Mid-18th Century Art

The Malkuth, or Discipline of German Jewish Etching, Hand-Watercoloured. Vol. VIII, Plate IX Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passep...

Funeral Procession among the indigenouses - From “New Scientific and Curious Dictionnary concerning the Sacred and the Profane Etchings, Hand-Water...

The Holy Council - From “New Scientific and Curious Dictionnary concerning the Sacred and the Profane Etchings, Hand-Watercoloured. Tom.IX, Plate XLIII Image Dim: cm 25.5 x 18; She...

Don Quichotte conduit par la Folie is an original artwork realized by Louis Surugne in 1730. Etching on paper. Proof of the 1st tirage (chez Surugne). Titled and signed on plate on ...

Franz Xavier Habermann, German (1721 - 1796) - Vue de Boston, Year: circa 1750, Medium: Hand colored engraving on laid paper, Image Size: 9.75 x 15.5 inches, Size: 13 x 17.5 in. (3...

Houston, Richard. THE PORTRAITURE OF LAMPREY. Engraving with hand-coloring, 1755, by Houston after the painting by James Seymour. 11 3/4 x 13 7/8 inches, plus full margins. In excell...

Italian School Italian, 18th Century Venetian Ruins Oil on canvas 20 by 26 in, w/ frame 24 by 30 in

LOUIS XV WOOD CARVED AND GILT FRAME Interior measurement: 57 x 110 cm. Exterior measurement: 84 x 137 cm.

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

William Hamilton first edition frontispiece. Hand-colored original engraved frontispiece plate from the first edition of the "Collection of Etruscan, Greek and Roman Antiquities from...

To see our other Architectural Prints and Drawings including other views of Windsor, scroll down to "More from this Seller" and below it click on "See all from this Seller." James Fittler (1758-1835) after George Robertson...

Samuel & Nathaniel Buck Byland Abbey, Yorkshire Engraving “Byland Abbey is an interesting ruin about five miles from Helmsley. It was a fine specimen of ecclesiastical architecture,...

This masterly frontispiece study, executed with a very sure hand, testifies to the survival of the great Baroque taste in 18th century Venice. It could be one of the very last works by Giovanni Antonio Pellegrini: the few lines that cross the papal arms evoke those of Benedict XIV, who became pope in 1740, one year before the artist's death. 1. Giovanni Antonio Pellegrini and the European influence of Venetian history painting in the 18th century Giovanni Antonio Pellegrini was born in Venice in 1675 and trained in the studio of the Milanese painter Paolo Pagani (1655 - 1716). Pagani, who had been living in Venice since 1667, took him to Moravia and Vienna from 1690 to 1696. After a stay in Rome from 1699 to 1701, Pellegrini married Angiola Carriera in 1704, the sister of the great pastelist Rosalba Carriera. From 1708 onwards, Pellegrini left Venice and began an extensive tour of Europe: he worked in England between 1708 and 1713, where he met great success, particularly at Kimbolton Castle and Castle Howard. He then worked in Germany and the Netherlands, then in Bohemia and Austria, before returning briefly to England in 1719. In 1720 he was in Paris where he decorated the ceilings of the Royal Bank for John Law...

David Hall McKewan (English, 1817-1873) Raglan Castle Watercolor on paper, 9 x 13 inches (sight) David Hall McKewan studied watercolor painting under David Cox (the elder) and exhib...

Pair of oval paintings measuring 66 x 89 cm without frame and 90 x 115 cm with coeval frame depicting two gallant moments during a rest from hunting by painter Hendrik Van Limborch (...

By examining with interest this lively "Still life" (oil painting on oval canvas, 60 x 80 cm without frame and 78 x 88 cm with frame), set in the open air in a park with a small foun...

In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...

An iconic, hand carved, gessoed, painted, and parcel-gilt, Italian polychrome sculpture of tousle curled angel in windswept drapery. Beautiful expression and patina. Now mounted on a...

Set of two carved and gilt wooden heads of lions, italy, venice, 1760 circa This pair of playful and charming lion heads are a marvelous example of Venetian sculptural and decorative...

In this drawing, inspired by his stay in Naples in 1765, William Marlow presents us with a view of Cape Posillipo, to the west of Naples, an essential stage during the Grand Tour. Th...

A fine and rare early barbers pole in original polychrome paint finish. Turned in one piece. A decorative and original piece of folk art. The white was for bandages, red for blood an...

Lovely hand-colour engraving published 1766 of 'Le Pont Neuf Et Royal', the oldest standing bridge across the river Seine in Paris w/ FAR Gallery 746 Madison Avenue, NYC label affi...

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

PORTORO MARBLE FLUTED COLUMN Rome, 18th Century portoro marble 121 x 36 x 36 cm 47 3/4 x 14 1/4 x 14 1/4 in

Typical of 18th Century Rome, this fascinating pink marble urn with lid is a wonderful example of Italian decorative arts. Embellished with bronze moun...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...