Flood Black and White Photography

Gelatin silver print Signed, verso 24 x 20 inches, sheet 22 x 17 inches, image This photograph is offered by ClampArt, located in New York City.

Beach Hut, Amagansett, NY, Archival Pigment Print, , With Surfboards The Hamptons Printed to Order *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have ...

Black and white fine art long exposure landscape photography. Johannesberg chapel with the beautiful mountains and the traunsee in stormy weather with gigantic cloud, Traunkirchen, A...

Audrey Hepburn having a swim during a break from filming Stanley Donen’s 1967 work ‘Two for the Road’ in St Tropez. Limited edition silver gelatin print Paper size: 16 H x 20 W inc...

Beautiful black & white landscape photograph of forest trees and stream in the woods of Alaska, by Anchorage-based nature photographer George Provost (American, 20th Century). Hand signed and dated "George Provost 1989" lower right. Photograph is hand made from an 8x10 camera negative in a traditional "wet" darkroom, by the photographer. Mounted on white mat board. Unframed. Image size: 19"H x 15"W. Born in California, Provost grew up in the Bay Area. He has lived and worked in Alaska since 1987, specializing in large format, fine art, black and white photography. His work has been exhibited in over 60 exhibitions, received numerous awards, and is included in hundreds of collections, both public and private. George Provost was an Isle Royale...

Behold nature's stunning beauty in this black & white hand signed landscape photograph of beautiful Ayers Rock in Australia, showcasing the elegant curvatur...

This gorgeous female figure is balanced on a wooden pedestal with a stray hand on her torso. Her muscular figure is enhanced by the sepia tones and the play of light on the subject....

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

This is a black and white photograph of JFK and RFK taken by Jacques Lowe in July 1960 offered for sale by CLAMP in New York City.

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Exquisite black and white photograph of Nikita Khrushchev, a portrait in profile of the former Premier of the Soviet Union, by Yousuf Karsh from his ...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...