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Kirsten Thys van den Audenaerde
Frown - Contemporary, Polaroid, Nude, 21st Century, Joshua Tree

2019

About the Item

Frown 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-727. Kirsten Thys van den Audenaerde is a self-taught freelance photographer, based in Brussels. Early on in her career, she discovered a fascination with art nude photography and since then the human body in its purest form has played a mayor role throughout her work. In 2016, after becoming increasingly frustrated with digital perfection, an impulse buy of The Impossible Project’s I-1 camera changed her life. Never having heard of TIP before, she describes making that first polaroid image as an instant love affair. Within weeks she had acquired several old polaroid cameras and before she new it, she switched to analogue photography, quickly realising that it offered her everything she had been missing in her digital work. Capturing a unique moment exactly as it is, has brought back the feeling of authenticity she had lost in her previous work. She especially likes to work with expired film, captivated by its perfect imperfections. In September 2016, a trip to visit relatives in Utah, documented only with her polaroid cameras, proved to be a pivotal point. Inspired by the breathtaking landscapes, she returned in May 2017 and road tripped through Utah and California for a few weeks, accompanied by an art nude model friend. She paired the purity of the human body with rugged landscapes and rock formations, and it was along those desert roads that her project ‘Polaroad: A polaroid road trip’ was born. Her hunger for new adventures made her return for a second time in September 2017, traveling solo with a tent in the back of her rented Jeep, completing her project with some stunning images on pack film, shot with a local model. Her Polaroad exhibition is on show in Brussels until January 10th, 2018. Her work has also been shown in Ogden (Salt Lake City) and Barcelona. Kirsten only dreams of two things: traveling round the world at least twice before she dies, with her polaroid cameras of course, and a new fridge big enough to store her rapidly growing stash of Polaroid film.
  • Creator:
  • Creation Year:
    2019
  • Dimensions:
    Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
  • More Editions & Sizes:
    50 x 50 cm, Edition 1/7 + 2AP's Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificatePrice: $815
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    new.
  • Gallery Location:
    Morongo Valley, CA
  • Reference Number:
    1stDibs: LU65235722602

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'The Girl I' (The Girl behind the White Picket Fence), 38x37cm, 2011, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, mounted on Aluminum with matte UV-Protection, signed on verso, artist Inventory No. 15703.02 A piece from Stefanie Schneider's film 'The Girl Behind The White Picket Fence'. A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Carolyn Ryder) Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2017 Rosegallery, Bergamot Station, Santa Monica (G) (6/17 - 8/19/2017) BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
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