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David Yarrow
007 (Colour)

2025

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

007 (Colour) Glencoe, Scotland - 2025 Standard Edition of 12 Unframed 31" x 69" Framed 46" x 84" Large Edition of 12 Unframed 47" x 103" Framed 62" x 118" David's Narrative: The entrance to the Glencoe pass in Scotland offers a volcanic amphitheatre in all weather conditions, but at the denouement of a snow storm there is a haunting menace to Buachaille Etive Mor, the cone shaped monolith that rises vertically to the west of the A82. This is a place where many bad things have happened over the years and the rawness of the topography gives a symbolic nod to that. Glencoe is not a place of lavender fields and sun kissed meadows; it is a primeval geological aberration of granite rock. The pass is one of the most arresting visuals in the UK and I have filmed up here many times over the years. Of course, I am far from alone and the celebrated film director - Sam Mendes - chose Glencoe as a key location for Skyfall in 2012. I am sure his decision was influenced by the fact that the Fleming family has, for four generations, lived in the region and Ian Fleming himself spent many a day in the shooting lodge just 45 miles down the road to Glen Etive. This is most emphatically Bond country. From the single-track West Highland Way running parallel to the main road, we were able to offer a sense of journey to Bond’s DB5 and the other props came to mind quite naturally. At first light, the red telephone box certainly popped against such a formidable backdrop and we had made sure the lighting inside the box was functional. That made all the difference and we are again reminded that it’s often the small things. The strongest photographs have an emphatic sense of place and conveying this was acutely necessary to do justice to both the destination and the Bond parody. We did get lucky with the weather and also, I want to thank the Fleming family and the Alba police force for their help with this project. It was not a bad few days to spend in pursuit of my craft.
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2025
  • Dimensions:
    Height: 46 in (116.84 cm)Width: 84 in (213.36 cm)Depth: 2 in (5.08 cm)
  • More Editions & Sizes:
    62" x 118"Price: $37,000
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388315875482

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1953 (Colour) Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
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