Vicky Steckel

Jardìn de Recuerdos 01

2016

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso, Dali or Gustav Klimt. In fact REFLECTIONS are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface - the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms. It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique highly advisable masterpieces. The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s disciplined model in his underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude colors of the skin, the vivacious reds of the garments, and the tranquil blues of the water morph and fuse into one another. Hearkening back to the surrealist paintings of masters...

After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels has shifted towards photogra...

After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels has shifted towards photogra...

These photographs are printed on archival pigment paper and encased in resin. They are part of a diptych, and are placed in a white float frame, placed two inches apart. They are a ...

These photographs are printed on archival pigment paper and encased in resin. They are part of a diptych, and are placed in a white float frame, placed two inches apart. They are a ...

These photographs are printed on archival pigment paper and encased in resin. They are part of a diptych, and are placed in a white float frame, placed two inches apart. They are a ...

These photographs are printed on archival pigment paper and encased in resin. They are part of a diptych, and are placed in a white float frame, placed two inches apart. They are a ...