Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

David Yarrow
Bond (B&W)

2025

About the Item

Bond (B&W) Glencoe, Scotland - 2025 Standard Edition of 12 Unframed 29" x 77" Framed 44" x 92" Large Edition of 12 Unframed 38" x 102" Framed 53" x 117" David's Narrative: Bond Glencoe offers one of Scotland’s grandest locations, especially at the denouement of a winter storm. This panoramic was taken about 20 minutes after the snow had stopped fallen and clouds still covered the cone shaped volcanic monolith of Buachaille Etive; there is an emphatic sense of place and sense of mood. We were very fortunate to be here in these conditions and we were all very rather humbled by the vista in front of us. This is the celebrated gateway to the Scottish Highlands and a land known not just for its natural beauty, but for its bloody past, particularly the Clan feuds between the MacDonalds and the Campbells. The drive through Glencoe encourages a silent historical musing as intense as any road I know in the world. Shit happened here. But there is also an untamed regality to the region that has long drawn filmmakers and, of course, this goes full circle, as this remote part of the world has long been associated with the Fleming family and particularly Ian Fleming - the creator of James Bond. He lived here before moving to Jamaica in 1946. A pivotal sequence in the 2012 Bond movie “Skyfall” was shot on the road down from the A82 to what was Ian Fleming’s nephew’s shooting lodge - Dalness. The location was well chosen and all those that are drawn to the mournful beauty of Scotland, appreciated the subtle alchemy between Bond’s DB5 and the quintessential Highland topography. I doubt any other Bond location has as many daily visitors as that Glen Etive Road. This photograph was taken near the entrance to that road on the West Highland Way. We had watched the weather forecast every day for 10 days before the shoot and not in our wildest dreams did we ever expect the light and the snow cover to be this kind to us. We still had to move quickly with the props and I had to find compositional balance in my frame, but the weather was the transcending component. We were back at Dalness for breakfast. This photograph is personal. Scotland is my home and I think we did Glencoe proud. No wonder Sam Mendes chose to shoot here in the Skyfall movie and the truth is that we got luckier than him with the weather. I would like to thank the Alba Police force and Phil Fleming for their help in making this shoot happen.
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2025
  • Dimensions:
    Height: 92 in (233.68 cm)Width: 44 in (111.76 cm)Depth: 2 in (5.08 cm)
  • More Editions & Sizes:
    117" x 53"Price: $37,000
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388315875652

More From This Seller

View All
Innocence, Quebec by Marine Biologist Paul Nicklen
By Paul Nicklen
Located in Chicago, IL
Innocence Quebec, Canada, 2015. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $3,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 10 "Baby harp seal pups are born into a cold, windy, icy seascape. They only have two weeks the weight, strength and stamina to survive an uncertain future." - Paul Nicklen...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Million Dollar Cowboy Bar (B&W)
By David Yarrow
Located in Chicago, IL
The Million Dollar Cowboy Bar (B&W) Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 42" Unframed 52" x 57" Framed Edition of 12 Large 56" x 64" Unframed 71" x 79" Framed Edition of 12 "Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be. Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to. Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters. We would like to acknowledge John Baxter...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Million Dollar Cowboy Bar (Colour)
By David Yarrow
Located in Chicago, IL
The Million Dollar Cowboy Bar (Colour) Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 42" Unframed 52" x 57" Framed Edition of 12 Large 56" x 64" Unframed 71" x 79" Framed Edition of 12 "Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be. Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to. Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters. We would like to acknowledge John Baxter...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Million Dollar Cowboy Bar (B&W)
By David Yarrow
Located in Chicago, IL
The Million Dollar Cowboy Bar (B&W) Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 42" Unframed 52" x 57" Framed Edition of 12 Large 56" x 64" Unframed 71" x 79" Framed Edition of 12 "Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be. Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to. Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters. We would like to acknowledge John Baxter...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Million Dollar Cowboy Bar (Colour)
By David Yarrow
Located in Chicago, IL
The Million Dollar Cowboy Bar (Colour) Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 42" Unframed 52" x 57" Framed Edition of 12 Large 56" x 64" Unframed 71" x 79" Framed Edition of 12 "Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be. Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to. Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters. We would like to acknowledge John Baxter...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Poker Nights
By David Yarrow
Located in Chicago, IL
Poker Nights Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 62" Unframed 52" x 77" Framed Edition of 12 Large 56" x 94" Unframed 71" x 109" Framed Edition of 12 "Poker was as integral a part of cowboy life in the long winter nights as it was around a campfire in the summer. It was the most common form of entertainment - especially if those cowboys could neither read nor write. There was also, of course, a transactional element to the activity; money would meaningfully change hands. The problem in Wyoming, however, was the state outlawed gambling in 1901. But the iconic Cowboy Bar...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

You May Also Like

Natalie Wood in Coat for "The Great Race"
Located in Austin, TX
This stunning black and white portrait features Natalie Wood smiling in a heavy coat for her role in "The Great Race". Natalie Wood was an American-Russian actress. She began her ca...
Category

1960s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Lucille Ball: Glamour in Fur
By Ray Jones
Located in Austin, TX
Stunning and glamorous image of Lucille Ball in fur.Lucille Ball was an American actress, comedian, model, film-studio executive, and producer. She was the star of the self-produced ...
Category

1940s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Grace Kelly, Prince Rainier, and Their Children in the Snow
Located in Austin, TX
Black and white candid capture of Prince Rainer, Grace Kelly, and their children playing in the snow in Switzerland, circa 1959. What's included: - Limited Edition Archival Print - ...
Category

1950s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Bette Davis in "Dark Victory"
By George Hurrell
Located in Austin, TX
Black and white capture of actress Bette Davis in a fur coat for her role in "Dark Victory", circa 1939. What's included: - Limited Edition Archival Print - Numbered Certificate of ...
Category

1930s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Ginger Rogers in Fur Coat
By Bud Fraker
Located in Austin, TX
Black and white studio portrait of Ginger Rogers in a fur coat, circa 1953. Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an A...
Category

1950s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Barbara Stanwyck in Fur Stole
By Ernest Bachrach
Located in Austin, TX
Black and white capture of actress Barbara Stanwyck in fur stole. Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year...
Category

1930s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Recently Viewed

View All