Items Similar to Stefanie Schneider Minis - Salt'n Sea - based on a Polaroid, mounted
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Stefanie SchneiderStefanie Schneider Minis - Salt'n Sea - based on a Polaroid, mounted2010
2010
About the Item
Stefanie Schneider's Minis
Salt'n Sea (California Badlands) - 2010
Signed and signature brand on verso.
Lambda digital Color Photographs based on the Polaroid.
Sandwiched in between Plexiglass (thickness 0.7cm)
Polaroid sized open Editions 1999-2013
10.7 x 8.8cm (Image 7.9x7.7cm)
Stefanie Schneider’s work is a meditation on time—its erosion, its persistence, its ability to fracture and reassemble in the mind’s eye. Like faded dreams or half-remembered encounters, her Polaroid images exist in a liminal space where past and present bleed into one another, never quite whole, never truly lost.
Her process itself is an act of defying time. The expired Polaroid film she employs carries within it the chemical scars of its own history, yielding unpredictable mutations that transform each image into an artifact of imperfection. These distortions are not merely aesthetic choices but echoes of memory—relics of moments that refuse to remain static. In an era of hyper-clarity and digital perfection, Schneider’s art invites us to embrace the ephemeral, to find beauty in the decayed and the transient.
The American West, a landscape steeped in myth and reinvention, becomes the perfect backdrop for this exploration of time’s paradoxes. Her subjects—wandering figures in motels, trailer parks, and endless deserts—are suspended between nostalgia and an uncertain future, much like the film she captures them on. They exist in a cinematic loop, their stories unfolding and dissolving, caught in the glow of a setting sun that never fully disappears.
But there is a deeper shift at play, one that mirrors the changing nature of artistic life itself. Before 2020, artists thrived on movement, on exposure, on a constant dialogue between places and people. Travel was a necessity, a lifeline to new influences and inspirations. Yet, in the wake of global upheaval, a hyper-isolationist existence has taken hold, where the act of creation unfolds within a contained world. Schneider’s desert sanctuary reflects this new reality—an alternate universe born from necessity, a space where time stretches and bends inward, echoing the dreamlike qualities of her work. The outside world receded, but within this solitude, another form of freedom emerged: the ability to construct a world entirely of one’s own making.
Memory, like Schneider’s images, is imperfect. It shifts, it fades, it distorts. Yet, in these imperfections, new narratives emerge—ones that feel more real than reality itself. This is the power of Schneider’s work: to remind us that time is not linear but layered, that the past is never truly past, and that every moment carries the weight of all that came before.
Her work is not just a preservation of a vanishing medium—it is a meditation on the nature of remembrance itself. In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over again, the memories we think define us. Schneider’s images are time capsules, not of fixed moments, but of the way moments feel—a testament to how time warps, erases, and ultimately reveals. They are not just photographs; they are fragments of time, unraveling like film caught in the projector’s glow, forever flickering between memory and dream.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2010
- Dimensions:Height: 4.22 in (10.7 cm)Width: 3.47 in (8.8 cm)Depth: 0.28 in (7 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652316223192
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1996
1stDibs seller since 2017
1,019 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Morongo Valley, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllStefanie Schneider Minis - Airstream (29 Palms, CA) - signed on back, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'Airstream' (29 Palms, CA) - 1999
signed and signature brand on verso
Lambda digital Color Photographs based on a Polaroid
Polaroid sized open Editions 1...
Category
Early 2000s Contemporary Color Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - GASOLINE I - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Gasoline I (Stranger than Paradise), 1999
Signed and signature brand on verso.
Lambda digital Color Photographs based on a Polaroid.
Sandwiched in between...
Category
Early 2000s Contemporary Color Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - Saigon - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Saigon (Stranger than Paradise), 2003
Signed and signature brand on verso.
Lambda digital Color Photographs based on a Polaroid.
Sandwiched in between Ple...
Category
Early 2000s Contemporary Color Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
A Stefanie Schneider Mini - Moonwalk (29 Palms, CA)
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'Moonwalk' (29 Palms, CA), 2006
signed and signature brand on verso
Lambda digital Color Photograph based on a Polaroid
Polaroid sized open Editions 1999-...
Category
Early 2000s Contemporary Color Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - Salt'n Sea - based on a Polaroid, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Salt'n Sea (California Badlands) - 2010
Signed and signature brand on verso.
Lambda digital Color Photographs based on a Polaroid.
Sandwiched in between P...
Category
Early 2000s Contemporary Color Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - Cyclone (Stay) - based on the Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Cyclone (Stay), 2006
Signed and signature brand on verso.
Lambda digital Color Photographs based on the Polaroid.
Sandwiched in between Plexiglass (thickn...
Category
Early 2000s Contemporary Color Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
You May Also Like
Patrick Sansone, Empty Center, 2021, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...
Category
2010s Street Art Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Chef's Hardware, 2022, Lambda C Print, Ed 1/10, Street Photo
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...
Category
2010s Street Art Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Flourescent Fuji, 2021, Lambda C Print, Ed 1/10, Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...
Category
2010s Street Art Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Gallatin Dining Room 2023, Lambda C Print, Ed 2/10
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...
Category
2010s Street Art Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Sue's Window, 2021, Lambda C Print, Ed 2/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...
Category
2010s Street Art Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
Patrick Sansone, Club Diamond, 2023, Lambda C Print, Ed 1/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...
Category
2010s Street Art Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Lambda
