Building Figurative Photography

Cupola- Ceylon Photo Reportage is a Vintage b/w Photo realized in the 1960s by Folco Quilici. Good conditions. Stamped on the rear.

Slim Aarons Laudomia And Alessandro Pucci 1991 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Laudomia Pucci di Barsent...

Hong Kong – The new face of the Orient is a Vintage b/w Photo realized in the 1960s. Good conditions. Stamped on the rear.

Brasilia Residential area is a Vintage b/w Photograph, realized in the 1960s. Good conditions. Stamped on the rear.

Rio de Janeiro View is a Vintage b/w Photograph, realized in the 1960s. Good conditions. Stamped on the rear.

Slim Aarons Pool At El Cuarton 1971 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Bathers at a pool in El Cuarton, Cos...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Roman Monuments are Silver salt photographs on paper, two images applied on paper one on the front, and two images on the rear, with the description on the lower of each in English. ...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Street photographer Mitchell Funk captures a magic moment. The image features a graceful lunging black poodle in pursuit of something outside the image area. The poodle is center...

silver print on photo paper Black wooden frame with glass pane 57 x 57 x 2 cm

Rio de Janeiro View - Vintage b/w Photo realized in the 1970s. With some handwriting on the rear. Stamped on the rear. Good conditions.

Stickball by Leonard Freed captures children playing the all-American game of baseball in the streets of Little Italy 1950s New York City. American photog...

High rise in Singapore – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By fo...

The Wills Building, an iconic building in Bristol. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Rising like a phoenix from the dereliction of Battersea Power Station, London. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable...

Structure and abstraction – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By...

Modernity and repetition in New York City – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the...

Modernity and repetition in New York City – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the...

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

An exuberance of colour in Brazil – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories are suffused with a fade...

A factory in Avonmouth. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmo...

The passing of time revealed in the dock buildings of Avonmouth, England. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable inte...

A factory in Avonmouth. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmo...

Communal living in Rio de Janeiro – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collect...

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

The Empress cinema building in Manchester before its demise – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is ...

The Wills Building, an iconic building in Bristol. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of...

An exuberance of colour in Brazil – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories are suffused with a fade...

The washing lines and bright colours of a backstreet in New Delhi – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel...

Structure and abstraction – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By...

A table awaiting bread to be broken and wine to be drunk… – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories ...

The bright colours of a cafe in a poor district of Salvador in Brazil. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose ...

Dynamic shapes and colours seem almost otherwordly. Yangon, Burma – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures ...

Peace and quiet behind shuttered windows in Barcelona – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individua...

The abstraction of modern living in 65 flats in Rio de Janeiro – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the ...

Cherry Blossom - Vintage b/w Photo realized in the mid-20th Century. Copyright by Rizzoli Press, Milan In the photo: In Japan cherry trees. With th...

Along the road to the promised land of California…. an abandoned shack on the dry side of the mountains – Cawston’s eye for colour, structure and the beauty of the mundane finds a wo...

A moment of reflection as a cat and resident seem to make eye contact between the floors. – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Te...

High rise in Singapore – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By fo...

The emptiness of a multi-storey car park late at night in Bristol – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. ...

Along the road to the promised land of California…. an abandoned shack on the dry side of the mountains – Cawston’s eye for colour, structure and the beauty of the mundane finds a wo...

The emptiness of a multi-storey car park late at night in Bristol – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. ...

Rio de Janeiro Garden of Glory - Vintage b/w Photo realized in the 1970s. Copyright by Trindade. With the handwriting on the rear. Good conditions.

Peace and quiet behind shuttered windows in Barcelona – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individua...

EUR is a beautiful offset realized by Franco Fontana. Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous contempor...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

View of Florida Miami Beach is a photograph realized in the 1960s. Good conditions.

Neal Slavin (American, b. 1941) Electrolux Vacuum Cleaner Sales Convention, New York City, 1974 Vintage C-print [Chromogenic development print; Ektac...

Presidential Parade Washington President Eisenhower 1957 is a vintage photograph. Good conditions. The artwork is depicted in a well-balanced composition.