Lenticular Abstract Photography

"In Praise of Entropy (Untitled #1)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating th...

Please note: Artwork will be on display through February 25, 2024 and will be shipped to collectors within two weeks following the closing of the exhibition. "Kumimi Beach, Molokai" is an original artwork by Anna Tas...

Please note: Artwork will be on display through February 25, 2024 and will be shipped to collectors within two weeks following the closing of the exhibition. "Aunu'u, American Samoa" is an original artwork by Anna Tas...

Wherever You Look, You See The Chrysler Building. A Third Avenue bus creates a blur of color as it passes in front of the Chrysler Building. Photographer Mitchell Funk took the pres...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

Abstract Dancers, Dark Blue 4, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

Jeffrey Tamblyn Redemption and Retribution Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x16 inches Edition: 50 Signed, dated and numbered by hand on label COA ...

Please note: Artwork will be on display through February 25, 2024 and will be shipped to collectors within two weeks following the closing of the exhibition. "Alega, American Samoa" is an original artwork by Anna Tas...

"In Praise of Entropy (Untitled #10)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating t...

Chris Dean is a Detroit based artist specializing in the medium of lenticular printmaking. Dean's brightly colored work uses lenticular's unique capacity for illusion to create interactive compositions of depth and motion. The visually dense work prioritizes direct experience and focuses on the intersection of the recognizable and the unfamiliar. Dean began exploring lenticular and related processes as a student at San Jose State in the mid 90's during the rise in interest in virtual reality technologies. Working first with stereoscopic processes and later lenticular, Dean has spent the years exploring approaches to these interactive mediums. Dean has exhibited widely in the United States and beyond and is the owner of the lenticular production company Midwest Lenticular. CV SELECTED SOLO*, GROUP EXHIBITIONS AND INSTALLATIONS ​ 2019 Krause Gallery - Custom Culture New York, NY Harold Golen Gallery The Lenticular Show Miami, Florida 2016 Krause Gallery - Surface New York, NY Krause Gallery - Emerging to Established New York, NY Art Basel Scope Miami, Florida ScopeNYC New York, NY LACMA Stereoscopic and lenticulars 2014/15 Krause Gallery Speaking in Tongues New York, NY Krause Gallery Emerging to Established New York, NY Art Basel Scope Miami, Florida 2013 Doyle Auctions New York, NY Krause Gallery Emerging to Established New York, NY Strychnin Gallery Attention Earth Berlin, Germany Strychnin Gallery 10th Aniversary Show Berlin, Germany Harold Golen Gallery Geode Miami, Florida 2012 Ace Museum All In For The 99% Los Angeles, California 232 East Lyric II Royal Oak, Michigan 2011 Linus...

Edition 15, Lenticular This image shows the guitarist Slash of the famous Rock band Guns 'n Roses. A man with x-ray vision, NICK VEASEY creates art that shows what it is really lik...

"OPTASIA 3" Abstract Photography 39" x 39" inch Edition 1/5 by Giuliano Bekor OPTASIA 02 39" x 39" inch Edition 1/5 Archival pigment print. OPTASIA 3 Inspired by a section of the torso of a Cycladic female figurine from the Museum of Cycladic Art...