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Stefanie Schneider
Mindscreen 1 - Contemporary, 21st Century, Polaroid, Figurative, Color
1999

Name: Mindscreen 1 - Contemporary, 21st Century, Polaroid, Figurative, Color
Brand: Stefanie Schneider
Price: 6312.23 AUD
Availability: InStock
Rating: 4.9 (36 reviews)

About the Item

Mindscreen 1, - 1999 128x126cm, including white border Edition of 5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Not mounted. Signature label and Certificate. Artist Inventory No. 240.03. Second image shows the piece mounted with white 'Polaroid' frame at Gallery Robert Drees, Hannover, Germany. Published in the catalog for the group exhibition 'Night On Earth', Städtischen Ausstellungshalle am Hawerkamp, Münster, April - Mai, 2001 Ralf Christofori - aus dem Katalog "Night On Earth" zur gleichnamigen Ausstellung in der Städtischen Ausstellungshalle am Hawerkamp, Münster, April - Mai, 2001 Stefanie Schneider's photographs are reminiscent of scintillating situations located on the edge between daydreams and sleeping dreams. All of the scenes she has shot in the South West of the USA seem surreally enraptured, and the artist herself seems only to act inasmuch as she gives the decisive impulse. The people who are photographed are no more tangible than the motives for their activities or the storylines of the photo sequences. Atmospheric disturbances are in Stefanie Schneider's work the result of a narrative arrangement, which forces the viewer in between visual mementos and gaps in memories. But simultaneously the artist is working no less purposefully with media, and although their own momentum is calculable, the material that is introduced is largely uncontrollable: the best-before date on the Polaroid film pack has long since expired; the photo-chemical self-developing process takes the exposure and alienates. This dysfunction is a fundamental element in the artist's work Mind Screen, which consists of several parts. She confronts the brittleness of the real, the genuine and the comprehensible with a magical realism dipped in chimaeras to produce dreamlike sequences. And she leaves the content of a presumed storyline up to the viewer. There is no user's manual here for people to follow: in its place, everything succumbs to the draw of these unreal, shimmering scenes, the Fata Morgana of a road movie, an act of violence or a tragic self-sacrifice. Film genres are brought in and taken away in the same breath. Wim Wenders' Paris, Texas turns out to have been shot through a rose-tinted lens, Thelma and Louise proves to be a popular ditty about a heroic mass mobilisation, whilst The Good, the Bad and the Ugly mutually destroy themselves. Things shimmer and flicker before our eyes: we are unable to step out of this dream, nor are we able to verify it. German: Stefanie Schneiders Fotografien erinnern an Situationen, die zwischen Tag- und Nachttraum changieren. Sämtliche ihrer im Südwesten der USA aufgenommenen Szenen wirken surreal entrückt, und die Künstlerin selbst scheint als Akteurin lediglich den ausschlaggebenden Impuls zu geben. Die Personen, die sie fotografiert, sind genauso wenig greifbar, wie die Handlungsmotive oder Erzählstränge der fotografischen Serien. Atmosphärische Störungen sind bei Stefanie Schneider das Resultat eines narrativen Arrangements, das den Betrachter zwischen Erinnerungslücken und –bilder zwingt. Es sind aber ebenso gezielte mediale Einsätze, mit denen die Künstlerin arbeitet, Einsätze, welche auf die Eigendynamik zwar kalkulierbaren, aber weitgehend unkontrollierten Materials setzt: Das Verfallsdatum der von ihr verwendeten Polaroidfilme ist weit überschritten; der fotochemische Prozeß der Selbstentwicklung lichtet ab und verfremdet. Diese Dysfunktion ist wesentlicher Teil der mehrteiligen Arbeit Mind Screen. In traumartigen Sequenzen konfrontiert sie die Brüchigkeit des Realen, Wirklichen und Begreifbaren mit einem in Schimären getauchten magischen Realismus. Den Gehalt einer vermeintlichen Geschichte überläßt sie den Betrachtern. Keine Handlungsanweisung soll hier befolgt werden, es wirkt der Sog dieser irreal flirrenden Szenen, die Fata Morgana eines Road Movies, eines Gewaltaktes oder einer tragischen Selbstaufgabe. Filmische Genres werden bedient und im selben Atemzug wieder entzogen. Wim Wenders' 'Paris, Texas' entpuppt sich als handkolorierte Schönfärberei, 'Thelma and Louise' als Gassenhauer eines heroischen Großaufgebots, während sich 'the Good, the Bad and the Ugly' gegenseitig zugrunde richten. Es schimmert und flirrt vor den Augen: Wir können aus dem Traum heraustreten, verifizieren können wir ihn nicht. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. "My dream of accepting so called 'imperfection' is in fact a realizing of a different world view. Formally, my work was called blurry or broken but they fail in the test of acceptance that all things are imperfect. It's a seismic shift for some but in this age where the cracks are no longer hidden, the affirmation of reality is still difficult. The celebration of imperfection reconnects us to the real world where we normally mask our flaws. I chose Polaroid film because it portrays color like candy making even the broken an expression of endearment. The combination of the color and the blemishes of expired Polaroid analog film gave me a sense of inner peace with my surroundings. It just fit. Nothing had portrayed my vision so symbolically. "The film schools I went to scoffed at my discovery blinded by the very imperfections that expressed my passion and love. The quirks, oddities or the perfectly imperfect uniqueness of my work relate to our own life blemishes and somehow make them ok or even remarkable. Honoring that value of imperfection makes it permissible to be. At least for me... I plan engagements in spontaneity for any new project or photoshoot. Allowing space and time for the magic moment to manifest and capturing that enchantment. I use my senses and current affairs to plot that path of serendipity especially when it's a mark of turbulence. The upheaval of balance is the key for chance and allows all unknown forces to contribute to the moment. I look inside myself, ground that emotion and imagine it in a dream because dreams are the foundation of emotion and the link to our sub-conscience. I try to clarify my nightly dreams subjectively with a cup of nostalgia in a bowl of emotions and sprinkle it generously with sex. It is there, the fountain of our instincts." Stefanie Schneider

Creator:

Stefanie Schneider (1968, German)

Creation Year:

1999

Dimensions:

Height: 50.4 in (128 cm)Width: 49.61 in (126 cm)Depth: 0.04 in (1 mm)

Medium:

Archival Paper,Photographic Paper,C Print,Polaroid

Movement & Style:

Contemporary

Period:

1990-1999

Condition:

Gallery Location:

Morongo Valley, CA

Reference Number:

1stDibs: LU652310964692

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Mindscreen 1 - Contemporary, 21st Century, Polaroid, Figurative, Color
1999

About the Item