Richard Heeps

Dice I, Hemsby, Norfolk - Pop art contemporary color photography

2004

Part of Richard Heeps 'Man's Ruin' Series, this fun multi-colour picture has so many iconic motifs, from lucky dice, lucky number 8 and skull and cross bones. This artwork is a lim...

Part of Richard Heeps 'Man's Ruin' Series, this fun multi-colour picture has so many iconic motifs, from lucky dice, lucky number 8 and skull and cross bones. This artwork is a lim...

Dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed their own dichrom...

Heidler & Heeps Dice Series Sixteen Piece Multicolor 'Twos' Square Installation. The number Two Dice, a symbol of balance and harmony, is repeated creating ...

A boldly composed Las Vegas casino sign consisting of a three-dimensional red die rests on a King of Clubs. The very graphic sign is captured in an equally bold way by street photog...

Kate Brinkworth (b.1977) MGM Grand 2010 oil on canvas 163 x 224 cm Price: £21,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University...

Kate Brinkworth (b.1977) Golden Dollar 2010 oil on canvas 180 x 135 cm Price: £15,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Exhibited: Kate Brinkworth, All or Nothing, Alon Zakaim Fine Art, London, 21 September-22 October 2010 Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair. Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand. Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique. Categories: Golden Dollar, Kate Brinkworth, photorealist, dice, gambling, casino...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...