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Joan HaseltineHotel 62019
2019
$2,000
£1,513.48
€1,745.52
CA$2,792.86
A$3,128.91
CHF 1,628.59
MX$38,104.10
NOK 20,746.11
SEK 19,536.98
DKK 13,030.10
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About the Item
Hotel 6
2019
Archival Print on Ilford Smooth Cotton Rag M10
11.5x17.25
Edition of 10
Joan Haseltine is a visual artist whose practice revolves around complex ideas of perception and the exploration of emotional intelligence from the female perspective. Her psychological landscapes and portraits examine a nuanced understanding of the challenges that women face, such as gender-based violence, cultural expectations, and the pressure to balance multiple roles, while also recognizing the remarkable resilience and strength of being female.
She is pursuing an MFA in Photography at Maine Media College and lives and works in Los Angeles, CA.
- Creator:Joan Haseltine (American)
- Creation Year:2019
- Dimensions:Height: 11.5 in (29.21 cm)Width: 17.25 in (43.82 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU2499214970522
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Susan Swihart
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A personal narrative of self portrait work that explores the challenges of being a wife, mother, artist, daughter and friend in the middle of a crossroads, at the middle of my life, not quite sure who I am now or what direction I am heading. It’s a period that feels out of balance, a time where I struggle with the concept of aging and lost youth and the pursuit of having it all when I’m not really sure I want it. Often feeling that the person I thought I was has disappeared, replaced by familial needs and that slow and steady march through time as I shepherd my family forward. I am a participant observer in a life where I watch my children grow and take our place, while at the same time observe parents deteriorate. I’m lost somewhere in the middle with little room or time for personal growth or a clear understanding where I fit on the spectrum of my life. Not much time to reflect, but plenty of time...
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