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David Yarrow
Wagon Wheel

2022

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

Wagon Wheel Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 62 inches 67 x 87 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Monument Valley is a storyteller’s paradise. The enormity of the monoliths adds an extra character at no expense and that character is a constant throughout a day’s filming. No lunch breaks, loo breaks or touch ups. They are a bankable asset that must be used and John Ford did exactly that in his filmmaking. The issue for a still photographer is that within no more than an hour of sunrise, the light is simply too stark to do the drama of this amphitheatre justice; the vistas become postcard vistas and are dumbed down by breakfast. I would say that the window of opportunity on a clear morning in this part of the world is at best 30 minutes. The idea of using the spokes of the wagon wheel as a means of light diffraction was not preconceived. I just noticed the effect on the wagon as the sun first emerged that cold morning on the Utah/Arizona border. The anonymity within this image works because the identity of the driver is not really relevant to the story. It is more about the isolation and the sense of purpose. I would imagine that in the 1880s any trip like this was done for a reason, not as a weekend jaunt and most journeys were concluded with a necessary haste."
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2022
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 62 in (157.48 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU38839958962

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Wagon Wheel
By David Yarrow
Located in Chicago, IL
Wagon Wheel Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on th...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

1880
By David Yarrow
Located in Chicago, IL
1880 Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 39 x 78 inches 53 x 111 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western. The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there. It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

1880
Price Upon Request
1880
By David Yarrow
Located in Chicago, IL
1880 Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 39 x 78 inches 53 x 111 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western. The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there. It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

1880
Price Upon Request
Amarillo By Morning
By David Yarrow
Located in Chicago, IL
Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 80 inches 67 x 114 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Wagons evoke childhood memories of watching John Wayne Westerns on the BBC on cold winter evenings. No mode of transport is more emblematic of the great push West and the attendant dangers. For a storyteller of life on the final frontier, props don’t get any better, but finding an authentic one and taking it to the pre-researched location in the wilderness of West Texas is a challenge and an expense. Anyhow, those issues overcome, the biggest problem with photographing a wagon on the move is that it does not suit my style of photography which would tend to be to shoot towards the oncoming wagon. This is simply because the horses’ heads will be at least 10 feet in front of the people driving the wagon. One or other would be in focus, but never both. To have the foreground subject out of focus is a tension point in any photograph and to have the human characters out of focus would seem fairly suboptimal. I wrestled with this the night before the shot and finally it dawned on me what to do. I think it works and I have always wanted to have a picture with this title. I am sure they made it to Amarillo by morning. The whole image smells of old Texas...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

True Grit
By David Yarrow
Located in Chicago, IL
Texas, USA 2020 Also available in Color Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 78 inches 67 x 113 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "It is integral to my style of animal portraiture to obsess on the lead characteristics of the subject and then look to magnify those characteristics. I always want a Champions League model, not a Third Division player. When I photograph African elephants, for instance, I work in Kenya which boasts the biggest, most magnificent elephants in the world. I would never go to Botswana to photograph an elephant - they are smaller than their East African cousins. With cowboys, I am drawn to the great state of Texas - where the most authentic, uncompromising, working cowboys...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

True Grit
Price Upon Request
Hostile Territory
By David Yarrow
Located in Chicago, IL
Hostile Territory Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 70 inches 67 x 104 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Harry Goulding - a Durango sheepherder by trade - first set eyes on Monument Valley in 1923 and saw its potential and set up a small trading post. Little then happened as the stockmarket crashed in 1929 and America fell into the Great Depression. But in 1939, Goulding learned that a Hollywood Studio was looking for a location to shoot a major Southwestern movie. He persuaded a photographer - Josef Muench - to prepare a booklet of 10 x 8 contact prints of the most dramatic formations of Monument Valley such as the three sisters and Goulding took them to Hollywood and showed them to John Ford. Ford immediately agreed that Stagecoach should be filmed in Monument Valley and over the next 25 years he would shoot nine of his most influential films there. Thanks to Goulding, this extraordinary landscape became integral to the careers of both John Ford and John Wayne. In my scouting of this land of giant cathedrals of sand rose...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

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