1/4 x 12 1/2 (437 x 317 mm). Scattered edge wear, tears and losses around the perimeter of the drawing. Margins are wide and the image area is clean and intact. Scattered light soiling and toning, all consistent with age.
A dramatic image by a highly skilled draftsman, this works is likely a life study of the Hellenistic sculptural masterpiece of the same title, which is housed in the Uffizi's collection of ancient statues...
Category
Italian School Early 19th Century Art
Materials
Handmade Paper, Color Pencil, Graphite
1930's Impressionistic Coastal Scene with Sunlit Rocks and Turquoise Waters
Located in Cirencester, Gloucestershire
Coastal Scene
Simone Forge 1930's French Impressionist
oil on board unframed
board: 8 x 10.75 inches
Provenance: private collection
Condition: great condition
For more any more in...
Category
Impressionist Early 19th Century Art
Materials
Oil
Four 19th Century Hand Colored Engravings Depicting English Royal Residences
By Charles Wild
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category
Academic Early 19th Century Art
Materials
Engraving
Walking Sticks and Round-A-Bouts. For the Year 1801
Located in Middletown, NY
An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique.
Rowlandson, Thomas (after George Murgatroyd W...
Category
English School Early 19th Century Art
Materials
Watercolor, Handmade Paper, Engraving, Etching
19th century Victorian English Antique landscape with cottage, figure and cows
Located in Woodbury, CT
Wonderful and outstanding example by one of England's known and much-loved 18th and 19th-century painters. Morland was an English painter who became one of the most popular artists o...
Category
Victorian Early 19th Century Art
Materials
Canvas, Oil
Large 1830's English Oil Painting Tranquil River Landscape with Old Mill
Located in Cirencester, Gloucestershire
The Bucolic Landscape
English School, circa 1830
oil on canvas, framed
Framed: 23 x 27.5 inches
Canvas: 20 x 24 inches
Provenance: private collection, UK
Condition: very good conditi...
Category
Victorian Early 19th Century Art
Materials
Oil
French Impressionist Riverside Village with Red Roofs and Verdant Foliage
Located in Cirencester, Gloucestershire
Riverside Village
Simone Forge 1930's French Impressionist
oil on board unframed
board: 13 x 16 inches
Provenance: private collection
Condition: great condition
For more any more...
Category
Impressionist Early 19th Century Art
Materials
Oil
Large 1800's French Oil on Wood Panel Portrait of a Rugged Dressed Man
Located in Cirencester, Gloucestershire
Portrait of a Man
French artist, circa 1800's period
oil on wood panel, unframed
panel: 23 x 18 inches
provenance: private collection, Honfleur, Normandy, France
condition: some sur...
Category
French School Early 19th Century Art
Materials
Oil
Neoclassical landscape
Located in Paris, IDF
Joséphine Henriette, known as Jenny des ROYS d’ESCHANDELYS,
born HOCHE
(Thionville, 1796 – Paris, 1867)
Neoclassical landscape
Oil on canvas
Signed lower left
20 x 30.5 cm
1821
Th...
Category
French School Early 19th Century Art
Materials
Oil
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
Old Masters Early 19th Century Art
Materials
Mezzotint
Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it.
The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints.
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Category
Old Masters Early 19th Century Art
Materials
Etching
To Calais – after an illustration by Captain Frederick Marryat
Located in Middletown, NY
London: Thomas McLean, 1835.
Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, a...
Category
English School Early 19th Century Art
Materials
Handmade Paper, Etching, Watercolor
Study Of Wild Hares, 19th Century
By Wilhelm Melchior
Located in Blackwater, GB
Study Of Wild Hares, 19th Century
by William Melchior (1817-1860)
19th century English study of a pair of wild hares hiding with a huntsman in the distance...
Category
Early 19th Century Art
Materials
Canvas, Oil
Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Near Stoneleigh, Warwickshire"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
*Monogram signed by Strutt in the plate (printed signature) lower right
Year: 1828
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.25" x 21.13"
Image size: 10.38" x 13.94"
Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
Victorian Early 19th Century Art
Materials
Etching, Intaglio
Portrait of a Lady with Lace Collar - British 19th century art oil painting
By Sir Thomas Lawrence
Located in London, GB
This very charming British 19th century Old Master portrait oil painting is attributed to the circle of Thomas Lawrence. Painted circa 1810 it is a seated half length portrait of a l...
Category
Old Masters Early 19th Century Art
Materials
Oil
Fritillaria Imperialis
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Fritillaria Imperialis
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category
Naturalistic Early 19th Century Art
Materials
Handmade Paper, Engraving
College of Physicians, from Ackermann's "Microcosm of London."
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
English School Early 19th Century Art
Materials
Watercolor, Handmade Paper, Lithograph
Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer.
This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image.
"The Pool of Bethesda...
Category
Romantic Early 19th Century Art
Materials
Engraving, Aquatint
Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Not framed, but matted in a handmade custom French matting
Matted size: 30" x 38.75"
Sheet size: 25.5" x 36"
Platemark size: 20.75" x 30.25"
Image size: 18.5" x 27.75"
Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors
Rare
Notes:
Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right.
Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
Category
Victorian Early 19th Century Art
Materials
Watercolor, Engraving, Aquatint, Intaglio
Beach Huts on a Tranquil Shore with Figures Relaxing under a Soft Blue Sky
Located in Cirencester, Gloucestershire
Beach Huts on The Shore
Simone Forge 1930's French Impressionist
oil on board unframed
board: 10.75 x 13.75 inches
inscribed verso
Provenance: private collection
Condition: great co...
Category
Impressionist Early 19th Century Art
Materials
Oil
Susan, Lady Belasyse /// Memoirs of Count Grammont Royal Portrait Engraving Art
Located in Saint Augustine, FL
Artist: Anthony Hamilton (British-French, 1645-1719)
Title: "Susan, Lady Belasyse" (Plate 45)
Portfolio: Memoirs of Grammont
Year: 1808 (First edition)
Medium: Original Stipple Engra...
Category
Romantic Early 19th Century Art
Materials
Engraving, Intaglio
Biensennyo-ko Japanese Woodblock Print
By Keisai Eisen
Located in Houston, TX
Japanese Woodblock print of a Biensennyo-ko a powder face women. Behind the women is a framed cityscape. The print is possibly from the series "Eight Favorite Things in the Modern World". The woodblock print is printed on rice paper. The print is not framed.
Artist Biography: Keisai Eisen...
Category
Edo Early 19th Century Art
Materials
Woodcut
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