Carmen de Vos

Allegro Moderato (Odd Stories)

2014

'Tales of Bitter Doom #60', Edition 2 of 7, 30x30cm, 2018 digital Print, based on a Polaroid mounted on Dibond - gloss coating, hand signed & numbered by artist on the back. Please ...

'Tales of Bitter Moon #25', Edition of 7, 30x30cm, 2018 digital C-Print, based on a Polaroid mounted on Dibond - gloss coating, hand signed & numbered by artist on the back. Please ...

'CEO' (Odd Stories) - 5/25, 2014 digital print mounted on black mdf, dimensions 15x11,3cm (the second image shows a sample piece mounted) hand signed by the artist on the back. -- T...

33 A Poem dictated by the Corset, 2007/2018 [From the series Mademoiselle Jean] This photo is in her book The Eyes of the Fox, 2018 and before in her TicKL Magazine, 2007 Digital color print based on original Polaroid on pearl photo paper, not mounted Hand signed & numbered by the artist...

Delirio, 2001 by Celso José Castro Daza From The series Buscando Mamá One of a kind photo collage Sheet Size: 39.5 in. H x 27.5 in. W Signed, titled and dated by the artist Unframed...

Aventure d'une libertine IV, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born ...

"Сhimera" Nude Photography 29.5" x 24"in Ed. of 15 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31"...

Aventure d'une libertine XII, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the series was born, with a more erotic style than the others. _______________________________ Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable. In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris. In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women’s magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book. In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project, unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera...