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Andy Warhol
Jean-Michel Basquiat in Soto Sculpture

1984

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    Located in Palm Desert, CA
    A polaroid by Andy Warhol. ""Andy Warhol"" is a Post-War gelatin silver print by American Pop Artist Andy Warhol. The work has been given the Warhol Foundation authentication number ...
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  • Self Portrait
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    A photograph by Andy Warhol. "Self Portrait" is a gelatin silver print by American pop artist Andy Warhol. The artwork is numbered AWL116. Andy Warhol — who famously said that, “In t...
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  • Jon Gould and Andy Warhol
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    A photograph by Andy Warhol. “Jon Gould and Andy Warhol” is a silver gelatin print by American Pop Artist Andy Warhol. The artwork is numbered FL06.00463 and...
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    Late 20th Century Pop Art Figurative Photography

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    Silver Gelatin

  • Andy Warhol and Janice Dickenson
    Located in Palm Desert, CA
    A photograph by Andy Warhol. “Andy Warhol and Janice Dickenson” is a silver gelatin print by American Pop Artist Andy Warhol. The artwork is numbered AWL254 by the Andy Warhol Founda...
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    Late 20th Century Pop Art Figurative Photography

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  • Farrah Fawcett Photo Shoot
    By Andy Warhol
    Located in Palm Desert, CA
    A set of two photographs by Andy Warhol. “Farrah Fawcett Photo Shoot” is a set of two silver gelatin prints by American Pop Artist Andy Warhol. The artw...
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  • Grace Jones and Steve Rubell
    By Andy Warhol
    Located in Palm Desert, CA
    A photograph by Andy Warhol. "Grace Jones and Steve Rubell" is a Post-War silver gelatin print by American Pop Artist Andy Warhol. The artwork is unsigne...
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    Late 20th Century Pop Art Figurative Photography

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  • Abstract Pattern
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    This work is unique. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation numb...
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  • "Peep Land" 1970s Times Square New York photograph (70s NY street photography)
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    In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent twenty-four hours shooting the raw scenery of Times Square and 42nd Street. "Natalici's shots candidly recall a Times Square of flashing marquee lights, electric sexual energy and wild lawlessness. His photographs resuscitate a New York of yesteryear in all of its chiaroscuro, with it all of the dark tenets of urban life that are today masked beneath a glossy veil of uniformity." (Jessica Dailey, Curbed NY, July 29th 2014) Archival Inkjet Print 13 x 19 inches. Hand signed & titled in ink on the verso from a limited edition of 15. Excellent condition. Obtained directly from artist. Lot 180...
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  • Vintage Silver Gelatin Photograph Jacques Lipchitz Bronze Sculpture Photo Signed
    By Adolph Studly
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    Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photographs of works by artists represented primarily by the Buchholz gallery, Curt Valentin, and Stephen Radich Galleries. Artists whose work he shot include Max Beckmann, Francis Bacon, Chaim Soutine, Allan Kaprow, Clyfford Still, Georges Braque, Paul Klee, Henri Matisse, Picasso, Auguste Rodin, Georges Rouault. He worked with Louis H. Dreyer, the pre-eminent architecture photographer in New York City. Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amedeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnason, who ranked Lipchitz with Picasso and Marc Chagall, wrote, "Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century." The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center. He participated in the Flight portfolio...
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  • The Self Representation of Light #412, 2 x Luminograms as one work
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  • Hitchcock
    By Ted Adams
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    Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
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