Stephen Mallon

" 1600" C Print Photograph, 30"x45"

2018

photograph, edition of 5, unframed This photograph is from Stephen Mallon's series: "Prelude" - an examination of the "Prelude F.L.N.G.,"* the "largest offshore floating facility ever built." In keeping with his previous series (which have included projects about planes, ships, and subway cars) Mallon again looks at large scale industrial operations, this time REALLY large scale. The Prelude is 1,600 feet long and displaces 600,000 tons of water. Designed to process natural gas...

30" x45" photograph, limited edition of 5, unframed signed and editioned on the reverse Composed with graphic lines of yellow scaffolding, this photograph exentuates the geometric de...

photograph, edition of 5, unframed signed and editioned on the reverse This photograph is from Stephen Mallon's series: "Prelude" - which features beautiful and stunning photographs...

20"x30" C-Print photograph, edition of 5, unframed signed and editioned on the reverse This photograph is from Stephen Mallon's series: "Prelude" - which features beautiful and stunning photographs of the “Prelude F.L.N.G.,”* the “largest offshore floating facility ever built.” This seemingly abstract photograph depicts the yellow and silver framework of scaffolding and piping, with figures of workers on various levels to project the massive scale the construction. The Prelude is 1,600 feet long and displaces 600,000 tons of water. Designed to process natural gas...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a black float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes i...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...