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David Yarrow
Lion King

2014

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Dinokeng, South Africa, 2014 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 51 x 48 inches 71.8 x 67.3 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Remote control positioning requires days of research and monitoring of past behavior and then a strong mathematical head. Once the camera is positioned neither the exposure settings or the focus can be changed. At sunrise and sunset this represents a big dilemma because the light changes by a “stop” every 5 – 10 minutes. Also in fading or rising light (in this case fading) the aperture of the lens will not be so closed down as to offer accommodating depth of field. The use of remote controls with lions is also dangerous, because if the lion gets as close to the remote as one would like – and I tend to shoot with a wide-angle lens on a remote – there is every chance that the lion – on seeing the camera – will attack it. I wanted an angle from the ground looking up right underneath a jumping lion and this required placing the camera in a muddy stream in the hope that the lion would jump so as not to get wet. Seconds after the picture was taken the lion took my camera hostage but the image that survived the mauling conveys beauty, power and vitality." -David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2014
  • Dimensions:
    Height: 51 in (129.54 cm)Width: 48 in (121.92 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU38832574443

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Borana, Kenya & South Africa, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 67 inches 67 x 96 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This artwork combines two photographs - one taken in Borana, Kenya from above Pride Rock and the other taken 4000 km south at Kevin Richardson’s famous lion sanctuary where we created a massive replica of Pride Rock. It was a joint idea between my team and Kevin’s and fund raising for Kevin’s crusade was integral to the project. No better year to do this than in 2019 - the year Disney rereleased Lion King. We hope to raise a meaningful amount from this image for Kevin’s continual task of building awareness of the plight of the lion. The lion has no better friend in Africa. Pride Rock is the spiritual home of the movie and I wanted to work around this physical location in much the same way as Disney. e backdrop, 1,000 feet below, is quintessential East Africa, but the problem is that lion rarely venture onto the rock. at part of the job had to be done in South Africa. e angles and the light had to blend perfectly in order for the composite to work and we spent many hours planning at both locations. The biggest challenge was not the light - both images were taken with the camera pointing in the same direction about 45 minutes after sunrise. We knew if we gave it a few days we would get similar clear sunrises in both locations. A tougher issue was to have the same trajectory in both locations and we ended up hiring a cherry picker...
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