ANONYMOUS

Atlas Shrugged

2019

Ave Maria 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not Mounted.

LET ME TAKE YOU DOWN, CAUSE I'M GOING TO - 2018, Edition 1/10 plus 2 Artist Proof, 42x60cm. Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on ba...

Décadence - 2017 25 x 25 cm, edition of 10. Archival Print on Metal, based on a Polaroid. Hand-numbered and signed on the back by artist. Artist Statement “Since my childhood ...

Vertigo 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature Label and Certificate. Not mounted.

Jeff Robb Thought Experiments 4 Lenticular Photograph 39" x 39" Edition of 9 Framed: 40.5" x 40.5" $15,000 Provenance: From the artist's studio Additional Information: Available ...

Gabriel Wickbold Sans Tache, 2014 32 x 72 inches 83 x 183 cm Edition of 5 Archival Pigment Print Framed (Matt Black) Signed on verso + Signature Label Certif...

Limited edition Lambda Chromogenic Print mounted on Dibond (an aluminum substrate) with UV Acrylic. Available sizes: 40 x 60 inches (101.6 cm x 152.4 cm) Edition size: 8 plus 2 A...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady...