Late 19th Century Art
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Woodcut
Modern Late 19th Century Art
Woodcut
Modern Late 19th Century Art
Etching
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Edo Late 19th Century Art
Bronze
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Glass, Wood
Naturalistic Late 19th Century Art
Canvas, Oil
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Oil
Impressionist Late 19th Century Art
Etching, Drypoint
Late 19th Century Art
Watercolor
Late 19th Century Art
Giclée
Late 19th Century Art
Marble
Hudson River School Late 19th Century Art
Oil, Canvas
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Oil, Canvas
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Oil
Flemish School Late 19th Century Art
Panel, Oil
Academic Late 19th Century Art
Oil, Wood Panel
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Lithograph
Late 19th Century Art
Marble
Late 19th Century Art
Watercolor
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Pastel
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Canvas, Acrylic
Late 19th Century Art
Marble, Bronze
Naturalistic Late 19th Century Art
Canvas, Oil
Late 19th Century Art
Etching
Impressionist Late 19th Century Art
Etching
Academic Late 19th Century Art
Canvas, Oil
Academic Late 19th Century Art
Canvas, Oil
Realist Late 19th Century Art
Oil, Canvas
Victorian Late 19th Century Art
Wool
Modern Late 19th Century Art
Lithograph
Late 19th Century Art
Oil
Late 19th Century Art
Bronze
Art Nouveau Late 19th Century Art
Paper, Linen, Lithograph
American Impressionist Late 19th Century Art
Canvas, Oil
Academic Late 19th Century Art
Oil
Late 19th Century Art
Paper
Late 19th Century Art
Oil
Hudson River School Late 19th Century Art
Oil, Canvas
Late 19th Century Art
Linen, Paper, Lithograph
Realist Late 19th Century Art
Bronze
Victorian Late 19th Century Art
Photogravure
Victorian Late 19th Century Art
Oil, Panel
Impressionist Late 19th Century Art
Canvas, Oil
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Impressionist Late 19th Century Art
Lithograph
Italian School Late 19th Century Art
Oil
Late 19th Century Art
Woodcut
Modern Late 19th Century Art
Canvas, Oil
Other Art Style Late 19th Century Art
Plaster
Modern Late 19th Century Art
Woodcut
Modern Late 19th Century Art
Woodcut
Late 19th Century Art
Watercolor
Academic Late 19th Century Art
Canvas, Oil
Victorian Late 19th Century Art
Oil, Canvas
Academic Late 19th Century Art
Oil
Late 19th Century Art
Canvas, Oil
Victorian Late 19th Century Art
Canvas, Oil
Modern Late 19th Century Art
Lithograph