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Moose Black and White Photography

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Art Subject: Moose
Human and Animal Locomotion. Plate 564.
Located in New York, NY
Human and Animal Locomotion. Plate 564. Hauling; broken leg chain; dark-gray Belgian horse Dusel. 14 x 20 inch original vintage collotype print from 1887 Image size 9.5 x 12.25 inch...
Category

1880s Black and White Photography

Materials

Photographic Paper

The Winter Season, Wyoming by David Yarrow - Contemporary Wildlife Photography
Located in Chicago, IL
The Winter Season Jackson Hole, Wyoming - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 51" Unframed 52" x 66" Framed...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Big Moose, Wyoming by David Yarrow - Contemporary Wildlife Photography
Located in Chicago, IL
The Big Moose Jackson Hole, Wyoming - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 44" Unframed 52" x 59" Framed Edition of 12 Large 56" x 66" Unframed 71" x 81" Framed Edition of 12 “The grandeur of the Tetons has been celebrated by artists for 150 years. It was an integral part of Thomas Moran’s life and, of course, the mountain range played a material role in the photographic journey of Ansel Adams. His legacy still holds a tight grip on a Jackson Hole community hosting hundreds of capable photographers every week. As an artist, it is a place in which to enjoy the visual overload rather than attempt to break new ground; that would be a fine trick. I have long been an admirer of the photographer Tommy Mangelsen whose body of work is a love letter to this pocket of America. For many years we have shared the same New York Publisher - Rizzoli - and he sets a high bar with his body of authentic images in the Tetons and beyond. I have a good friend in Jackson, who, for many years, has made a living by ploughing snow on private roads in the winter months. It is his business to know every road in the community and in the days before my arrival he scouted the land either side of these single-track roads for big bull moose. They are not that hard to find in the area near Kelly - especially in late November and December - but I needed to be in situ very early in the day. It was never going to be easy to get a Cigar Shot as there needs to be a sense of place in any picture taken here. Not to include the Tetons in the frame would be akin to filming in Zermatt and not including the Matterhorn. They are on a par as backdrops. To have the Tetons as a canvas requires a high cloud...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

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Young Lad ( haunting portrait of young boy on a crowded London street)
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Richard Sadler's "Young Boy" is a haunting portrait of a very serious young British lad amidst a crowd of other people. He is dressed very formally in hat, coat and tie. He clutche...
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Portrait of a Man, Mid-Century Black & White Photograph by Edward Weston
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Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...
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1940s Post-Modern Black and White Photography

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Arrival or Departure Photographic Series (After Hitchcock)
Located in Soquel, CA
A series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy of the book included "Betty Hahn by Steve Yates. Gelatin silver photographic prints on paper mounted on foam board. Each has a sticker "BHC" with the letter indicating the print sequence "A-E". Following excerpt from the book "Betty Hahn "Photography Or Maybe Not" by Steve Yates, from the essay by Dana Asbury: "Instead of crime fiction and forensic photograph, the first filmic sequences have a moody raking light of film noir in the forties, and she titles Arrival or Departure (After Hitchcock) (plate 117). This series of 5 photographs (1987) shows the back of a man, unidentified, at a deserted train station, in late afternoon light. The rest is ambiguous. Is he coming or going? Is he moving away from him? Is there significance to the first close-up shot of a black duffel bag stuffed under his arm? It was of course Hitchcock's particular genius to explore the ominousness of everyday situations, and to show us that looking to long at anything makes it look suspicious. This series pays homage to Hitchcock's use of the tracking shot that conveys his terrifying message behind "Teddy Bear", that there is serious threat in ordinary objects. This series also fits in with the mood of "Appearance, Ehrlichman Surveillance", and many of the crime series-solitary male figure in an urban setting. There is a tough edge to these works." Unsigned, gallery receipt of purchase copy included with notation on verso . 5 framed images. Each image, 16.5"H x 23.5"L. The following biography is by Fumiko Koizumi at: The Visual Studies Workshop in association with the State University of New York at Brockport Betty Hahn was born Elizabeth Jean Okon on October 11, 1940 in Chicago, Illinois. In 1967, Betty Hahn moved to Rochester to pursue a job at Kodak or Xerox. While in Rochester, she participated in Nathan Lyons's Visual Studies Workshop from 1967 to 1968. Lyons lectured on "vernacular" and "snap shot" photography to workshop students, reinforcing Betty's interest in this "folk" tradition. During her time at the VSW she met Tom Barrow, Roger Mertin, and Alice Wells, and reconnected with Robert Fichter. She was encouraged by how their work was challenging the rules of what was common in fine-print photography. At age 10, her aunt Marcella Brown gave Betty her first camera, a Brownie #2. At this same time the Okon family moved to Indianapolis, Indiana. After graduating from Scecina Memorial Catholic High School in Indianapolis, she entered Indiana University in Bloomington, Indiana. She earned a four-year scholarship and studied fine arts. While she was experimenting with photographic image making her initial artistic experiences involved painting and drawing. She did not take photography seriously as a medium for her artistic expression during her undergraduate work. At age 23, Hahn graduated with a Bachelor of Arts degree and continued at Indiana University for graduate studies in the department of photography. At the suggestion of Henry Holmes Smith...
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Materials

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Floating Sasha - Black & White Photograph, Birds Eye View of A Woman Floating
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Category

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A Farm Grandma Waiting for Kids, 1951
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Ascending, Cuba, 2001
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The Beatles - Ringo Starr Boots and Spurs on the toilet seat
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