Lenticular Abstract Photography

Edition 15 Framed Lenticular In this image we can see Batman x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with rad...

Edition 15, Lenticular In this image Michael Jackson is doing the moonwalk and is x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside...

Marjan Moghaddam works with 3d animation and Motion Capture of improvised dance, Martial Arts and gesticulation. Her distinctive style employs a 3d CG Cubist and Futuristic form of f...

The work is made in a wooden frame with glass and velvet dark blue passepartout. Alec Malyshev is making his artworks using expired film supplies as well old Soviet and European cam...

Edition 15, Lenticular This image shows the guitarist Slash of the famous Rock band Guns 'n Roses. A man with x-ray vision, NICK VEASEY creates art that shows what it is really lik...

Dynamic Sink Pulse One One One One, 2009 digital chromogenic print, aluminum back mount, acrylic face mount  36 x 36 inches / 914 x 914 mm edition of 3 plus AP available print edition 2/3 Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...

Clay-throwing, globe-trotting, boundary-stretching photographer Jeff Becker creates bold, colorful, dynamic work that enlivens spaces. Time is fundamental to his process, as engineer...

"Construction Site, Tucker, Georgia #3, 2019" is a drone photograph featuring hues of red, yellow, grey and tan. Edition of 5. This photograph may be available in additional sizes. P...

"In Praise of Entropy (Untitled #1)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating th...

This is a series of photography portraiture of flowers as subject matter. #773 31.5x42" image dimensions - Edition of 10 Archival pigment print Signed and numbered About this se...

The interplay of light and shadow, greys and magenta transform a portrait of a flamboyantly dressed young girl into an optically engaging abstraction composed of alternating patterns...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab women or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...