untitled beach scene, 1987

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David LaChapelle
untitled beach scene, 1987
1987

About the Item

Rare, early, signed and dated (verso) 1987 vintage silver gelatin print. this is one of a kind and not editioned according to correspondence I have from his studio. this is one of three. one of them has a label from Triton gallery in NYC (on the others you can see where it was) Image size is 13 x 8.75 inches (33.02 x 22.23 cm.) paper is 14X11 inches David LaChapelle (born March 11, 1963) is an American commercial photographer, fine-art photographer, music video director, film director, and artist. He is best known for his photography, which often references art history and sometimes conveys social messages. His photographic style has been described as "hyper-real and slyly subversive" and as "kitsch pop surrealism." One 1996 article called him the "Fellini of photography," a phrase that continues to be applied to him. David LaChapelle's photography career began in the 1980's in New York City galleries. After attending the North Carolina School of Arts, he moved to New York where he enrolled at both the Art Students League and the School of Visual Arts. With shows at 303 GalleryLaChapelle which also exhibited artists such as Doug Aitken and Karen Kilimnik , Trabia McAffee and others, his work caught the eye of Andy Warhol and the editors of Interview Magazine, who offered him his first professional photography job. LaChapelle's friends during this period included Keith Haring and Jean-Michel Basquiat Working at Interview Magazine, LaChapelle quickly began photographing some of the most famous faces of the times. Before long, he was shooting for the top editorial publications of the world, and creating the most memorable advertising campaigns of a generation. LaChapelle cites a number of artists who have influenced his photography. In a 2009 interview, he mentioned the Baroque painters Andrea Pozzo and Caravaggio as two of his favorites.[23] Critics have noted that LaChapelle's work has been influenced by Salvador Dalí, Jeff Koons, Michelangelo, Cindy Sherman, and Andy Warhol. His striking images have appeared on and in between the covers of magazines such as Italian Vogue, French Vogue, Vanity Fair, GQ, Rolling Stone and i-D. In his twenty-year career in publishing, he has photographed personalities as diverse as Tupac Shakur, Madonna, Amanda Lepore, Eminem, Philip Johnson, Lance Armstrong, Pamela Anderson, Lil' Kim, Uma Thurman, Elizabeth Taylor, David Beckham, Paris Hilton, Jeff Koons, Leonardo DiCaprio, Hillary Clinton, Muhammad Ali, and Britney Spears, to name just a small selection. After establishing himself as a fixture amongst contemporary photography, LaChapelle expanded his work to include direction of music videos, live theatrical events, and documentary film. His directing credits include music videos for artists such as Christina Aguilera, Moby, Jennifer Lopez, Britney Spears, The Vines and No Doubt. His stage work includes Elton John's The Red Piano, the Caesar's Palace spectacular he designed and directed in 2004, which just recently ended its five year run in Las Vegas. His burgeoning interest in film led him to make the short documentary Krumped, an award-winner at Sundance from which he developed RIZE, the feature film acquired for worldwide distribution by Lions Gate Films. The film was released in the US and internationally in the Summer of 2005 to huge critical acclaim, and was chosen to open the 2005 Tribeca Film Festival in New York City. Recent years have brought LaChapelle back to where he started, with some of the world's most prestigious galleries and museums exhibiting his works. Galleries such as the Tony Shafrazi Gallery in New York, Jablonka Galerie in Berlin, the Robilant + Voena Gallery in London; and Maruani & Noirhomme in Belgium have housed his works as well as Institutions such as the Palazzo delle Esposizioni and Palazzo Reale in Italy; the Barbican in London, and The Helmut Newton Foundation in Berlin. In recent years he has exhibited his works at many one-man shows around the world, including the Barbican Museum in London (2002), Palazzo Reale in Milan (2007), the Musée de La Monnaie in Paris (2009), Antiguo Colegio de San Ildefonso in Mexico City (2009), Kestner Gesellschaft in Germany (2009) and the Tel Aviv Museum of Contemporary Art in Israel (2010), from which he received the honor of Artist of the Year in 2011. Also recently, major retrospectives of his work have been shown at the Museum of Contemporary Art Taipei (2010), Museum of Contemporary Art in Puerto Rico (2011), Hangaram Museum in Korea (2012), Rudolfinum Gallery in Prague (2011/2012), and the Fotografiska Museum in Stockholm (2012/2013). Recent acquisitions include Los Angeles County Museum of Art (2012), National Portrait Gallery in London (2012), and National Portrait Gallery in Washington DC (2012). He currently shows at Paul Kasmin Gallery.

Creator:
David LaChapelle (1964, American)
Creation Year:
1987
Dimensions:
Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)
Medium:
Silver Gelatin
Movement & Style:
85 New Wave
Period:
1980-1989
Condition:
Gallery Location:
Surfside, FL
Reference Number:
1stDibs: LU382126750

Shop All David LaChapelle

David LaChapelle

David LaChapelle's highly polished, saturated and intricately composed photographs possess the surreal wildness of fever dreams, concocted as they are out of the imagery of celebrity, eroticism and modern Americana, and spiked with religious allegory and forebodings of doom.

Such work has made him among the most influential art and celebrity photographers of his generation. You might say LaChapelle sprung straight from the head of Andy Warhol, whose campy silkscreen fusions of the glamorous, the transgressive and the everyday forever changed contemporary art.

Like so many young gay artists who came out of the 1980s downtown New York scene, LaChapelle’s escapist visions arose out of a lonely, bullied adolescence. Although born in Connecticut, the photographer spent his early childhood in North Carolina, the youngest of three children. Later, when LaChapelle was in his early teens, his family moved back to suburban Connecticut, but his cowboy costumes and gender-bending ways did not earn LaChapelle friends among his new preppy classmates.

By high school, LaChapelle felt terrorized and suicidal. He fled to New York, where his good looks got him a job bussing tables at Studio 54. It was there that he reputedly first met Warhol, who had been his favorite artist since he first gazed upon a Gold Marilyn, while on a fourth-grade field trip to a museum.

LaChapelle's parents eventually retrieved him from New York, and, sympathizing with his plight, sent him off to the North Carolina School of the Arts. Despite a more embracing atmosphere, he didn’t stay long. A sojourn in London followed. When he returned to New York, around 1983, the punk-inflected downtown culture was churning out gritty new art. Keith Haring’s gay-themed Pop-art graffiti was in everybody’s face, and Robert Mapplethorpe’s S&M photos were on gallery walls.

Having scored a show of his black-and-white photography — already vaguely campy and transfiguration-obsessed — at New York’s then-fledgling 303 Gallery in 1984, LaChapelle attracted the interest of Interview magazine. Warhol was then at the zenith of his influence in both the art world and the downtown scene. Recognizing LaChapelle’s potential as an eye-catching celebrity photographer, he put him on staff, providing him with the creative milieu where his distinctive talent might develop.

There were editorial assignments for i-D, The Face and later for Vanity Fair, Vogue Paris and Rolling Stone. He also made excursions into advertising. One of his most talked about campaigns was a provocative print ad for Diesel jeans inspired by the famous photograph of the V-J kiss in Times Square, but this time showing Tom of Finland–type sailors in passionate embrace.

After being without an editorial home for several years, LaChapelle finally found a base at Details, where he was again encouraged to let his freak flag fly. So arresting were his images that it wasn’t long before “the Fellini of photography,” as New York magazine dubbed him in 1996, was again working for Interview. One of his most emblematic pictures from this era was a Lil’ Kim cover for that magazine, featuring the rapper’s nude body emblazoned with Louis Vuitton insignia (one of the most famous logos in luxury fashion).

Such visually zany, socially astute portraits prompted Richard Avedon to liken LaChapelle to a photographic Magritte, while also winning him invitations to direct music videos for such talents as Christina Aguilera, Moby and Amy Winehouse.

Find a collection of original David LaChapelle photography today on 1stDibs.