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David YarrowThe Lodge At Vail2024
2024
About the Item
The Lodge at Vail
Vail, Colorado - 2024
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 47" Unframed
52" x 62" Framed
Edition of 12
Large
56" x 71" Unframed
71" x 86" Framed
Edition of 12
"The Lodge at Vail was the first proper hotel to operate in a resort that arrived at the Colorado ski party exceptionally late. The first stones of Vail were laid in 1962 making it the new kid on the block versus other Colorado ski towns such as Aspen, Breckenridge, or Steamboat Springs, which existed as 19th century mining towns prior to the establishment of their ski resorts.
To begin with, the hotel was a “white elephant”, losing $100,000 every year until the faux Bavarian town matured into something of substance. But to borrow from Kevin Costner in Field of Dreams, “If you build it, he will come” and sure enough they came. The Lodge at Vail became the epicentre of a town that enjoyed growing popularity because of its abundant skiing and ease of travel.
The facade of the hotel has not changed much for several decades and I thought I could use that as a backdrop, in much the same way we did at Badrutt’s Palace in St Moritz, Switzerland in 2023. That photograph - which lent on the glamour of the 1970s in the resort - was hugely popular. There was an element of James Bond to it coupled with intense femininity.
The formula worked and so this became the prompt for my shot outside the Lodge. After all, Vail became a place to be seen fairly quickly and by the mid 70s it was in vogue. Bohemian glamour was as prevalent in Colorado as it was in the Swiss Alps, maybe even more so.
Who better, therefore, than Alessandra Ambrosio - the Brazilian supermodel - to play the lead in this narrative. She has such presence and authority and is a joy to work with.
We would also like to thank Austin Akers for the use of the beautiful 1956 Mercedes Benz 300 SL Gullwing". - David Yarrow
- Creator:David Yarrow (1966, Scottish)
- Creation Year:2024
- Dimensions:Height: 52 in (132.08 cm)Width: 62 in (157.48 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU388314028002
David Yarrow
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
About the Seller
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Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
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71" x 79" Framed
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Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
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Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
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Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
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Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
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Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
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Located in Chicago, IL
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Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
We would like to acknowledge John Baxter...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
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