Kate Breakey

Penstemon in a Bottle

2021

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

"White Flowers" Photography 30"x26" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood PRINT ON THE WOOD The series is based on the idea to look at the famous literary work from an unorthodox perspective and show the content with the help of visual images. In Vladimir’s view the asexuality of the characters allows, within the given photographic project, to use a “transvestitism approach” with females portraying males. The task was to use a natural female refinement of the heroines. Chronologically-wise the Chekhov’s characters find themselves in the 1920’s and the 1930’s when the very notion “style” was most graphic and fitting. The retro-styling approach used in the series makes the photos both expressive and melancholic at the same time. With all his inherent theatricality and nostalgia the artist puts his post-modernistic compositions in the atmospheres of the years past reproducing long-gone motifs. He shows reality against the background of a “theatrical universe”. Grace Glueck, a prominent art critic for the New York Times newspaper, wrote that Vladimir Clavijo-Telepnyov’s large-scale photos look intriguing and, among other things, the photos have something really theatrical about them as if inspired by the system initiated by the Russian theatrical director of the early 20th century Konstantin Stanislavsky. In a subject called Temptation, the rather spoilt servant Yasha in the role of a tempter portrays a so-called new Russian. The character is expressive and cynical; he is aloof, kind of cheeky and self-satisfied individual quick to elbow old-timers. A tragic theme of old age, helplessness and eventual death of a servant named Firse is solved in the form of diptych with a little girl sitting alone in the corner of a huge empty room. The image of land-owning lady Ranevskaya was quite logically portrayed by Renata Litvinova, an actress, script-writer and film director who had played the same role in the Moscow Art Theater...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Delphinium": A unique beauty that doesn’t make sense. Seeking value from the outside is to ask tho...