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David Yarrow
Cloud Nine, Aspen by David Yarrow - Alessandra Ambrosio

2022

About the Item

Cloud Nine Aspen, Colorado, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 64 inches 56 x 96 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. "Sitting proudly at 11,000 ft up in the sky, Cloud 9 is the infamous Aspen mountain bar/restaurant that hosts riotous parties during the winter season. The ski run down the hill is often complicated by the amount of alcohol consumed before revellers are reunited with their skis. Aspen is Shangri-La to both seasoned visitors and residents and Cloud 9, with its dramatic location and reputation for glamour and excess, is a part of the jigsaw making Aspen the most famous Ski resort in the world. My plan was to film up at Cloud 9 and style it in 1970s clothing as a nod to a period when Aspen really established its reputation as a bohemian paradise for the chic and the celebrated. I booked two great girls - Brooks Nader - a high energy, livewire who has worked with me over the last couple of years and then the wonderful Brazilian - Alessandra Ambrosio - the queen of fashion shows and modeling for the last 15 years. She is a joy to work with and has a fun and unassuming disposition despite her fame. There are few models working today that are as loved and respected as Alessandra. The only problem was that we needed to shoot early in the day before the slopes opened and the day was fixed. We woke up to a blizzard and freezing temperatures. I think adaptation and flexibility are core to what we do. Perhaps my middle name should be changed to “PLAN B”. I saw the snow as an opportunity not a threat and worked the conditions into the narrative. It was the right call. All those familiar with Cloud 9 will, I think, smile when they see this photograph. Alessandra was magnificent, as I knew she would be." - David Yarrow David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2022
  • Dimensions:
    Height: 71 in (180.34 cm)Width: 111 in (281.94 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388311802012

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1880 Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 39 x 78 inches 53 x 111 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western. The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there. It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...
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