Lizard Black and White Photography

Listing is for UNFRAMED print. Inquire within for framing. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available...

NICK BRANDT (*1966, England) Cheetah & Cubs Lying on Rock, Serengeti 2007 Archival Pigment Print Sheet 130.8 x 106.7 cm (51.5 x 42 in.) Edition of 8, plus AP Nick Brandt is a contemporary English photographer. His work focuses on the disappearing natural world. Since 2001, he has photographed the changing African continent and established a style of portrait photography of animals...

Molly’s current photographic work explores themes of memory, the passage of time, a sense of place, and the natural world, using both painting and photography. Her unique silver gela...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Nobuyoshi ARAKI (*1940, Japan) 69YK #2, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki compl...

Marine Iguana, Galápagas Islands, Ecuador, 2004 Sebastião Salgado International Shipping Available Stamped with photographer’s copyright blind stamp Signed, inscribed on reverse Undertaking projects of vast temporal and geographic scope, Sebastião Salgado (born 1944) is one of the most celebrated photojournalists working today. Whilst inescapably memorable for their beauty, Salgado’s photographs...

Edition of 15 Signed, titled, numbered and print type in pencil on print verso by David Johndrow Series: Terrestrials Platinum Palladium print While integrating photography and his ...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

A bunch of elephants playing in the mud, photographed by Joachim Schmeisser in 2022. All prints are limited edition. Available in multiple sizes. High-end framing on request. All p...

The Dragon's Den Komodo, Indonesia - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 67" Unframed 52" x 82" Framed Edit...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 41 x 85 inches 51 x 110 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. " This is the first photograph that I have taken of a big Nile crocodile that is strong enough to be released as a print. It’s taken me 30 odd years, but in crocodile years that is nothing. These monsters were around long before man and can live to 100 years old. Big crocs are not easy to capture in a way that conveys their enormity, their primeval menace or indeed their textural magnificence. But this image works and when I saw it in large size at the printers in LA, my heart skipped a beat. It has been worth the wait. I think we pushed a few boundaries here. The picture was made as opposed to taken as I had a preconceived idea of what I was trying to do. The starting point was my acceptance that head on images of crocodiles struggle as there is never enough depth of field with a telephoto to do them justice. The teeth can be in focus, but then probably not their eyes and certainly not their back or tail. I don't like to have my focal point half way back in an image - it creates a tension point if the nearest point of a portrait is out of focus. A head on portrait fails to convey length and length is the key variable. I knew I needed to work at 90 degrees, with the croc perpendicular to the camera. I also wanted to be low and close and I wanted a big crocodile - why on earth photograph...

Listing is for UNFRAMED print. Inquire within for framing. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...