Unknown

Views of Chefoo - Ancient Albumen Print 1880/1900

1880/1890

The Landscape is an original vintage photo realized by Maurice Vital, in the late 20th Century. Signed on the plate. Good Conditions.

Pilotis House - Beach in Brazil - Vintage b/w Photo realized in the 1970s. With some handwriting on the rear. Stamped on the rear. Good conditions.

Feminist movement, Divorce Right is a vintage black and white photograph realized in the1960s. Good conditions. With the stamp of copyright on the rear.

Night view Rio De Janeiro - Vintage b/w Photo realized in the 1970s. Copyright by press Agency Credit Photo, N. Drei. With some handwriting on the rear. Stamped on the rear. Good ...

The beauty of nature's rhythm is captured in this black and white landscape photograph of a forest of Aspen trees by American photographer and film maker, John Henry Johnson (America...

"Lighthouse & Bicycle", black and white photograph on Fujicolor professional paper of the Santa Cruz Yacht Harbor Breakwater Lighthouse by Richard Francis Singer (American, 20th Cent...

A beautiful black and white photograph of the ship "Balclutha" in dock, with Coit Tower in the background by famed San Francisco photographer Gene Wright (American, 20th Century). Im...

Stunning black & white landscape photograph with trees reflecting in water in the Sierra Nevada mountains by California artist Robert Werling. Signed on mat lower right: "Bob Werling." Presented in a silver metal frame. Image, 15"H x 19"W. Robert Werling was born in San Francisco, California in 1946 and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, CA. He also studied privately under Ansel Adams from 1966 to 1970 and Imogen Cunningham from 1969 to 1975. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius. While creating an impressive number of his own fine art prints, Werling also lectured extensively and worked as an instructor for the Brooks Institute, the University of California, Santa Barbara, the Zone System Seminars and Workshops in the United States, and for the Werkschule fur Fotografie in Soltau, Germany. Werling has exhibited his photographs in over sixty one-man and group shows in both the United States and Europe. He was guest curator of photography for the Santa Barbara Museum of Art organizing VIVO, the Contemporary Japanese Photography and Brett Weston’s photographs...