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Edward BatemanHalf Dome No. 1 (with 3D printed landscape)2020
2020
About the Item
Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke.
On my kitchen table, I have been photographing the grandeur of Yosemite National Park, long immortalized by photographers from Carleton Watkins to Ansel Adams. Using geographical data from the internet, I used my 3D printer to try to capture something of the sublime in bits of plastic. With clouds from a small fog machine, I create atmospheric perspective.
This will have to do until we are once again allowed to travel freely. Until that time, I will continue to explore this imaginary landscape. —Edward Bateman
- Creator:Edward Bateman (1962)
- Creation Year:2020
- Dimensions:Height: 15 in (38.1 cm)Width: 15 in (38.1 cm)
- More Editions & Sizes:7 x 7, Edition of 10 (without 3D printed landscape)Price: $400
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13427074982
Edward Bateman
Edward Bateman is an artist and professor at the University of Utah. Through constructed and often anachronistic imagery, he creates alleged historical artifacts that examine our belief in the photograph as a reliable witness. In 2009, Nazraeli Press released a signed and numbered book of his work titled Mechanical Brides of the Uncanny, that explores 19th-century automatons as a metaphor for the camera, stating, "For the first time in human existence, objects of our own creation were looking back at us.” Bateman and his work have been included in the third edition of Seizing the Light: A Social and Aesthetic History of Photography by Robert Hirsch. His work has been shown internationally in over 25 countries and is included in the collections of The Victoria and Albert Museum, The Museum of Fine Arts Houston and Getty Research, among others.
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