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David YarrowDavid Yarrow Photograph "Something's Brewing" Outlaws & a Wolf at the Brewery
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Price Upon Request
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Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
This work is sourced directly from the artist.
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
Hand-signed by artist with Certificate of Authenticity
I have never used this old brewery building before in my storytelling because I worried that the facade was too high to fit in an image if there was also to be a cast immediately in front of it. There were two possible solutions - to move the story further away from the building, which would risk disassociation, or to get close to the building with a wide-angle lens, not easy at all and could risk ending with a lousy series of far lit loose shots. The whole building would be in for sure, but to work with a 28mm lens and a wolf is not to play the percentages.
We had no real choice but to go for the second option and roll the dice. We got lucky, but as someone once said “Luck is the residue of design”. A sharp shot on a 28 mm lens is pin pin sharp.
Available Sizes (Framed Size)
Large: 71" x 86" (180 cm x 219 cm)
Standard: 52" x 62" (132 cm x 158 cm)
Available Editions
Large: Edition of 12
Standard: Edition of 12
David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining.
David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
- Creator:David Yarrow (1966, Scottish)
- Dimensions:Height: 52 in (132.08 cm)Width: 62 in (157.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU1778210426182
David Yarrow
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
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The Brotherhood of Thieves, on the tiny old whaling island of Nantucket, is as good a bar as any we know in America from which to tell old stories - and we know quite a few. The ambient light from the window is powerful enough to remove the need for a gaffer and this is such a help when trying to tell tales with a sense of place. The detail in the dog’s face is all lit from the window and this effect lends a sense of timeless drama. This picture could have been taken 50 or 100 years ago rather than April 2022.
Mastiff dogs are among some of the oldest breeds known to humans and were among the first canines to accompany humans on their migrations across the globe. More importantly, for the purpose of this role, their faces have a rather majestic human countenance allowing me to build stories around them. We have worked with many breeds over the years, but for this kind of work, Mastiffs are in a league of their own...
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I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph.
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Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day.
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Not far inland from the storied harbour of Nantucket lies a wonderfully named bar - The Brotherhood of Thieves. Our desk research had led us to believe it could be a perfect location as the walls and ceiling looked timeless and there appeared to be good window light.
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David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Sometimes the most engaging pictures just happen with no real forward planning, but rather a spontaneous reaction to a fresh canvas that just presents itself. This staged shot in a ghost town in Montana was one such occasion.
We had finished filming on a cold January morning and retreated to the only working premises in the deserted town to get warm and have a drink. Our refuge met every preconception of what a timeless wild west American inn should look like – a long wooden bar, wagon wheels on the ceiling, faded black and white photographs of the glory years, the odd moose head and of course a pool table.
My cameras were packed away, but I saw an opportunity. There was just enough light in the room to work an image that told a story of tough folk living at the last frontier.
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