Ginny Ganong

Waiting

Ginny Ganong Nichols Beauty Image Dimensions: 6 3/4 x 10 1/4 inches (17.1 x 26 cm) Mounted Dimensions: 12 x 16 inches (30.5 x 40.6 cm) Edition 2/200

Horace Bristol Untitled , c. 1940s Black & White Photograph Image Dimensions: 10 x 9 3/4 inches (25.4 x 24.8 cm) Paper Dimensions: 14 x 11 inches Mount...

Dario Calmese no. 83., 2014 Archival pigment print Framed Dimensions: 41 1/2 x 41 1/2 inches (105.4 x 105.4 cm) Image Dimensions: 36 x 36 inches (61 x 61 cm) Edition 1/3, 2

Dario Calmese no. 29., 2012 Archival pigment print Framed Dimensions: 41 1/2 x 41 1/2 inches (105.4 x 105.4 cm) Image Dimensions: 36 x 36 inches (91.4 x 91.4 cm) Edition 1/3, 2 APs

The photography belongs to a cycle of photographies of NY, published in the book "New York", Verlag und Volk, Berlin 1967. Signed by the author on the back, certificate will be inclu...

On a musical and pleasure seeking pilgrimage… during Las Romerias de Mayo festival in Holguín. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of character and underlying humour that transcends the struggle that has defined their lives. James Sparshatt went to Cuba in 1999 and was so taken with the island and its people that he returned 15 times in the following 7 years. His images are largely of the music and dance and innate rhythm of the island but he also found himself drawn to an older generation that had been old enough to understand the revolution in 1959, that lived through 40 years of tumultuous and often difficult times and who now watch with some bemusement the return of the outside world in wave upon wave of tourists. James Sparshatt’s photographs of the “Revolutionary” generation of Cubans capture their grit and indominatable spirit. The black and white portrait photograph...

The Swiss American photographer and filmmaker Rudy Burckhardt was a robust contributor to the New York art scene as a documentarian and participant, from 1935 until the end of the ce...

The images are created rather than found. There is a rearrangement of the sequence of events that leads to the existence of the image. The emotion (the looking in) is identified init...