Nick Simpson

The Gentleman Caller (Nick Simpson Sepia Victorian Styled Theatrical Photograph)

2013

Sepia toned archival pigment print, edition 4 of 25 Item size: 24 x 20 inches, 100% cotton rag paper Image size: 22 x 17 inches This modern, sepia toned landscape print was made by ...

Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...

Square Table, 1992 Still Life Photograph of Antique Table by David Halliday Sepia toned silver gelatin print, edition of 15 Custom brown wood shadow box frames, no mat with AR non g...

Ankony Farm pigment print on watercolor paper 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 This Sepia-toned print of Ankony Farm was taken by photographer, James Bleecker. The photograph depicts the barns on a farm in Rhinebeck, New York. The light reflects beautifully over the landscape, shining through an overcast sky. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry...

"Alice in Wonderland" Photography 32"x28"in Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV Bromoil gelatin silver print, gold and silver leaf, and hand painted mirror Signed and numbered on the back of the print. Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY DMITRY MEDVEDEV NURSULTAN NAZARBAEV Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York. EXHIBITIONS: 2013 Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal; Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia. ​ 2012 Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK; Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum; Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia. 2011 Group exhibition at the ART MOSCOW FAIR. 2010 Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor. 2009 "Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia. 2008 "Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany; Solo exhibition at the VINZAVOD Exhibition Center. 2007 Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia; Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center. 2006 Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK; Solo exhibition at the ESPECRTO Gallery in Krasnodar. 2005 Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris; personal exhibition at the MILLIONAIRE FAIR, Moscow; exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn; personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates; exhibition at the STUDIO Gallery, Moscow Russia; exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow; the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S; exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France; 2004 Exhibition at the STUDIO Gallery, Moscow, Russia; Exhibition at the LEAGUE Art Gallery, Kolomna, Russia; Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia; Exhibition at the Novosibirsk Art Museum, Russia; Exhibition at the Benshaeb art gallery, Paris, France; Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California. 2003 Russian Post Modernism Nostalgia exhibition, New York, U.S; Exhibition at the LUMIERE, Moscow, Russia; Exhibition at the Russian Modern History State Central Museum; A participant at the 40 Views as to the Image of Comme de Garcon art...

Edition of 25 Signed, titled, dated and numbered. Series: Ghostland Paper size: 17 x 22 in. Image size: 16 x 20 in. Keith Carter is an American photographer who is known for his dre...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Ha...